No.1 80s Oricon Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Bad
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
programmazione degli strumenti:
Douglas Getschal
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
batteria :
John “JR” Robinson (session drummer)
chitarra :
David Williams (session guitarist and songwriter)
organo Hammond :
Jimmy Smith (US jazz organist)
percussione :
Paulinho da Costa (Brazilian percussionist) e How Now Brown Cow
sassofono :
Kim Hutchcroft e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sintetizzatore :
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Boddicker e Greg Phillinganes
synclavier :
Christopher Currell (arranger)
tromba :
Gary Grant (brass) e Jerry Hey
voce:
Michael Jackson (“King of Pop”)
voce di accompagnamento e voce principale e voce principale:
Michael Jackson (“King of Pop”)
arrangiatore strumenti a fiato :
Jerry Hey
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1987)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
Bad
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music e Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
parte di:
MJ: The Musical
Michael Jackson4.254:09
2I’m in the Mood for Dancing
registrazione di:
I’m in the Mood for Dancing
autore:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) e Bob Puzey
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Songs of Windswept Pacific
The Nolans3:10
3Psychic Magic
produttore:
Tim Palmer (British producer/mixer)
batteria :
Gary Holt (UK drummer for G.I. Orange)
chitarra e voce principale:
Karl Whitworth
chitarra basso :
Simon Whitworth
tastiera :
Mark Whitworth
arrangiatore:
Ian Ritchie
diritti fonografici (℗) detenuti da:
Independent Musical Enterprises (Overseas) Ltd. (nel 1985)
registrazione di:
Psychic Magic
paroliere e compositore:
Karl Whitworth
editore:
Wight Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
G.I. Orange3:06
4Overnight SuccessTeri DeSario3:30
5Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:49
6I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue4.353:26
7I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:10
8Never Ending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:31
9Can’t Take My Eyes Off You
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Boys Town Gang3:46
10Venus
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama33:40
11Burning Heart
tecnico:
Phil Bonanno, Mike Clink e Larry Millas (guitarist, bassist, keyboardist, producer and engineer)
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985), Scotti Bros. (nel 1985), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1985, nel 1986) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1985)
registrazione di:
Burning Heart
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
BMG VM Music Ltd., Concord Bicycle Assets, EMI Virgin Music Limited (do not use this as a release label!), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records), Sony/ATV Harmony UK e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Survivor4.253:52
12Hard to Say I’m Sorry
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
registrazione di:
Hard to Say I’m Sorry
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:43
13Cha Cha Cha
Finzy Kontini4:46
14Show MeThe Cover Girls3:51
15Give Me Up
registrazione di:
Give Me Up (original version)
paroliere:
Michael de San Antonio e Pierre Michel Nigro (French singer)
compositore:
Mario Giuseppe Nigro
Michael Fortunati3:45
16(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:40
17Physical
diritti fonografici (℗) detenuti da:
ONJ Productions (Olivia Newton-John) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 11), Cachitos Nochevieja 2022 (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 457)
registrazione di:
Physical
autore:
Steve Kipner e Terry Shaddick
editore:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. e Floating World Music
Olivia Newton‐John4.353:46
18New York City Serenade
registrazione di:
New York City Serenade
Christopher Cross3:56
19Ellie My Love
registrazione cover di:
Ellie My Love
paroliere e compositore:
桑田佳祐
traduttore:
Pete Hawkins e Rumiko Varnes
editore:
Songs of Windswept Pacific, バーニングパブリッシャーズ (Burning Publishers), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
versione tradotta di:
いとしのエリー
Ray Charles4:11
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