Fidelio: Highlights

~ Release by Beethoven; Charlotte Margiono, Peter Seiffert, Nikolaus Harnoncourt (see all versions of this release, 3 available)

Annotation

Part of the "Opera Collection"

Annotation last modified on 2017-07-23 10:14 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Overture
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven7:28
2Jetzt, Schätzchen, jetzt sind wir allein
assistant engineer:
Tobias Lehmann, Jens Schünemann and Stefan Witzel
engineer:
Michael Brammann (sound engineer)
producer:
Helmut Mühle
solo soprano vocals [Marzelline]:
Barbara Bonney (soprano) (in 1994-06)
solo tenor vocals [Jaquino]:
Deon van der Walt (tenor) (in 1994-06)
orchestra:
Chamber Orchestra of Europe (in 1994-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1994-06)
recorded at:
Stefaniensaal in Graz, Steiermark (Styria), Austria (in 1994-06)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1994-06)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (in 1994-06)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:26
3O wär' ich schon mit dir vereint
soprano vocals [Marzelline]:
Barbara Bonney (soprano)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:56
4Mir ist so wunderbar
bass vocals [Rocco]:
László Polgár (operatic bass)
soprano vocals [Leonore]:
Charlotte Margiono (soprano)
soprano vocals [Marzelline]:
Barbara Bonney (soprano)
tenor vocals [Jaquino]:
Deon van der Walt (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:12
5Hat man nicht auch Gold beineben
bass vocals [Rocco]:
László Polgár (operatic bass)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:04
6Ha, welch ein Augenblick!
baritone vocals [Don Pizarro]:
Sergei Leiferkus (baritone)
choir vocals:
Arnold Schoenberg Chor
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:42
7Abscheulicher, wo eilst du hin
soprano vocals [Leonore]:
Charlotte Margiono (soprano)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:57
8O welche Lust
choir vocals:
Arnold Schoenberg Chor
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:35
9Leb wohl, du warmes Sonnenlicht
baritone vocals [Don Pizarro]:
Sergei Leiferkus (baritone)
bass vocals [Rocco]:
László Polgár (operatic bass)
choir vocals:
Arnold Schoenberg Chor
soprano vocals [Leonore]:
Charlotte Margiono (soprano)
soprano vocals [Marzelline]:
Barbara Bonney (soprano)
tenor vocals [Jaquino]:
Deon van der Walt (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:53
10In des Lebens Frühlingstagen
tenor vocals [Florestan]:
Peter Seiffert (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven4:51
11Er sterbe!
baritone vocals [Don Pizarro]:
Sergei Leiferkus (baritone)
bass vocals [Rocco]:
László Polgár (operatic bass)
soprano vocals [Leonore]:
Charlotte Margiono (soprano)
tenor vocals [Florestan]:
Peter Seiffert (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:46
12O namenlose Freude!
soprano vocals [Leonore]:
Charlotte Margiono (soprano)
tenor vocals [Florestan]:
Peter Seiffert (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:49
13Heil sei dem Tag
choir vocals:
Arnold Schoenberg Chor
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven1:56
14Wer ein holdes Weib errungen
baritone vocals [Don Fernando]:
Bo Skovhus (baritone)
bass vocals [Rocco]:
László Polgár (operatic bass)
choir vocals:
Arnold Schoenberg Chor
soprano vocals [Leonore]:
Charlotte Margiono (soprano)
soprano vocals [Marzelline]:
Barbara Bonney (soprano)
tenor vocals [Florestan]:
Peter Seiffert (tenor)
tenor vocals [Jaquino]:
Deon van der Walt (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:09