Gentlemen of Swing

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Isn’t It Romantic
Techniker(in):
Frank Laico
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
Tony Bennett3:24
2Stranger in Paradise
Bing Crosby2:37
3Cheek to Cheek
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Adele Astaire und Fred Astaire (in 1952-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire5:42
4I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Louis Armstrong & Oscar Peterson4:19
5Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
6Basin Street Blues / When It’s Sleepy Time Down South
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
medley including a recording of:
Basin Street Blues (am 1956-04-19)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (am 1956-04-19)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
Louis Prima4:14
7I Apologize
cover recording of:
I Apologize
Verfasser(in):
Ed G. Nelson (Popular music songwriter and bandleader), Al Goodhart und Al Hoffman
publisher:
Crawford Music Corp. und DeSylva, Brown and Henderson, Inc.
Billy Eckstine2:54
8Volare (Nel blu dipinto di blu)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Dean Martin43:01
9A Cottage for Sale
recording of:
A Cottage for Sale
Texter:
Larry Conley (jazz bandleader/songwriter/trombonist)
Komponist(in):
Willard Robison
publisher:
Chappell & Co.
Matt Monro3:11
10Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:47
11Release Me
Engelbert Humperdinck3:20
12Something’s Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Sammy Davis Jr.2:05
13Love Letters in the Sand
recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:16
14Thunderball
recording of:
Main Title: Thunderball
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Thunderball (film score)
Tom Jones2:53
15Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Nat King Cole2:54
16Ev’ry Time We Say Goodbye (live)
Mel Tormé2:36

Nennungen