| # | Title | Artist | Rating | Length |
|---|
| 1 | A Kind of Magic- assistant engineer:
- Croydon
- engineer:
- David Richards
- producer:
- Queen and David Richards
- bass guitar:
- John Deacon
- drum machine, drums (drum set) and electronic drum set:
- Roger Taylor
- electric guitar:
- Brian May
- synthesizer and background vocals:
- Freddie Mercury and Roger Taylor
- lead vocals:
- Freddie Mercury
- phonographic copyright (℗) by:
- Queen Productions Ltd. (in 1986, in 2011)
- recorded at:
- Mountain Studios in Montreux, Vaud , Switzerland (from 1985-09 until 1986-04), Musicland Studios in München , Bayern , Germany (from 1985-09 until 1986-04) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1985-09 until 1986-04)
- recording of:
- A Kind of Magic
- lyricist and composer:
- Roger Taylor
- publisher:
- EMI Music Ltd., EMI Music Publishing Ltd. (in 1986) and Queen Music Ltd. (in 1986)
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 3.85 | 4:17 |
| 2 | Every Breath You Take | The Police | 1 | 3:56 |
| 3 | Only You | Yazoo | 4.4 | 3:10 |
| 4 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:32 |
| 5 | My Girl | Madness | 3.75 | 2:45 |
| 6 | Red Red Wine | UB40 | 3.8 | 3:01 |
| 7 | Sledgehammer | Peter Gabriel | 3.8 | 4:54 |
| 8 | Let's Dance | David Bowie | 4 | 4:08 |
| 9 | Don't You Want Me | The Human League | 3.9 | 3:58 |
| 10 | Is This Love? | Alison Moyet | 4 | 3:55 |
| 11 | A Little Respect | Erasure | 4 | 3:28 |
| 12 | Temptation | Heaven 17 | 2.35 | 3:06 |
| 13 | Thorn in My Side | Eurythmics | 3.5 | 4:13 |
| 14 | Heaven Is a Place on Earth- recording engineer:
- Steve McMillan
- drums (drum set) [drum] programming:
- Charles Judge and Rick Nowels
- additional engineer:
- Stacy Baird and Robert Feist
- assistant engineer:
- Matthew Freeman , Clark Germaine, Brian Scheuble and Joe Schiff
- additional producer:
- Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
- producer:
- Rick Nowels
- mixer:
- Shelly Yakus
- acoustic guitar [acoustic guitars]:
- Rick Nowels
- additional guitar:
- Tim Pierce
- additional guitar [guitars]:
- Michael Landau
- additional keyboard [keyboards]:
- Thomas Dolby
- additional percussion:
- Jimmy Bralower and Paulinho da Costa
- bass:
- John Pierce
- drums (drum set) [drums]:
- Kenny Aronoff and Curly Smith
- electric guitar [electric guitars]:
- Dan Huff, John McCurry and Rick Nowels
- guitar [air guitar] and lead vocals:
- Belinda Carlisle
- keyboard [keyboards]:
- Charles Judge and Rick Nowels
- piano [acoustic piano]:
- Charles Judge
- synthesizer [Fairlight]:
- Rhett Lawrence
- vocals:
- Beth Anderson , Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
- arranger:
- Rick Nowels
- phonographic copyright (℗) by:
- Artist Management Services Ltd. (in 1987), MCA Records, Inc. (in 1987), Virgin Records Ltd (in 1987) and Demon Music Group Ltd. (in 2019)
- additionally recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 400)
- recording of:
- Heaven Is a Place on Earth
- writer:
- Rick Nowels and Ellen Shipley
- publisher:
- BMG Bumblebee , BMG Rights Management , Bug Music Ltd., EMI Music Publishing , EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
- sub-publisher:
- Fujipacific Music, Inc.
| Belinda Carlisle | 4.15 | 4:06 |
| 15 | Nothing Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:28 |
| 16 | I Found Someone | Cher | 3.85 | 3:42 |
| 17 | Total Eclipse of the Heart | Bonnie Tyler | 4.15 | 4:29 |
| 18 | Slave to Love- additional engineer:
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee
- assistant engineer:
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker
- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Bryan Ferry
- mixer:
- Bob Clearmountain
- lead vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1985) and Virgin Records Ltd. (in 1985, in 1999, in 2004)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and The White House in Nashville, Tennessee, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- Slave to Love by Bryan Ferry
- recording of:
- Slave to Love
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Rights Management (UK) Ltd. , EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985), E.G. Records Ltd. (in 1985) and Virgin EG Records Ltd. (in 1985)
| Bryan Ferry | 3.65 | 4:11 |
| 19 | Save a Prayer | Duran Duran | | 3:46 |
| 20 | Everybody's Got to Learn Sometime | The Korgis | 4.05 | 4:10 |
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