Christmas Cantatas

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Darzu ist erschienen der Sohn Gottes, BWV 40: 1. [Coro] "Darzu ist erschienen der Sohn Gottes"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes" (from 1974-02 until 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
4:23
2Darzu ist erschienen der Sohn Gottes, BWV 40: 2. Recitativo (Tenore) "Das Wort ward Fleisch"
tenor vocals:
Marius van Altena (tenor) (from 1974-02 until 1974-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-02 until 1974-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-02 until 1974-04)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": II. Recitativo (Tenore) "Das Wort ward Fleisch" (from 1974-02 until 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:15
3Darzu ist erschienen der Sohn Gottes, BWV 40: 3. Choral (Coro) "Die Sünd macht Leid"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1974-02 until 1974-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-02 until 1974-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-02 until 1974-04)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": III. Choral "Die Sünd macht Leid" (from 1974-02 until 1974-04)
lyricist:
Kaspar Füger (16th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 379)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
0:39
4Darzu ist erschienen der Sohn Gottes, BWV 40: 4. Aria (Basso) "Höllische Schlange, wird dir nicht bange?"
bass vocals:
Max van Egmond (bass-baritone) (from 1974-02 until 1974-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-02 until 1974-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-02 until 1974-04)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": IV. Aria (Basso) "Höllische Schlange" (from 1974-02 until 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
2:08
5Darzu ist erschienen der Sohn Gottes, BWV 40: 5. Recitativo (Alto) "Die Schlange, so im Paradies"
alto vocals:
René Jacobs (conductor) (from 1974-02 until 1974-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-02 until 1974-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-02 until 1974-04)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": V. Recitativo (Alto) "Die Schlange, so im Paradies" (from 1974-02 until 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:10
6Darzu ist erschienen der Sohn Gottes, BWV 40: 6. Choral (Coro) "Schüttle deinen Kopf und sprich"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1974-02 until 1974-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-02 until 1974-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-02 until 1974-04)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VI. Choral "Schüttle deinen Kopf und sprich" (from 1974-02 until 1974-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 305)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
0:44
7Darzu ist erschienen der Sohn Gottes, BWV 40: 7. Aria (Tenore) "Christenkinder, freuet euch!"
tenor vocals:
Marius van Altena (tenor) (from 1974-02 until 1974-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-02 until 1974-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-02 until 1974-04)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VII. Aria (Tenore) "Christenkinder, freuet euch!" (from 1974-02 until 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
3:50
8Darzu ist erschienen der Sohn Gottes, BWV 40: 8. Choral (Coro) "Jesu, nimm dich deiner Glieder ferner in Gedanken an"
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VIII. Choral "Jesu, nimm dich deiner Glieder"
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 105)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:10
9Christum wir sollen loben schon, BWV 121: 1. [Coro] "Christentum wir sollen loben schon"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
3:15
10Christum wir sollen loben schon, BWV 121: 2. Aria (Tenore) "O du von Gott erhöhte Kreatur"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
5:41
11Christum wir sollen loben schon, BWV 121: 3. Recitativo (Alto) "Der Gnade unermeßlichs Wesen"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:02
12Christum wir sollen loben schon, BWV 121: 4. Aria (Basso) "Johannis freudenvolles Springen"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
8:31
13Christum wir sollen loben schon, BWV 121: 5. Recitativo (Soprano) "Doch wie erblickt es dich in deiner Krippe?"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
0:54
14Christum wir sollen loben schon, BWV 121: 6. Choral (Coro) "Lob, Ehr und Dank sei dir gesagt"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt"
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:12
15Selig ist der Mann (Concerto in Dialogo), BWV 57: 1. Aria (Basso) "Selig ist der Mann, der die Anfechtung erduldet"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
3:11
16Selig ist der Mann (Concerto in Dialogo), BWV 57: 2. Recitativo (Soprano) "Ach! dieser süße Trost erquickt auch mir mein Herz"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
1:13
17Selig ist der Mann (Concerto in Dialogo), BWV 57: 3. Aria (Soprano) "Ich wünschte mir den Tod"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
6:00
18Selig ist der Mann (Concerto in Dialogo), BWV 57: 4. Recitativo (Soprano, Basso) "Ich reiche dir die Hand"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
0:24
19Selig ist der Mann (Concerto in Dialogo), BWV 57: 5. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
5:13
20Selig ist der Mann (Concerto in Dialogo), BWV 57: 6. Recitativo (Soprano, Basso) "In meiner Schoß liegt Ruh und Leben"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Bass). "In meinem Schoß liegt Ruh' und Leben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
1:18
21Selig ist der Mann (Concerto in Dialogo), BWV 57: 7. Aria (Soprano) "Ich ende behende mein irdisches Leben"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
4:15
22Selig ist der Mann (Concerto in Dialogo), BWV 57: 8. Choral (Coro) "Richte dich, Liebste, nach meinem Gefallen"
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
0:49
3▶CD