Good Morning Vietnam

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Annotazione

Barcode (CD 1): 0 724348 638229 Cat no DC 863822
Barcode (CD 2): 0 724348 638328 Cat no DC 863832
Barcode (CD 3): 0 724348 638427 Cat no DC 863842

Annotazione modificata l'ultima volta il 2026-04-25 20:01 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Ball of Confusion (That’s What the World Is Today)
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks e Paul Williams (member of The Temptations)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1970) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 24)
registrazione di:
Ball of Confusion (That’s What the World Is Today)
compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. e Stone Agate Music
The Temptations44:07
2Going Up the Country
produttore:
Canned Heat e Skip Taylor
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1968-08-06 al 1968-08-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
I.D. Sound in Los Angeles, California, Stati Uniti (dal 1968-08-06 al 1968-08-07)
registrazione di:
Going Up the Country (dal 1968-08-06 al 1968-08-07)
paroliere, autore e compositore:
Alan Wilson (Canned Heat member)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. e United Artists Music Ltd.
versione di:
Bull Doze Blues
Canned Heat32:50
3(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Oyster Cult4.555:08
4I Get Around
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico [6-string electric bass guitar] :
Glen Campbell (US country singer, guitarist & actor) (il 1964-04-02) e Ray Pohlman (il 1964-04-02)
batteria :
Dennis Wilson (Beach Boys) (il 1964-04-02)
chitarra basso :
Al Jardine (guitarist and singer) (il 1964-04-02)
chitarra elettrica :
Carl Wilson (Beach Boys) (il 1964-04-02)
clavicembalo , organo Hammond [Hammond B3 organ] , pianoforte e voce di accompagnamento e voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1964-04-02)
percussione [rim with thin stick] e timbales [timbales with brush] :
Hal Blaine (U.S. studio drummer and percussionist) (il 1964-04-02)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1964-04-02), Carl Wilson (Beach Boys) (il 1964-04-02) e Dennis Wilson (Beach Boys) (il 1964-04-02)
voce di basso e voce principale:
Mike Love (Beach Boys) (il 1964-04-02)
voce principale:
Mike Love (Beach Boys)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
I Get Around (il 1964-04-02)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
sub-editore:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.452:14
5Spooky
produttore:
Buddy Buie
registrazione di:
Spooky (nel 1975)
paroliere:
Buddy Buie e J. R. Cobb
compositore:
Harry Middlebrooks e Mike Shapiro (saxophonist, composer of Spooky)
editore:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
si basa su:
Spooky (instrumental)
Classics IV52:49
6Brother Louie
esecutore:
Ian Lloyd (of Stories)
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1973) e Kama Sutra Records (nel 1973)
registrazione cover di:
Brother Louie
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated), Finchley Music e RAK Publishing Ltd.
Stories4.353:57
7Honky Tonk Women
registrazione cover di:
Honky Tonk Women
scritta a:
Mato Grosso, Brasile (nel 1968-12)
autore:
M. Vickery, Mick Jagger (The Rolling Stones) (nel 1968-12) e Keith Richards (Rolling Stones guitarist) (nel 1968-12)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Westminster Music Ltd.
Ike & Tina Turner43:09
8Fireball
tecnico:
Louis Austin (engineering), Martin Birch e Alan O’Duffy
produttore:
Deep Purple
basso elettrico :
Roger Glover (dal 1970-09 al 1971-06)
batteria :
Ian Paice (dal 1970-09 al 1971-06)
chitarra elettrica :
Ritchie Blackmore (dal 1970-09 al 1971-06)
organo Hammond :
Jon Lord (dal 1970-09 al 1971-06)
voce principale:
Ian Gillan (dal 1970-09 al 1971-06)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1971)
registrazione di:
Fireball (dal 1970-09 al 1971-06)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
Deep Purple4.253:22
9Up on Cripple Creek
tecnico:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) e Joe Zagarino
co-produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
produttore:
The Band (Canadian-American rock band)
tecnico di missaggio:
Tony May (engineer) e Joe Zagarino
registrazione di:
Up on Cripple Creek
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc e Warner/Chappell Music, Inc.
The Band4.64:30
10ElenoreThe Turtles52:29
11Soldier Boy
registrazione di:
Soldier Boy
autore:
Luther Dixon, Bob Elgin, Florence Greenberg e Kay Rogers
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:41
12San Francisco Nights
registrazione di:
San Franciscan Nights
autore:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins (British rock drummer), Danny McCulloch e John Weider
Eric Burdon3:51
13Jenny Take a Ride!
arrangiatore:
Bob Crewe
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
medley che comprende una registrazione di:
C. C. Rider (Jerry Lee Lewis version)
autore:
C. Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
arrangiatore:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
versione di:
See See Rider Blues
registrazione di:
Jenny Take a Ride
autore:
Bob Crewe e Enotris Johnson
compositore:
Richard Wayne Penniman
medley che comprende una registrazione di:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
autore:
Enotris Johnson (fino al 1956-10-15) e Richard Wayne Penniman (fino al 1956-10-15)
editore:
Sony/ATV Songs LLC
Mitch Ryder & The Detroit Wheels3:23
14It’s a Long Way There
registrata a:
Melbourne, Victoria, Australia (dal 1975-06 al 1975-07)
produttore:
Little River Band e Glenn Wheatley
basso :
Roger McLachlan (dal 1975-06 al 1975-07)
batteria :
Derek Pellicci (dal 1975-06 al 1975-07)
chitarra :
Beeb Birtles (dal 1975-06 al 1975-07) e Rick Formosa (dal 1975-06 al 1975-07)
chitarra acustica :
Graham Goble (dal 1975-06 al 1975-07)
voce:
Beeb Birtles (dal 1975-06 al 1975-07), Graham Goble (dal 1975-06 al 1975-07) e Glenn Shorrock (dal 1975-06 al 1975-07)
arrangiatore archi :
Rick Formosa
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1975, nel 1982) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1976, nel 1999)
è stato produttore per:
Tumbleweed Productions
registrazione di:
It’s a Long Way There (dal 1975-06 al 1975-07)
scritta a:
Australia (nel 1972)
paroliere e compositore:
Graeham Goble (nel 1972)
editore:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band4:12
15Paranoid
tecnico:
Tom Allom e Brian Humphries
produttore:
Rodger Bain (dal 1970-06 al 1970-07)
basso elettrico :
Geezer Butler (dal 1970-06-16 al 1970-06-21)
batteria e percussione :
Bill Ward (dal 1970-06-16 al 1970-06-21)
chitarra elettrica :
Tony Iommi (dal 1970-06-16 al 1970-06-21)
voce principale:
Ozzy Osbourne (nel 1970)
diritti fonografici (℗) detenuti da:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (nel 1970), Interworld Communications (nel 1970), Sanctuary Copyrights Ltd. (nel 1970), NEMS (UK label, 1976–1983) (nel 1976) e Icarus Music (Argentinian metal label and distributor) (nel 2006)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Regent Sound Studios in London (Greater London), England, Regno Unito (dal 1970-06-16 al 1970-06-21)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 13), TV Cream: Real 100 Best Singles Ever (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 250) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 338)
registrazione di:
Paranoid (dal 1970-06-16 al 1970-07-08)
paroliere:
Geezer Butler
compositore:
Geezer Butler, Tony Iommi, Ozzy Osbourne e Bill Ward
editore:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. e Westminster Music Ltd. (nel 1970)
Black Sabbath4.62:48
16Hooked on a Feeling
diritti fonografici (℗) detenuti da:
Scepter (a/k/a Scepter Records) (nel 1968)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
B.J. Thomas52:47
17Long Tall Glasses (I Can Dance)
produttore:
David Courtney (songwriter, singer and producer) e Adam Faith
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1974)
registrazione di:
Long Tall Glasses
paroliere:
Leo Sayer
compositore:
David Courtney (songwriter, singer and producer)
Leo Sayer3:04
18Showdown
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Michael d’Albuquerque (nel 1973-04)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1973-04)
chitarra e voce principale:
Jeff Lynne (nel 1973-04)
moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1973-04)
violino :
Wilfred Gibson (UK violinist) (nel 1973-04)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (nel 1973-04) e Colin Walker (English Cellist that was a member of ELO) (nel 1973-04)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973, nel 2005, nel 2011), Jet Records (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1973-04)
registrazione di:
Showdown (nel 1973-04)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.4.44:09
19Who Do You Love
basso :
David Freiberg
chitarra :
John Cipollina e Gary Duncan (guitarist with Quicksilver Messenger Service)
membranofono :
Greg Elmore (drummer for Quicksilver Messenger Service)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrazione dal vivo parziale cover di:
Who Do You Love? (nel 1968)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (nel 1956)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
Quicksilver Messenger Service43:33
20Louie Louie
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 3), New York Post: 100 Greatest Covers (2007) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 156) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 169)
registrazione cover di:
Louie Louie (nel 1963)
paroliere e compositore:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. e World Wide Music
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:44

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parte di:Disky Good Morning Vietnam versions (ordine: 4)
Discogs:https://www.discogs.com/master/107943 [info]