| # | Title | Artist | Rating | Length |
|---|
| 1 | Never Too Much- drum machine programming:
- IZ
- sound engineer:
- Ian Cross
- additional engineer:
- John Hanes
- co-producer:
- Big Jim Wright
- producer:
- Jimmy Jam and Terry Lewis
- mixer:
- Serban Ghenea
- bass:
- Rickey Minor
- cello:
- Larry Corbett and Dan Smith
- double bass:
- Nico Abondolo
- guitar:
- Paul Jackson, Jr.
- keyboard:
- Bobby Ross Avila, Big Jim Wright and Jimmy Jam
- viola:
- Denyse Buffum and Karen Bakunin
- violin:
- Susan Chatman, Mario DeLeon, Armen Garabedian, Berj Garabedian, Peter Kent , Natalie Leggett and John Wittenberg
- background vocals:
- Mary J. Blige
- conductor:
- Suzie Katayama
- strings arranger:
- Leon Pendarvis and Paul Riser
- strings co-arranger:
- Suzie Katayama
- recorded at:
- Flyte Tyme West in Santa Monica, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- cover recording of:
- Never Too Much
- lyricist and composer:
- Luther Vandross
- publisher:
- April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs , SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
| Mary J. Blige | | 5:16 |
| 2 | Superstar- sound engineer:
- Danny Duncan
- additional engineer:
- John Hanes
- co-producer:
- J-Lack
- producer:
- Usher Raymond IV
- mixer:
- Serban Ghenea
- bass:
- Andre Bowman
- drums (drum set):
- Aaron Spears
- guitar:
- Natural
- keyboard:
- Arthur "Buddy" Strong and Valdez Brantley
- percussion:
- Javier Solis
- instruments arranger:
- Valdez Brantley and Natural
- vocals arranger:
- Ryon Lovett
- recorded at:
- Doppler Studios in Atlanta, Georgia, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- cover recording of:
- Superstar
- writer:
- Bonnie Bramlett and Leon Russell
- publisher:
- Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music and Teddy Jack Music
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス
| Usher | | 5:56 |
| 3 | ’Til My Baby Comes Home- drum machine programming:
- IZ
- sound engineer:
- Matt Marrin
- additional engineer:
- John Hanes
- co-producer:
- Big Jim Wright
- producer:
- Jimmy Jam and Terry Lewis
- mixer:
- Serban Ghenea
- bass and guitar:
- Bobby Ross Avila
- drums (drum set):
- Teddy Campbell
- Hammond organ [Hammond B3 organ]:
- Big Jim Wright
- keyboard:
- Bobby Ross Avila and Big Jim Wright
- percussion:
- Luis Conte
- background vocals:
- Carolyn Perry, Darlene Perry, Lori Perry, Sharon Perry, Prof T. and Shelea Frazier-Kyle
- recorded at:
- Flyte Tyme West in Santa Monica, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- cover recording of:
- ’Til My Baby Comes Home
- writer:
- Marcus Miller and Luther Vandross
- publisher:
- CBS Songs Ltd., EMI April Music Inc., MCA Music Ltd., SBK Songs Ltd., Thriller Miller Music, Uncle Ronnie’s Music Company Inc. and Universal‐MCA Music Publishing
| Fantasia | | 4:39 |
| 4 | So Amazing- recording engineer:
- Reginald Dozier, Danny Romero , Glenn Standridge and John Tanksley
- engineer:
- James Tanksley
- additional producer:
- Beyoncé
- co-producer:
- Jake & The Phatman
- producer:
- Raphael Saadiq
- mixer:
- Danny Romero and Glenn Standridge
- bass guitar:
- Raphael Saadiq
- drums (drum set):
- Tim Riley
- harmonica:
- Stevie Wonder
- percussion:
- Bobby Ozuna
- strings:
- South Central Chamber Orchestra and Charles Veal Jr.
- vocals:
- Stevie Wonder
- additional conductor:
- Benjamin Wright
- strings arranger:
- Benjamin Wright
- recorded at:
- Sony Studios in Hell's Kitchen, New York, New York, United States and The Blakeslee Recording Company in Hollywood, Los Angeles, California, United States
- cover recording of:
- So Amazing
- lyricist and composer:
- Luther Vandross
- publisher:
- EMI April Music Inc., SBK Songs , Uncle Ronnie’s Music, April Music Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Beyoncé & Stevie Wonder | | 4:12 |
| 5 | A House Is Not a Home- sound engineer:
- Michael O’Reilly and Mark Pastoria
- assistant engineer:
- Jason Agel, Mark Rinaldi, Jason Stasium, David Swope and Yohei Gota
- engineer:
- Rob Shelby
- producer:
- Arif Mardin
- mixer:
- Michael O’Reilly
- bass:
- Jerry Barnes
- cello:
- Diane Barere, Jeanne LeBlanc and Richard Locker
- drums (drum set):
- Ralph Rolle
- flugelhorn:
- James Hynes
- flute:
- Trudy Kane, Elizabeth Mann and Stefan Hoskuldssen
- horn:
- Bob Carlisle and Phillip Myers
- percussion:
- Gordon Gottlieb
- piano:
- Michael Mindingall and Leon Pendarvis
- viola:
- Desiree Elsevier, Crystal Garner, Vincent Lionti and Craig Mumm
- violin:
- David Chan , Enrico DiCecco , Hae-Young Ham , Jean Ingraham , Katherine Livolsi-Stern, Ann Lehmann, Lisa G. Kim , Ricky Sortomme , Catherine Ro , Yuri Vodovoz and Yulia Ziskel-Deninzon
- lead vocals:
- Aretha Franklin
- arranger:
- Arif Mardin
- recorded at:
- Brooklyn Recording Studios in Brooklyn, New York, New York, United States, Harmonie Park Music in Detroit, Michigan, United States and Sony Studios in Hell's Kitchen, New York, New York, United States
- cover recording of:
- A House Is Not a Home
- lyricist:
- Hal David (in 1964)
- composer:
- Burt Bacharach (in 1964)
- publisher:
- Diplomat Music (ended), Famous Music Corporation (ended), Famous Chappell, Famous Music (UK) Ltd. and Sony/ATV Harmony
| Aretha Franklin | | 5:30 |
| 6 | Power of Love- programming, engineer and mixer:
- Hani
- sound engineer and editor:
- Dabling "Hobby Boy" Harward
- assistant engineer:
- Aaron Renner
- producer:
- Hani and The Underdogs
- background vocals:
- Tania Ivey
- recorded at:
- Emerald Sound Master Fonics in Nashville, Tennessee, United States and Num Sound in New York, New York, United States
- engineered at:
- Num Sound in New York, New York, United States
- edited at:
- Emerald Sound Master Fonics in Nashville, Tennessee, United States
- cover recording of:
- Power of Love / Love Power
- writer:
- Marcus Miller , Luther Vandross and Teddy Vann
- medley of:
- Love Power
- medley of:
- Power of Love
| Donna Summer | | 3:30 |
| 7 | If This World Were Mine- programming:
- KRUCIAL
- sound engineer:
- Tony Black , Manny Marroquin and Ann Mincieli
- producer:
- Kerry "Krucial" Brothers and Alicia Keys
- mixer:
- Manny Marroquin
- bass:
- Artie Reynolds
- cello:
- Astrid Schween and Tahirah Whittington
- guitar:
- Mike Ciro
- harp:
- Anna Reinersman
- organ and Rhodes piano [electric Rhodes piano]:
- Onreé Gill
- viola:
- David Blinn , Richard Brice and Maxine Roach
- violin:
- Sanford Allen, Belinda Whitney, Robert Chausow, Barry Finclair, Mariana Green-Hill , Stanley Hunte and Gwen Laster
- background vocals:
- Alicia Keys and Jermaine Paul
- orchestra:
- The NY Strings
- conductor:
- Sanford Allen and Ray Chew
- strings arranger:
- Ray Chew
- recorded at:
- Right Track Recording in Manhattan, New York, New York, United States and The Oven Studios in Chelsea, New York, New York, United States
- mixed at:
- The Oven Studios in Chelsea, New York, New York, United States
- cover recording of:
- If This World Were Mine
- lyricist and composer:
- Marvin Gaye
- publisher:
- FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MGIII Music and NMG Music
| Alicia Keys featuring Jermaine Paul | | 4:57 |
| 8 | Anyone Who Had a Heart- sound engineer and editor:
- Dabling "Hobby Boy" Harward
- additional engineer:
- John Hanes
- assistant engineer:
- Aaron Renner
- producer:
- The Underdogs
- mixer:
- Serban Ghenea
- bass and percussion:
- Ernest Hamilton
- instruments:
- The Underdogs
- piano:
- Tim Carmon
- recorded at and edited at:
- The Underlab in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- cover recording of:
- Anyone Who Had a Heart
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Carlin Music Corp., WB Music Corp. , Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
| Elton John & Luther Vandross | | 4:51 |
| 9 | Dance With My Father- programming:
- Aaron Zigman
- sound engineer:
- Matt Marrin
- additional engineer:
- John Hanes
- co-producer:
- Big Jim Wright
- producer:
- Jimmy Jam and Terry Lewis
- mixer:
- Serban Ghenea
- bass:
- Rickey Minor
- drums (drum set):
- Teddy Campbell
- guitar:
- Paul Jackson, Jr.
- keyboard and piano:
- Big Jim Wright
- percussion:
- Luis Conte
- violin:
- Bruce Dukov, Julie Gigante, Jacqueline I. Brand, Katia V. Popov, Natalie Leggett, Sara Parkins , Ralph D. Morris, Tereza L. Stanislav , Sarah Thornblade and Josefina Vergara
- conductor:
- Jerry Hey
- strings arranger:
- Jimmy Jam
- arranger:
- Jerry Hey
- recorded at:
- Flyte Tyme West in Santa Monica, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- cover recording of:
- Dance With My Father
- writer:
- Richard Marx and Luther Vandross
- publisher:
- BMG Monarch, EMI April Music Inc. and Uncle Ronnie’s Music Company Inc.
| Céline Dion | | 4:39 |
| 10 | Always & Forever | Wyclef Jean | | 4:36 |
| 11 | If Only for One Night | Babyface | | 4:24 |
| 12 | Here & Now | Patti LaBelle | | 4:29 |
| 13 | Love Won’t Let Me Wait- recording engineer:
- Jeff Chestek
- drum machine programming:
- Dave Tozer
- assistant sound engineer:
- Taylor Dow and Bill Moriarty
- sound engineer:
- Jeff Chestek and Andrew Dawson
- producer:
- Dave Tozer
- assistant mixer:
- Taylor Dow and Mike Peters
- mixer:
- Chris Theis and Dave Tozer
- alto saxophone:
- Aaron Marisi
- bass:
- Tom Craskey
- bass trombone:
- Earl Phillips
- flugelhorn:
- Steve Tirpak
- guitar:
- Dave Tozer
- piano and lead vocals:
- John Legend
- trombone:
- Jon Botbyl and Joe Ferrante
- vibraphone:
- Tony Miceli
- background vocals:
- Candice Anderson, John Legend, Lenesha Randolph and Tara Watkins
- horn arranger and strings arranger:
- Larry Gold and Steve Tirpak
- recorded at:
- Sony Studios in Hell's Kitchen, New York, New York, United States and The Studio in Philadelphia, Pennsylvania, United States
- mixed at:
- Sony Studios in Hell's Kitchen, New York, New York, United States
- cover recording of:
- Love Won’t Let Me Wait
- writer:
- Vinnie Barrett and Bobby Eli
- publisher:
- Blackwood Music Inc. , Mighty Three Music, Prestige Music Co. , Sony Music Publishing (Japan) Inc. , Warner–Tamerlane Publishing Corp. and Winot Music
| John Legend | | 3:56 |
| 14 | Since I Lost My Baby- drum machine programming:
- IZ
- sound engineer:
- Matt Marrin
- additional engineer:
- John Hanes
- co-producer:
- Big Jim Wright
- producer:
- Jimmy Jam and Terry Lewis
- mixer:
- Serban Ghenea
- guitar:
- Bobby Ross Avila
- Hammond organ [Hammond B3 organ]:
- Big Jim Wright
- keyboard:
- Big Jim Wright and Jimmy Jam
- recorded at:
- Flyte Tyme West in Santa Monica, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- cover recording of:
- Since I Lost My Baby
- writer:
- Warren Moore and William Robinson
- publisher:
- Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Angie Stone | | 5:24 |
| 15 | Creepin’ | Jamie Foxx | | 3:39 |
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