Greatest Hits of the 70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Love Is the Drug
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:10
2Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
3The Cat Crept In
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
The Cat Crept In
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mud4:03
4Angel Fingers (A Teen Ballad)
recording of:
Angel Fingers
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard54:32
5Can the Can
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973), RAK Records Ltd. (in 1973) und RAK Records (copyrights holder) (in 1975)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro4.153:35
6A Touch Too Much
Produzent(in):
Mickie Most (English record producer)
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
Touch Too Much (in 1974)
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Chinnichap (production company and publisher) und RAK Publishing Ltd.
The Arrows53:02
7Some Girls
recording of:
Some Girls
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:25
8Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:05
9California Man
Produzent(in):
Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1971-12-19)
Gitarre und Sologesang:
Jeff Lynne (am 1971-12-19) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1971-12-19)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1971-12-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2005)
recording of:
California Man (am 1971-12-19)
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. und United Artists Music Ltd.
The Move53:38
10Showdown
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Michael d’Albuquerque (in 1973-04)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) und Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
Geige / Violine:
Wilfred Gibson (UK violinist) (in 1973-04)
Gitarre und Sologesang:
Jeff Lynne (in 1973-04)
Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1973-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-04)
recording of:
Showdown (in 1973-04)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:11
11Good Girls Don’t
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2013)
recording of:
Good Girls Don’t
Texter und Komponist(in):
Doug Fieger (in The Knack)
The Knack43:10
12Whole Lotta Love
Produzent(in):
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
zusätzlicher Texter:
Willie Dixon
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
You Need Love
CCS53:33
13Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:28
14Doctor Doctor
recording of:
Doctor Doctor
Verfasser(in):
Phil Mogg und Michael Schenker
publisher:
Intersong Music Ltd. und Rudolf Slezak Musikverlag GmbH (publisher)
sub-publisher:
Schubert Music Europe GmbH und Warner Chappell Music France
UFO42:46
15Silver Machine
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:40
16Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.054:00
17I’ve Been Drinking
Gast-Interpret(in):
Rod Stewart
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1968)
recording of:
I’ve Been Drinking
Verfasser(in):
Johnny Mercer und Doris Tauber
arranger:
Jeff Beck (English rock guitarist) und Rod Stewart
Arrangement von:
Drinking Again
Jeff Beck Group3:19
18All Around My Hat
Produzent(in):
Mike Batt
Bass:
Rick Kemp
Fiddle und Mandoline:
Peter Knight (Steeleye Span fiddler)
Gitarre:
Tim Hart (UK folk singer and multi-instrumentalist) und Bob Johnson (British guitarist and Steeleye Span member)
Schlagzeug:
Nigel Pegrum
Hintergrundgesang:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member) und Peter Knight (Steeleye Span fiddler)
vocals:
Maddy Prior
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1975)
recording of:
All Around My Hat (in 1975)
Verfasser(in):
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) und Maddy Prior
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited und Steeleye Span Music Ltd.
basiert auf:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
basiert auf:
The Nobleman’s Wedding
Steeleye Span54:08
19Combine Harvester (Brand New Key)
recording of:
The Combine Harvester
Texter:
Brendan O’Shaughnessy
Komponist(in):
Melanie Safka (US singer‐songwriter Melanie Safka)
Parodieversion von:
Brand New Key
The Wurzels3.53:04
20Telephone Man
recording of:
Telephone Man
Verfasser(in):
Meri Wilson
Meri Wilson42:01
3▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Greatest Hits of the (From label: EMI Gold) (Nummer: 70) (Reihenfolge: 2)