| # | Title | Rating | Length |
|---|
| 1 | Chorus: Credo | | 1:48 |
| 2 | Chorus: Patrem omnipotentem | | 2:04 |
| 3 | Duet: Et in unum Dominum | | 4:44 |
| 4 | Chorus: Et incarnatus est | | 3:13 |
| 5 | Chorus: Crucifixus- choir vocals:
- Windsbacher Knabenchor (from 1994-07-18 until 1994-07-23)
- orchestra:
- Deutsche Kammerakademie Neuss am Rhein (from 1994-07-18 until 1994-07-23)
- conductor:
- Karl-Friedrich Beringer (from 1994-07-18 until 1994-07-23)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1994-07-18 until 1994-07-23)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
- part of:
- h-Moll-Messe, BWV 232
| | 2:29 |
| 6 | Chorus: Et resurrexit | | 4:01 |
| 7 | Aria: Et in Spiritum Sanctum | | 5:10 |
| 8 | Chorus: Confiteor- choir vocals:
- Windsbacher Knabenchor (from 1994-07-18 until 1994-07-23)
- orchestra:
- Deutsche Kammerakademie Neuss am Rhein (from 1994-07-18 until 1994-07-23)
- conductor:
- Karl-Friedrich Beringer (from 1994-07-18 until 1994-07-23)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1994-07-18 until 1994-07-23)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1994-07-18 until 1994-07-23)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| | 6:40 |
| 9 | Chorus: Sanctus | | 5:30 |
| 10 | Chorus: Osanna in excelsis- choir vocals:
- Windsbacher Knabenchor (from 1994-07-18 until 1994-07-23)
- orchestra:
- Deutsche Kammerakademie Neuss am Rhein (from 1994-07-18 until 1994-07-23)
- conductor:
- Karl-Friedrich Beringer (from 1994-07-18 until 1994-07-23)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1994-07-18 until 1994-07-23)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| | 2:41 |
| 11 | Aria: Benedictus | | 3:52 |
| 12 | Chorus: Osanna in excelsis- choir vocals:
- Windsbacher Knabenchor (from 1994-07-18 until 1994-07-23)
- orchestra:
- Deutsche Kammerakademie Neuss am Rhein (from 1994-07-18 until 1994-07-23)
- conductor:
- Karl-Friedrich Beringer (from 1994-07-18 until 1994-07-23)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1994-07-18 until 1994-07-23)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| | 2:34 |
| 13 | Aria: Agnus Dei | | 6:00 |
| 14 | Chorus: Dona nobis pacem | | 3:12 |
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