NOW: Yearbook 1988

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Father Figure (remastered)
Produzent(in):
George Michael
Gitarre:
Hugh Burns
Keyboard:
George Michael
zusätzlich Keyboard:
Betsy Cook
Hintergrundgesang:
Shirley Lewis und George Michael
vocals:
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987, in 2010)
recording of:
Father Figure (George Michael song)
Texter und Komponist(in):
George Michael
George Michael3.655:40
2Heaven Is a Place on Earth
recording engineer:
Steve McMillan
Schlagzeug [drum]-Programmierung:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
assistierende(r) Techniker(in):
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble und Joe Schiff
zusätzliche(r) Techniker(in):
Stacy Baird (former audio engineer) und Robert Feist
Produzent(in):
Rick Nowels
zusätzliche(r) Produzent(in):
Robert Feist (sonstiger Gesang [vocal]) und Ellen Shipley (sonstiger Gesang [vocal])
Mix:
Shelly Yakus
Akustikgitarre [acoustic guitars]:
Rick Nowels
Bass:
John Pierce (US session bassist)
E-Gitarre [electric guitars]:
Dan Huff, John McCurry und Rick Nowels
Gitarre [air guitar] und Sologesang:
Belinda Carlisle
Keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
Klavier [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug [drums]:
Kenny Aronoff und Curly Smith (Jo Jo Gunne musician)
Synthesizer [Fairlight]:
Rhett Lawrence
zusätzlich Gitarre:
Tim Pierce (US session guitarist)
zusätzlich Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard [keyboards]:
Thomas Dolby
zusätzlich Perkussion:
Jimmy Bralower und Paulinho da Costa (Brazilian percussionist)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips und Ellen Shipley
arranger:
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
aufgenommen bei:
American Recording und Ocean Way Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten und Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 400)
recording of:
Heaven Is a Place on Earth
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.153:53
3You Came (single version)
Programmierung und Produzent(in):
Tony Swain (songwriter, producer) und Ricky Wilde
Techniker(in):
James Richards (engineer)
Mix:
Richard Lengyel
Gitarre:
Steve Byrd und Ricky Wilde
Keyboard:
Tony Swain (songwriter, producer) und Ricky Wilde
Hintergrundgesang:
Junior Giscombe (Norman Washington Giscombe, Jr.) und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
Bearbeitung von:
You Came von Kim Wilde
recording of:
You Came
Verfasser(in):
Kim Wilde und Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:30
4I Don’t Want Your Love
Techniker(in) und Mix:
Bob Rosa
Produzent(in):
Daniel Abraham (French engineer), Duran Duran (English rock band) und Jonathan Elias
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Shep Pettibone
remixer:
Shep Pettibone
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Remix von:
I Don’t Want Your Love (album version) von Duran Duran (English rock band)
recording of:
I Don’t Want Your Love
Texter und Komponist(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Skintrade Music Ltd.
Duran Duran3.253:48
5You Have Placed a Chill in My Heart (remastered version)
recording engineer und Mix:
Fred Defaye
zusätzlich recording engineer:
Manu Guiot (sound engineer)
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer)
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
assistierende(r) Mix:
Claude Pons
aufgenommen bei:
Chateau Dangu Normandy in Dangu, Eure, Normandie (Normandy), Frankreich
mixed at:
Grand Armée Studios Paris in Paris, Île-de-France, Frankreich
recording of:
You Have Placed a Chill in My Heart
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
D’n’A Ltd.
Eurythmics , Annie Lennox & Dave Stewart4.53:54
6Heart
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
recording of:
Heart
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. und Cage Music Ltd.
Pet Shop Boys4:17
7Blue Monday ’88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:08
8The Race
Produzent(in):
Yello (Swiss electronica duo)
recording of:
The Race
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) und Warner Chappell
Yello3.653:20
9Stay on These Roads
recording engineer:
Gerry Kitchingham
Produzent(in):
Alan Tarney
Mix:
John Hudson (producer, recording and mixing engineer)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
Teil von:
The Downloader’s Music Source Book (Nummer: 281)
recording of:
Stay on These Roads
Texter und Komponist(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music
a‐ha44:46
10Broken Land (7” version)
The Adventures4:10
11Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.654:01
12Good Tradition
recording of:
Good Tradition (in 1988)
Texter und Komponist(in):
Tanita Tikaram
Tanita Tikaram2:50
13Perfect
Produzent(in):
Fairground Attraction und Kevin Moloney
assistierende(r) Mix:
Alistair Johnson (engineering)
Mix:
Kevin Moloney
Sologesang:
Eddi Reader
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
aufgenommen bei:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Perfect von Fairground Attraction
recording of:
Perfect
Texter und Komponist(in):
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:37
14Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:54
15There’s More to Love (Than Boy Meets Girl)
Produzent(in):
Stephen Hague
recording of:
There’s More to Love Than Boy Meets Girl
Verfasser(in) und Komponist(in):
Richard Coles (British radio presenter, priest and ex member of Communards) und Jimmy Somerville
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Mistramark Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
The Communards43:52
16Oh Patti (Don’t Feel Sorry for Loverboy)Scritti Politti4:22
17Breakfast in Bed
Produzent(in):
UB40
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
cover recording of:
Breakfast in Bed
Texter und Komponist(in):
Donnie Fritts und Eddie Hinton
publisher:
Bug Music, Inc., Eddie Hinton Music und EMI Blackwood Music Inc.
UB40 & Chrissie Hynde3:16
18I Don’t Want to Talk About It
Produzent(in):
Ben Watt (von 1987-09 bis 1987-12)
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (von 1987-09 bis 1987-12)
cover recording of:
I Don’t Want to Talk About It (von 1987-09 bis 1987-12)
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Everything but the Girl44:16
19Love Is Stronger Than Pride (single version)
Techniker(in):
Mike Pela und Ben Rogan
Koproduzent(in):
Mike Pela und Ben Rogan
Produzent(in):
Sade (Group w/ singer of same performance name)
Bassgitarre:
Paul S. Denman
Keyboard:
Andrew Hale (keyboardist/composer)
vocals:
Sade Adu und Leroy Osbourne (vocalist guitarist, songwriter.)
arranger:
Sade (Group w/ singer of same performance name)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Love Is Stronger Than Pride
Texter:
Sade Adu
Komponist(in):
Sade Adu, Andrew Hale (keyboardist/composer) und Stuart Matthewman
Sade3.74:17
20Fragile
assistierende(r) Produzent(in):
Ken Blair (British engineer) und Dave O’Donnell
Produzent(in):
Neil Dorfsman und Sting (singer, songwriter & member of The Police)
assistierende(r) Mix:
Mark McKenna (engineer) und Bob Vogt
Mix:
Neil Dorfsman und Hugh Padgham
Gitarre und Sologesang:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records Inc. Los Angeles (in 1987, in 1997)
aufgenommen bei:
Air Studios, Montserrat in Saint Peter, Montserrat
recording of:
Fragile
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. und Magnetic Publishing Ltd.
Sting4.33:53
21I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:25
22I Want You Back (single version)
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:46
23Together Forever
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1987)
assistierende(r) Techniker(in):
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
Gitarre [guitars]:
Matt Aitken (in 1987)
Keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) und Matt Aitken (in 1987)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1987)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) und Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
Pete Waterman Ltd. (copyrights holder) (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1987) und PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 und PWL Studio 2
recording of:
Together Forever (in 1987)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (vom 1987 bis heute)
Rick Astley4.653:22
24Nothing Can Divide Us
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Dave Ford (remixer, producer & technician known for work with SAW)
Gitarre:
Matt Aitken
Keyboard:
Matt Aitken und Mike Stock (of Stock Aitken Waterman)
Schlagzeug:
A. Linn (Linn 9000)
zusätzlich Keyboard:
George De Angelis (Production music composer)
Hintergrundgesang:
Mae McKenna (vocalist), Mike Stock (of Stock Aitken Waterman) und Miriam Stockley
phonographisches Urheberrecht (℗) von:
PWL Records Ltd. (not release use)
aufgenommen bei:
PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Nothing Can Divide Us
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jason Donovan23:47
25The Harder I TryBrother Beyond13:29
26I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
zusätzliche(r) Produzent(in):
Ric Wake
remixer:
Bob Cadway und Ric Wake
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Owe You Nothing
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) und Virgin Music (Publishers) Ltd. (in 1988)
Bros3:42
27Doctorin’ the Tardis
Musikvideos:
Doctorin’ The Tardis (Official Video) von The Timelords (British electronic band with several aliases)
recording of:
Doctorin’ the Tardis
Verfasser(in):
Jimmy Cauty, Mike Chapman (Australian producer and songwriter), Nicky Chinn, Bill Drummond, Gary Glitter, Ron Grainer (score composer) und Mike Leander
basiert auf:
Block Buster!
basiert auf:
Doctor Who (TV theme – please try to find correct arrangement)
basiert auf:
Rock & Roll, Part 2
The Timelords33:35
28Beat Dis
Produzent(in):
Bomb the Bass
phonographisches Urheberrecht (℗) von:
Rhythm King (in 1987)
recording of:
Beat Dis
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Tim Simenon
publisher:
Angel and Maverick LLP, Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships) und Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass23:23
29The Only Way Is Up
Produzent(in):
Coldcut (Matt Black & Jonathan More)
phonographisches Urheberrecht (℗) von:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.654:00
30Theme From S‐Express
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
Samples:
Is It Love You’re After von Rose Royce, Stacey’s Dream (a cappella) von Stacey Q und The Bottle von Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
Texter und Komponist(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory und Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) und Rhythm King Music (Publishing arm of Rhythm King Records)
basiert auf:
Is It Love You’re After
S’Express43:52
31Good Life
Techniker(in):
Ben Grosse (American producer and engineer)
Produzent(in):
Kevin Saunderson
Mix:
Ben Grosse (American producer and engineer) und Kevin "Master Reese" Saunderson
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City3.254:03
32Teardrops (7” edit)
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:52
33Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
34Hands to Heaven (remastered 2012)
Breathe4:19
35Nothing’s Gonna Change My Love for You
phonographisches Urheberrecht (℗) von:
Amherst Records, Inc. und PolyGram International Music B.V. (not for release label use!) (in 1988)
cover recording of:
Nothing’s Gonna Change My Love for You
Texter:
Gerald Goffin und Michael Masser
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Glenn Medeiros3.53:49
36Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:35
37Circle in the Sand (7” version)
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:41
38Rush Hour (7” version)
Jane Wiedlin4:04
39Hazy Shade of Winter
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
Musikvideos:
Hazy Shade of Winter von The Bangles
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 3)
cover recording of:
A Hazy Shade of Winter
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
The Bangles4.62:47
40Anything for You
recording of:
Anything for You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan & Miami Sound Machine3:44
41Candle in the Wind (live at Sydney Entertainment Centre, Sydney, Australia, 1986)
live recording of:
Candle in the Wind (in 1986)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Elton John & James Newton Howard & Melbourne Symphony Orchestra3:49
42Tougher Than the Rest
recording engineer:
Toby Scott (von 1987-01-20 bis 1987-03)
assistierende(r) Techniker(in):
Tim Leitner und Roger Talkov (engineer)
Mix:
Bob Clearmountain
Bass, drum machine, Gitarre, Keyboard, Mandoline und Mundharmonika:
Bruce Springsteen (von 1987-01-20 bis 1987-03)
Orgel:
Danny Federici (von 1987-01-20 bis 1987-03)
Perkussion:
Max Weinberg (von 1987-01-20 bis 1987-03)
vocals:
Bruce Springsteen (von 1987-01-20 bis 1987-03)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1987)
phonographisches Urheberrecht (℗) von:
CBS Gramophone Records & Tapes (India) Ltd. (in 1987)
aufgenommen bei:
Thrill Hill East (Springsteen’s home studio in Rumson) in Monmouth County, New Jersey, Vereinigte Staaten (von 1987-01-20 bis 1987-03)
zusätzlich aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1987-01-20 bis 1987-03)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Tougher Than the Rest (von 1987-01-20 bis 1987-03)
publisher:
Bruce Springsteen (in 1987, in 1988)
Texter und Komponist(in):
Bruce Springsteen (von 1986 bis 1987)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen3.654:36
43Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
Produzent(in):
Warne Livesey
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Deacon Blue44:05
44Bad Medicine (radio edit)
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
recording of:
Bad Medicine
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music, PolyGram Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Bon Jovi Publishing (in 1988), EMI April Music Inc. (in 1988), New Jersey Underground Music Inc. (in 1988), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1988) und SBK April Music Inc. (in 1988)
Bon Jovi3:54
45Can I Play With Madness
assistierende(r) Techniker(in):
Stephane Wissner
Techniker(in):
Martin Birch und Bernd Maier (Engineer)
Produzent(in) und Mix:
Martin Birch
E-Bass:
Steve Harris (Iron Maiden bassist) (von 1988-02 bis 1988-03)
E-Gitarre:
Dave Murray (Iron Maiden guitarist) (von 1988-02 bis 1988-03) und Adrian Smith (UK guitarist/songwriter, Iron Maiden) (von 1988-02 bis 1988-03)
Perkussion und Schlagzeug:
Nicko McBrain (drummer) (von 1988-02 bis 1988-03)
Synthesizer:
Steve Harris (Iron Maiden bassist) (von 1988-02 bis 1988-03) und Adrian Smith (UK guitarist/songwriter, Iron Maiden) (von 1988-02 bis 1988-03)
Sologesang:
Bruce Dickinson (Iron Maiden vocalist) (von 1988-02 bis 1988-03)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1988-02 bis 1988-03)
recording of:
Can I Play With Madness (von 1988-02 bis 1988-03)
Verfasser(in):
Bruce Dickinson (Iron Maiden vocalist), Steve Harris (Iron Maiden bassist) und Adrian Smith (UK guitarist/songwriter, Iron Maiden)
publisher:
Imagem London Ltd., Universal Music–Z Tunes LLC und Zomba Music Publishing (music publisher – add no releases here!) (in 1988)
Iron Maiden4.453:32
46All Fired Up (single version – 2005 remaster)
cover recording of:
All Fired Up
Texter und Komponist(in):
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar34:10
47Hot in the City
recording of:
Hot in the City
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) und Rare Blue Music Inc
Billy Idol34:24
48Mandinka
Techniker(in):
Kevin Moloney
Koproduzent(in):
Kevin Moloney
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Lloyd Phillips und Terence Morris a.k.a. t.roy
Akustikgitarre [ac. gtrs.] und E-Gitarre [elec. gtrs]:
Marco Pirroni (British musician and producer)
Bassgitarre [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] und Schlagzeug [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
E-Gitarre [elec. gtr.] und Sologesang [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
Keyboard [keyboards] und Synthesizer [synths.]:
Mike Clowes
arranger:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1987) und Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
aufgenommen bei:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Tapestry Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Mandinka
Texter und Komponist(in):
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label)
Sinéad O’Connor3.83:47
49Peek‐A‐Boo (remastered 2016)
recording of:
Peek-A-Boo
Texter:
Siouxsie Sioux (Susan Janet Ballion)
Komponist(in):
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees3:12
50Tower of Strength (radio edit)
recording of:
Tower of Strength
Texter:
Wayne Hussey
Komponist(in):
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler und Wayne Hussey
The Mission2.54:26
51Martha’s Harbour
Techniker(in):
Tony Phillips (engineer, mix, remix credits)
Produzent(in):
Paul Samwell-Smith
Gitarre:
Tim Bricheno (in 1987)
vocals:
Julianne Regan (in 1987)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988)
aufgenommen bei:
Ridge Farm in Dorking, Surrey, England, Vereinigtes Königreich (in 1987) und The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1987)
Teil von:
The Downloader’s Music Source Book (Nummer: 369)
recording of:
Martha’s Harbour (in 1987)
Verfasser(in):
Tim Bricheno, Andy Cousin und Julianne Regan
publisher:
BMG Music Publishing Ltd.
All About Eve3.53:05
52I Found Someone
Produzent(in):
Michael Bolton
Bass:
Will Lee (US jazz/rock bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und John McCurry
Schlagzeug [drums]:
Chris Parker (American drummer)
phonographisches Urheberrecht (℗) von:
MBO Productions, Inc.
cover recording of:
I Found Someone
Verfasser(in):
Michael Bolton und Mark Mangold
publisher:
EMI Blackwood Music Inc. und Is Hot Music Ltd.
Cher3.853:42
53These Dreams (2000 remaster)
assistierende(r) Techniker(in):
Mike Clink und Brian Foraker
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Schlagzeug:
Denny Carmassi
Gast Hintergrundgesang:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
Sologesang:
Nancy Wilson (guitarist/singer of “Heart”)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04)
Musikvideos:
These Dreams von Heart (rock band, Ann and Nancy Wilson)
recording of:
These Dreams
Verfasser(in):
Martin Page und Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (vom 1984 bis ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (vom 1984 bis ????), Intersong U.S.A. (publisher) (vom 1984 bis heute) und Little Mole Music (vom 1984 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.34:13
54First Time
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1988) und The Coca-Cola Company (in 1988)
Musikvideos:
First Time ("concept" version) von Robin Beck und First Time (band version) von Robin Beck
recording of:
First Time
Texter:
Tom Anthony (wrote "First Time") und Terry Boyle
Komponist(in):
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Music Publishing Scandinavia AB
Robin Beck33:17
55Wild World
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Maxi Priest3.53:38
56Don’t Turn Around (edit)
cover recording of:
Don’t Turn Around
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs und Warner Chappell
Aswad2.53:21
57A Love Supreme
recording of:
A Love Supreme
Texter:
David Cole (US musician/producer, member of C+C Music Factory) und Will Downing (American soul, house singer, songwriter and producer)
Komponist(in):
John Coltrane
basiert auf:
A Love Supreme (entire suite)
Will Downing3:48
58My One Temptation (edit)
recording of:
My One Temptation
Verfasser(in):
Michael Leeson, Peter Vale (writer/arranger) und Miles Waters (songwriter)
publisher:
Abacus Publishing und Chappell Music Co. Inc.
Mica Paris4:18
59Sign Your Name
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Sananda Maitreya3.64:36
60Piano in the Dark
Brenda Russell4:22
61One Moment in Time (remastered)
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
Whitney Houston4.54:44
62Left to My Own Devices (single version – 2001 remaster)
assistierende(r) Techniker(in):
Danton Supple
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn und Stephen Lipson
zusätzlich vocals:
Bruce Woolley
conductor:
Richard Niles
Orchestrator(in):
Richard Niles
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (vom 1988 bis heute, in 1988, in 1991)
recording of:
Left to My Own Devices
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. (vom 1988 bis heute) und Cage Music Ltd. (vom 1988 bis heute)
Pet Shop Boys4:47
63I’m Not Scared (edit)
recording of:
I’m Not Scared
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. (in 1988) und Cage Music Ltd. (in 1988)
Eighth Wonder3:47
64Oh L’Amour
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1987)
cover recording of:
Oh l’amour
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Dollar3:01
65Voyage Voyage (PWL Britmix)
recording engineer:
Antoine Cambourakis (engineer) und Gilbert Courtois (engineer)
Produzent(in):
Jean‐Michel Rivat
Mix:
Dominique Blanc-Francard
Synthesizer:
Jean‐Michel Rivat
Hintergrundgesang:
Claudie Fritsch-Mentrop und Daniel Glikmans (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Rivat Music (production company and copyrights holder) (in 1986)
aufgenommen bei:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, Frankreich
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, Frankreich
recording of:
Voyage, voyage
Texter:
Jean‐Michel Rivat
Verfasser(in) und Komponist(in):
Dominique Dubois und Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat und Editions Rivat Music (publisher) (in 1986)
Desireless4.354:21
66Boys (Summertime Love)
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina3.63:49
67Who’s Leaving Who
recording of:
Who's Leaving Who
Verfasser(in):
Mark Spiro und Jack White (German producer Horst Nußbaum)
Hazell Dean3:45
68The Loco‐Motion (7” mix)
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute), PWL International Ltd. (in 1988) und KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Kylie Minogue3.53:14
69Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Programmierung und Produzent(in):
Fred Zarr
assistierende(r) Techniker(in):
Bill Esses
Mix:
Doc Dougherty und “Little” Louie Vega (US house DJ/producer)
Bass:
Gary Down
Gitarre:
Ira Siegel
Keyboard und Synthesizer:
Fred Zarr
Perkussion:
Bashiri Johnson
Saxophon:
Jeff Smith (US saxophonist)
Tom Tom:
Billy Amendola
Hintergrundgesang:
La‐Rita Gaskin und Norma Jean Wright
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
aufgenommen bei:
Z Studio in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 95) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 479)
recording of:
Only in My Dreams
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (vom 1987 bis ????) und Deborah Ann’s Music (vom 1987 bis ????)
Debbie Gibson43:54
70I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:48
71Never Trust a Stranger
Kim Wilde4:04
72I Want Your Love
Produzent(in):
Zeus B. Held (Bernd Held)
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988)
recording of:
I Want Your Love
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (UK) Ltd.
sub-publisher:
Kobalt Music Publishing France
Transvision Vamp3:30
73When Will I Be Famous?
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
When Will I Be Famous?
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros34:00
74With a Little Help From My Friends
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1988)
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Wet Wet Wet2:37
75Wee Rule
Techniker(in):
Paul Schroeder (UK rock/pop producer, engineer & remixer)
Produzent(in):
Hamish McDonald (British producer)
Mix:
Geoff Hunt
aufgenommen bei und mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
Wee Rule
Verfasser(in):
Charles Cochrane, Hamish McDonald (British producer), Samantha Lawrence und Sandra Lawrence
Wee Papa Girl Rappers3.53:30
76Push It (single version)
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 374) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 440)
recording of:
Push It
Verfasser(in):
Hurby Azor und Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. und Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:29
77Girlfriend (single version)
recording of:
Girlfriend
Verfasser(in):
Antonio M. Reid und Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:17
78Pink Cadillac (LP version)
cover recording of:
Pink Cadillac
Texter und Komponist(in):
Bruce Springsteen (von 1981 bis 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:15
79Tell It to My Heart (single mix)
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:33
80Love, Truth & Honesty
recording of:
Love, Truth & Honesty
Verfasser(in):
Matt Aitken, Sara Dallin, Jacquie O'Sullivan, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., In a Bunch Music Ltd., JB Max Music Ltd., Mike Stock Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bananarama3:27
81Suddenly (7” mix)
Angry Anderson3:53
82Mistletoe and Wine
recording of:
Mistletoe and Wine
Verfasser(in):
Jeremy Paul (British songwriter and producer Jeremy Paul Roche), Leslie Stewart und Keith Strachan
publisher:
Patch Music Ltd.
Cliff Richard14:04

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Now That's What I Call Music LLP (British holding company) (in 2023)
zum Herunterladen kaufen und Streaming-Seite:https://music.apple.com/gb/album/1709914417 [Info]

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1988) (Reihenfolge: 33)
Diskografieeintrag:https://www.springsteenlyrics.com/collection.php?cmd=list&category=vaalbum&f_format=12i [Info]