Die großen geistliche Vokalwerke / Great Religious Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: St. John Passion, BWV 245
2▶CD: St. John Passion, BWV 245
3▶CD: St. Matthew Passion, BWV 244
4▶CD: St. Matthew Passion, BWV 244
5▶CD: St. Matthew Passion, BWV 244
6▼CD: Christmas Oratorio, BWV 248
#TitleRatingLength
1Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket!"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952) and Wiener Kammerchor (Vienna Chamber Choir, choir) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:13
2Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo "Es begab sich aber zu der Zeit" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:13
3Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) "Nun wird mein liebster Bräutigam"
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Herrmann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:53
4Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion"
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Herrmann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:51
5Weihnachts-Oratorium, BWV 248: Teil I, V. Choral "Wie soll ich dich empfangen"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:19
6Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo "Und sie gebar ihren ersten Sohn" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:27
7Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Basso) "Er ist auf Erden kommen arm"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
soprano vocals:
Elisabeth Roon (soprano)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:59
8Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:37
9Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral "Ach mein herzliebes Jesulein"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:24
10Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
recorded in:
Wien (Vienna), Austria (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:42
11Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo "Und es waren Hirten in derselben Gegend" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:48
12Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:14
13Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo "Und der Engel sprach zu ihnen" (Evangelista, Angelus)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:50
14Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) "Was Gott dem Abraham verheissen"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:49
15Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet"
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:06
16Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo "Und das habt zum Zeichen" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:21
17Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral "Schaut hin, dort liegt im finstern Stall"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:45
18Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) "So geht denn hin"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:57
19Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster"
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann-Braun (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:09
20Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro "Ehre sei Gott in der Höhe"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:54
21Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) "So recht, ihr Engel"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:31
22Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral "Wir singen dir in deinem Heer"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1952)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:17
23Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro "Herrscher des Himmels, erhöre das Lallen"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:07
24Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo "Und da die Engel" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:13
25Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro "Lasset uns nun gehen"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:49
26Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) "Er hat sein Volk getröst"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:54
27Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral "Dies hat er alles uns getan"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:52
28Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid"
recorded in:
Wien (Vienna), Austria (in 1952)
bass vocals:
Walter Berry (bass‐baritone) (in 1952)
soprano vocals:
Elisabeth Roon (soprano) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:08
29Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo "Und sie kamen eilend" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:17
30Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze"
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:03
31Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren"
recorded in:
Wien (Vienna), Austria (in 1952)
alto vocals:
Dagmar Hermann (Austrian contralto) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:33
32Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral "Ich will dich mit Fleiß bewahren"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:00
33Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo "Und die Hirten kehrten wieder um" (Evangelista)
recorded in:
Wien (Vienna), Austria (in 1952)
tenor vocals [Evangelist]:
Erich Majkut (tenor) (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:29
34Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" / Teil III, XXIV. Coro da capo "Herrscher des Himmels, erhöre das Lallen"
recorded in:
Wien (Vienna), Austria (in 1952)
choir vocals:
Wiener Akademie Kammerchor (in 1952)
orchestra:
Wiener Symphonieorchester (Vienna Symphony Orchestra) (in 1952)
conductor:
Ferdinand Grossmann (Austrian choral conductor) (in 1952)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:01
7▶CD: Christmas Oratorio, BWV 248
8▶CD: Mass in B minor, BWV 232
9▶CD: Mass in B minor, BWV 232
10▶CD: Mass in B minor, BWV 232

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ASIN:DE: B0007SMGAW [info]