Six Cantatas

~ Release by Johann Sebastian Bach; Sir Neville Marriner, Academy of St. Martin in the Fields, Júlia Várady, Dietrich Fischer-Dieskau, Timothy Brown, Susan Milan, Ian Watson, Denis Vigay, Raymond Koster, Aldo Baldin, John Shirley‐Quirk, St. Anthony Singers, Janet Baker, Robert Tear, Philip Ledger, Rachel Lord, George Malcolm (see all versions of this release, 1 available)

Annotation

Copyright: © 2019 Universal Music Australia Pty Ltd.
℗ 2019 Decca Music Group Limited

Annotation last modified on 2025-01-11 14:06 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:57
2"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:47
3"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:26
4"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:24
5"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:53
6Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:43
7Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:27
8Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach11:13
9Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun!
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach4:16
11"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach3:26
12"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach4:58
13"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
tenor vocals:
Robert Tear (tenor) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:28
14"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach5:28
15"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:54
16Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen"
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:21
17Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitativo: "Mein Wandel auf der Welt"
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:16
18Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch"
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach7:42
19Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitativo: "Ich stehe fertig und bereit"
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
20Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder"
engineer:
Allen Stagg
producer:
James Burnett (producer)
choir vocals:
St. Anthony Singers
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:41
21Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 1. Rezitativ: Schweigt stille, plaudert nicht
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:38
22Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 2. Arie: Hat man nicht mit seinem Kindern
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:53
23Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 3. Rezitativ: Du böses Kind, du loses Mädchen
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:44
24Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt der Coffee süße
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:33
25Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 5. Rezitativ: Wenn du mir nicht den Coffee läßt
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:27
26Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 6. Arie: Mädchen, die von harten Sinnen
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:58
27Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 7. Rezitativ: Nun folge, was dein Vater spricht
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:58
28Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 8. Arie: Heute noch, lieber Vater, tut es doch
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach7:47
29Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 9. Rezitativ: Nun geht und sucht der alte Schlendrian
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:43
30Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 10. Chor (Terzett): Die Katze Läßt das Mausen nicht
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:56
31Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 1. Ouverture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:11
32Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 2. Arie (Duetto): Mer hahn en neue Oberkeet
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:38
33Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 3. Rezitativ: Nu, Mieke, gib dein Guschel immer her
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:46
34Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 4. Arie: Ach es schmeckt doch gar zu gut
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:20
35Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 5. Rezitativ: Der Herr ist gut: Allein der Schösser
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:28
36Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 6. Arie: Ach, Herr Schösser, geht nicht gar zu schlimm
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
37Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 7. Rezitativ: Es bleibt dabei, daß unser Herr der beste sei
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:25
38Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 8. Arie: Unser trefflicher, lieber Kammerherr
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:12
39Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 9. Rezitativ: Er hilft uns allen, alt und jung
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:35
40Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 10. Arie: Das ist galant, es spricht niemand
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
41Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 11. Rezitativ: Und unsre gnädige Frau
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:42
42Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 12. Arie: Fünfzig Taler bares Geld
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
43Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 13. Rezitativ: Im Ernst ein Wort
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
44Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 14. Arie: Klein-Zshocher müsse so zart und süße
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:06
45Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 15. Rezitativ: Das ist zu klug vor dich
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
46Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 16. Arie: Es nehme zehntausend Dukaten
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:42
47Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 17. Rezitativ: Das klingt zu liederlich
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
48Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 18. Arie: Gib, Schöne, viel Söhne
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:32
49Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 19. Rezitativ: Du hast wohl recht
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
50Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 20. Arie: Dein Wachstum sei feste
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:07
51Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 21. Rezitativ: Und damit sei es auch genug
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
52Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 22. Arie: Und daß ihr's alle wißt
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:53
53Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 23. Rezitativ: Mein Schatz, erraten!
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:36
54Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 24. Chor (Duetto): Wir gehn nun, wo der Tudelsack
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1981-11)
soprano vocals:
Júlia Várady (soprano) (in 1981-11)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:00