Complete Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium: Complete Love Songs Vol. 01
2Digitales Medium: Complete Love Songs Vol. 02
Nr.TitelKünstlerBewertungLänge
1Youve Lost That Lovin Feelin
cover recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Long John Baldry35:12
2True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:31
3Tonight I Celebrate My Love for You
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (singer and pianist) (in 1983)
arranger:
Michael Masser und Gene Page (conductor, composer, arranger and record producer)
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson3.753:32
4Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:02
5This Will Be (An Everlasting Love)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:50
6When Your in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:57
7It Started With a Kiss
Produzent(in):
Mickie Most (English record producer)
Sologesang:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
Musikvideos:
It Started With a Kiss von Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate34:01
8Love Changes Everything
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:26
9Do You Really Want to Hurt Me
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club4:24
10Classic
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recording of:
Classic
Texter und Komponist(in):
Adrian Gurvitz
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp. und RAK Publishing Ltd.
Adrian Gurvitz33:40
11The First Time Ever I Saw Your Face
cover recording of:
The First Time Ever I Saw Your Face
Texter und Komponist(in):
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. und Westbury Music Ltd.
Peter Blakeley4:17
12You Are My Lady
recording of:
You Are My Lady
Verfasser(in):
Barry Eastmond
publisher:
Zomba Enterprises, Inc.
Freddie Jackson54:44
13Lady
produced in:
Australien
assistierende(r) Techniker(in) und assistierende(r) Mix:
Jim Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Techniker(in) und Mix:
Ern Rose
Produzent(in):
John Boylan und Little River Band
Akustikgitarre:
Graham Goble (in 1978-03)
Bass:
George McArdle (in 1978-03)
E-Gitarre:
David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
elektronisches Schlagzeug / E-Drums [syndrum], Perkussion und Schlagzeug:
Derek Pellicci (in 1978-03)
Klavier:
Peter Sullivan (in 1978-03)
Talkbox:
David Briggs (producer, guitarist of Little River Band) (in 1978-03)
Hintergrundgesang und Sologesang:
Beeb Birtles (in 1978-03), Graeham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
Orchester:
Melbourne Symphony Orchestra (in 1978-03)
conductor:
Rick Formosa (in 1978-03: Saiteninstrumente)
Saiteninstrumente arranger:
Riccardo Formosa
vocals arranger:
Graeham Goble
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Australia (company credits only; file no releases here!) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australien (in 1978-03)
mixed at:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australien
recording of:
Lady (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band3.354:44
14Room in Your Heart
Produzent(in):
Living in a Box und Chris Porter (engineer and producer)
Mix:
Chris Porter (engineer and producer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1989)
recording of:
Room in Your Heart
Verfasser(in):
Richard Darbyshire, Albert Hammond und Marcus Vere
publisher:
Chappell Music Ltd., Empire Music Ltd. und Windswept Pacific Music Ltd.
Living in a Box24:35
15The Other Guy
recorded in:
Melbourne, Victoria, Australien (in 1982-09)
Produzent(in):
Little River Band und Ern Rose
Akustikgitarre:
Beeb Birtles (in 1982-09) und Graham Goble (in 1982-09)
Bass:
Wayne Nelson (in 1982-09)
Gitarre:
Beeb Birtles (in 1982-09) und Stephen Housden (guitarist) (in 1982-09)
Hybrid-Piano:
David Hirschfelder (Australian score composer) (in 1982-09)
Schlagzeug:
Derek Pellicci (in 1982-09)
Synthesizer:
Peter Jones (Australian pianist/composer) (in 1982-09)
Sologesang:
John Farnham (in 1982-09)
vocals:
Beeb Birtles (in 1982-09) und Graham Goble (in 1982-09)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982, in 2002) und Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
recording of:
The Other Guy (in 1982-09)
Texter und Komponist(in):
Graeham Goble
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal/MCA Music Publishing Pty Ltd
Little River Band3.52:49
16When You Walk in the Room
Produzent(in):
Christopher Neil
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
Texter und Komponist(in):
Jackie DeShannon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (in 1987) und United Partnership Ltd. (in 1987)
Paul Carrack2.653:31
3Digitales Medium: Complete Love Songs Vol. 03
4Digitales Medium: Complete Love Songs Vol. 04
5Digitales Medium: Complete Love Songs Vol. 05