The Complete Billie Holiday on Verve 1945–1959

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

℗ & © «1992 UMG Recordings, Inc.»
℗ «A Verve Label Group release; This Compilation»

Countries excluded (Deezer + Spotify + iTunes)

(As of 2021-11-28).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
Anmerkung zuletzt geändert am 2021-11-28 04:06 UTC.

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▶Digitales Medium
4▶Digitales Medium
5▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I Don’t Want to Cry Anymore (take 1 / false start)
recording of:
I Don’t Want to Cry Anymore (am 1955-08-23)
Texter und Komponist(in):
Victor Schertzinger
Billie Holiday10:29
2I Don’t Want to Cry Anymore (take 2 / master take)
alto saxophone:
Benny Carter (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
recording of:
I Don’t Want to Cry Anymore (am 1955-08-23)
Texter und Komponist(in):
Victor Schertzinger
Billie Holiday2.53:54
3Studio Talk; Prelude to a Kiss #1
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker10:14
4Studio Talk; Prelude to a Kiss #2
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker10:51
5Prelude to a Kiss
vocals:
Billie Holiday
recording of:
Prelude to a Kiss (am 1955-08-23)
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
Billie Holiday45:33
6I Don’t Stand a Ghost of a Chance With You
alto saxophone:
Benny Carter (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
recording of:
(I Don’t Stand) A Ghost of a Chance (am 1955-08-23)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
Billie Holiday44:26
7When Your Lover Has Gone (take 1)
recording of:
When Your Lover Has Gone (am 1955-08-23)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
Billie Holiday10:49
8Studio Talk; When Your Lover Has Gone
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker11:00
9Studio Talk #1
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker10:22
10When Your Lover Has Gone (take 2)
recording of:
When Your Lover Has Gone (am 1955-08-23)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
Billie Holiday34:56
11Gone With the Wind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
E-Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Gone With the Wind (am 1955-08-23)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Billie Holiday2.353:23
12Studio Talk #2
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker10:10
13Please Don’t Talk About Me When I’m Gone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
alto saxophone:
Benny Carter (am 1955-08-23)
Bass:
John Simmons (bassist) (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
Sologesang:
Billie Holiday (am 1955-08-23)
recording of:
Please Don’t Talk About Me When I’m Gone (am 1955-08-23)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
Billie Holiday44:19
14It Had to Be You
recording of:
It Had to Be You (am 1955-08-23)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Billie Holiday54:01
15Studio Talk #3
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker10:08
16Nice Work If You Can Get It
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Nice Work If You Can Get It (am 1955-08-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Billie Holiday53:47
17Come Rain or Come Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-25)
alto saxophone:
Benny Carter (am 1955-08-25)
E-Gitarre:
Barney Kessel (am 1955-08-25)
Klavier:
Jimmy Rowles (am 1955-08-25)
Kontrabass:
John Simmons (bassist) (am 1955-08-25)
Schlagzeug:
Larry Bunker (am 1955-08-25)
Trompete:
Harry “Sweets” Edison (am 1955-08-25)
vocals:
Billie Holiday (am 1955-08-25)
recording of:
Come Rain or Come Shine (am 1955-08-25)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Billie Holiday44:23
18I Got a Right to Sing the Blues
vocals:
Billie Holiday (am 1955-08-25)
recording of:
I Gotta Right to Sing the Blues (am 1955-08-25)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Billie Holiday45:52
19What’s New
recording of:
What’s New? (am 1955-08-25)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
Billie Holiday34:17
20A Fine Romance (take 1 / incomplete)
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday10:47
21A Fine Romance (take 2 / alternate)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday42:44
22A Fine Romance (take 3 / false start)
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday10:18
23A Fine Romance (take 4 incomplete)
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday31:16
24A Fine Romance (take 5 incomplete)
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday43:18
25A Fine Romance (take 6 / false start)
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday10:26
26A Fine Romance (take 7 / incomplete)
teilweise cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday43:12
27A Fine Romance (take 8 / master take)
alto saxophone:
Benny Carter (am 1954-08-25)
E-Gitarre:
Barney Kessel (am 1954-08-25)
Klavier:
Jimmy Rowles (am 1954-08-25)
Kontrabass:
John Simmons (bassist) (am 1954-08-25)
Schlagzeug:
Larry Bunker (am 1954-08-25)
Trompete:
Harry “Sweets” Edison (am 1954-08-25)
vocals:
Billie Holiday (am 1954-08-25)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday43:32
28Studio Talk #4
Billie Holiday, Harry “Sweets” Edison, Benny Carter, Jimmy Rowles, Barney Kessel, John Simmons & Larry Bunker10:06
29I Hadn’t Anyone Till You
recording of:
I Hadn’t Anyone Till You (am 1955-08-25)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Billie Holiday44:03
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