Wah-Wah

~ Release by Patrick Doyle (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Swaziland
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Swaziland
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:14
2Lauren Leaves
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Lauren Leaves
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:43
3Train Away
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Train Away
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:18
4The Key
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Key
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:14
5The Shooting
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Shooting
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:32
6The Bridge
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Bridge
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:26
7Fabulous News
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Fabulous News
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
0:47
8Monica
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Monica
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:15
9Goodbye Swaziland
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Goodbye Swaziland
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:49
10Independence
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Independence
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:32
11Months to Live
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Months to Live
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:42
12Harry Dies
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Harry Dies
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:32
13Ngatsi Ngisahamba
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Ngatsi Ngisahamba
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:45
14Please Forgive Me
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Please Forgive Me
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:47
15Wah-Wah
assistant engineer:
Jake Jackson (recording engineer), Nick Taylor (UK recording engineer) and Ian Wood (engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Simon Greenaway and Nick Taylor (engineer, film scores)
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Wah-Wah
orchestrator:
Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
6:23

Credits

Release

recorded at:AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/4401282 [info]
ASIN:US: B000JBWW88 [info]