A Matter of Time: The Final Hour

~ Veröffentlichung von Laufey (alle Versionen dieser Veröffentlichung ansehen, 18 vorhanden)

Titelliste

1▶12"-Vinyl
2▼12"-Vinyl
Nr.TitelBewertungLänge
C11A Cautionary Tale
assistierende(r) Techniker(in):
Jannick Frampton
Techniker(in):
Bella Blasko und Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer)
Produzent(in):
Aaron Dessner und Laufey
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Akustikgitarre, Bass, Bass-Synthesizer [synth bass], Becken, drum machine, elektronische Instrumente [electronics programming], Klavier, Mellophon, Synthesizer [juno] und Tamburin:
Aaron Dessner
Cello und Stimme/Gesang:
Laufey
Schlagzeug und shakers [shaker]:
Andrew Barr (singer/multi-instrumentalist "The Barr Brothers) und Aaron Dessner
Orchestrator(in):
Laufey
phonographisches Urheberrecht (℗) von:
Vingolf Recordings (in 2025)
recording of:
A Cautionary Tale
Verfasser(in):
Aaron Dessner und Laufey Jónsdóttir (Laufey)
4:16
C12Mr. Eclectic
assistierende(r) Techniker(in):
Jannick Frampton und Carlos Ruiz (Spanish sound engineer)
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer), Jack Manning (engineer) und Dani Perez (engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Cello und Stimme/Gesang:
Laufey
E-Gitarre, Klavier und Schlagzeug:
Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Hintergrundgesang:
Clairo
phonographisches Urheberrecht (℗) von:
Vingolf Recordings (in 2025)
recording of:
Mr. Eclectic
Verfasser(in):
Laufey Jónsdóttir (Laufey) und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
2:35
C13Clean Air
assistierende(r) Techniker(in):
Jannick Frampton und Carlos Ruiz (Spanish sound engineer)
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer), Jack Manning (engineer) und Dani Perez (engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Akustikgitarre, autoharp, Baritongitarre, E-Bass [electric bass], E-Gitarre, Klavier, Perkussion und Schlagzeug:
Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Stimme/Gesang:
Laufey
phonographisches Urheberrecht (℗) von:
Vingolf Recordings (in 2025)
recording of:
Clean Air
Verfasser(in):
Laufey Jónsdóttir (Laufey) und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
2:35
C14Sabotage
assistierende(r) Techniker(in):
Jannick Frampton
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Cello und Stimme/Gesang:
Laufey
E-Gitarre und Schlagzeug:
Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Klavier:
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Kontrabass [upright bass]:
Dario Bizio (musician, jazz bassist)
Trompete:
Robert Schaer
phonographisches Urheberrecht (℗) von:
Vingolf Recordings (in 2025)
recording of:
Sabotage
Verfasser(in):
Laufey Jónsdóttir (Laufey) und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
3:34
C15Seems Like Old Times
assistierende(r) Techniker(in):
Jannick Frampton
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer) und Pete Min (producer and engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Bass:
Karl McComas-Reichl (bassist, composer, arranger, producer and visual artist)
Klavier:
Ted Case
Schlagzeug:
Ryan Shaw (drummer)
Stimme/Gesang:
Laufey
phonographisches Urheberrecht (℗) von:
Vingolf Recordings (in 2025)
cover recording of:
Seems Like Old Times
Verfasser(in):
John Jacob Loeb und Carmen Lombardo
2:59
D16Madwoman
recording engineer:
Stephen Kaye (sound engineer/musician/producer)
assistierende(r) Techniker(in):
Jannick Frampton, Alex Miller (audio engineer active in Los Angeles and San Francisco) und Joe Napolitano
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Celesta [celeste], Klavier, Kontrabass [upright bass] und Orgel:
Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Cello und Stimme/Gesang:
Laufey
Schlagzeug:
Maverick MacMillan (drummer; performs with Laufey)
recording of:
Madwoman
Verfasser(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
3:59
D17How I Get
recording engineer:
Stephen Kaye (sound engineer/musician/producer)
assistierende(r) Techniker(in):
Jannick Frampton und Alex Miller (audio engineer active in Los Angeles and San Francisco)
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Bass, Gitarre, Klavier, Perkussion und Schlagzeug:
Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Cello und Stimme/Gesang:
Laufey
phonographisches Urheberrecht (℗) von:
Vingolf Recordings (in 2026)
recording of:
How I Get
Verfasser(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
3:39
D18I Wait, I Wait, I Wait
recording engineer:
Stephen Kaye (sound engineer/musician/producer)
assistierende(r) Techniker(in):
Jannick Frampton und Alex Miller (audio engineer active in Los Angeles and San Francisco)
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Celesta [celeste], Klavier und Stimme/Gesang:
Laufey
recording of:
I Wait, I Wait, I Wait
Verfasser(in):
Laufey
3:29
D19I'll Forget About You (In Time)
recording engineer:
Stephen Kaye (sound engineer/musician/producer) und Joseph Lorge
assistierende(r) Techniker(in):
Jannick Frampton, Alex Miller (audio engineer active in Los Angeles and San Francisco) und Joe Napolitano
Techniker(in):
Joe LaPorta (NYC mastering engineer & drum’n’bass producer) (Aufgabe: mastering engineer)
Produzent(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
Mix:
Stephen Kaye (sound engineer/musician/producer) und Zach Szydlo (Atmos mixing engineer) (Aufgabe: immersive mixing)
Cello, gong, Klavier und Stimme/Gesang:
Laufey
Perkussion und Synthesizer [moog]:
Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
recording of:
I’ll Forget About You (In Time)
Verfasser(in):
Laufey und Spencer Stewart (producer, composer and multi-instrumentalist based in Los Angeles, CA)
4:12