100% Reggae 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Decicated to the One I Love
phonographic copyright (℗) by:
The Brilliant Recording Co. Ltd. (in 1994)
cover recording of:
Dedicated to the One I Love
writer:
Ralph Bass and Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bitty McLean3:43
2Oh Carolina
cover recording of:
Oh Carolina
lyricist and composer:
John Folkes
Shaggy2.33:10
3Sweets for My Sweet
cover recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
C.J. Lewis3:23
4I Can See Clearly Now
additional producer:
Jimmy Bralower
producer:
Paul Henton
remixer:
Jimmy Bralower
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
cover recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff4.53:12
5Housecall
guest performer:
Maxi Priest (British reggae vocalist of Jamaican descent)
performer:
Maxi Priest (British reggae vocalist of Jamaican descent)
recording of:
House Call
writer:
Mikey Bennett, Brian Thompson, Clifton Dillon, Lowell “Sly” Dunbar, Maxi Priest (British reggae vocalist of Jamaican descent) and Rexton Gordon
Shabba Ranks feat. Maxi Priest2.53:54
6Keep on Moving
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02) and Rannie “Bop” Williams (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
publisher:
Trojan Records
recorded at:
Studio 17 in Denham Town, Kingston (Kingston Parish), Jamaica (in 1971-02)
recording of:
Keep On Moving (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music and Cayman Music Inc
is based on:
I Gotta Keep On Movin’
Bob Marley & The Wailers23:04
7Dub Be Good to Me
producer:
Norman Cook
guest lead vocals and lead vocals:
Lindy Layton
recording of:
Dub Be Good to Me
composer:
Norman Cook, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
version of:
Just Be Good to Me
Beats International45:18
8Oh Carol!
guest performer:
Don Campbell (British reggae singer)
General Saint feat. Don Campbell3:35
9You Can Get It If You Really Want
Desmond Dekker2:26
10Double Barrell
recording of:
Double Barrel
lyricist and composer:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) and Winston Riley
Dave & Ansel Collins2:28
11Silly Games
recording of:
Silly Games
lyricist and composer:
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay4:02
12Gal Wine
phonographic copyright (℗) by:
Dynamic Entertainment Ltd. (not for release label use) (in 2006)
Chaka Demus & Pliers3:36
13Dancing on the Floor
Third World4:09
14Coming
Schwarzkopf3:27
15The Prince
producer:
Clive Langer
recording of:
The Prince
lyricist and composer:
Lee “Kix” Thompson (Madness)
dedicated to:
Prince Buster
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness22:29
16Return of Django
recording of:
Return to Django
composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
B & C Music Publishing
The Upsetters2:22
17Red Red Wine
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
Tony Tribe52:54
18A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials feat. Rico42:54
19Girlie Girlie
recording of:
Girlie Girlie
publisher:
Lloyd Douglas ("Girlie Girlie") and Steve Golding
writer:
Anthony Davis, Lloyd Douglas ("Girlie Girlie") and Steve Golding
publisher:
Sangie Davis Music
Sophia George3:22
20The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:33
21I Want to Wake Up With You
recording of:
I Want to Wake Up With You
lyricist and composer:
Ben Peters (country music songwriter)
publisher:
Ben Peters Music (BMI) and IQ Music
Boris Gardiner23:59
22Deeper Than Deep
Aswad4:17

Credits

Release

part of:100% Reggae (Telstar CD compilations) (number: 2) (order: 1)