Die Zauberflöte

~ Release by Mozart; Gundula Janowitz, Nicolai Gedda, Lucia Popp, Walter Berry, Gottlob Frick, Philharmonia Orchestra, Chorus, Klemperer (see all versions of this release, 8 available)

Tracklist

1▶CD
2▼CD
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1Die Zauberflöte, K. 620: Act II, Scene I. No. 9 March "Marsch der Priester"
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:06
2Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris" (Sarastro, Priester)
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:16
3Die Zauberflöte, K. 620: Act II, Scene II. No. 11 Duet "Bewahret euch vor Weibertücken" (zwei Priester)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:10
4Die Zauberflöte, K. 620: Act II, Scene II. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Damen, Papageno, Tamino, Eingeweihte)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:26
5Die Zauberflöte, K. 620: Act II, Scene III. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
producer:
Peter Andry (producer)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:23
6Die Zauberflöte, K. 620: Act II, Scene III. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
producer:
Peter Andry (producer)
soprano vocals [Die Königin der Nacht]:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
7Die Zauberflöte, K. 620: Act II, Scene III. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:49
8Die Zauberflöte, K. 620: Act II, Scene IV. No. 16 Terzetto "Seid uns zum zweiten Mal willkommen" (Knaben)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:56
9Die Zauberflöte, K. 620: Act II, Scene IV. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
10Die Zauberflöte, K. 620: Act II, Scene V. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:12
11Die Zauberflöte, K. 620: Act II, Scene V. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:17
12Die Zauberflöte, K. 620: Act II, Scene VI. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:19
13Die Zauberflöte, K. 620: Act II, Scene VII. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Knaben, Pamina)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:24
14Die Zauberflöte, K. 620: Act II, Scene VIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina, Gefolge, Priester)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:14
15Die Zauberflöte, K. 620: Act II, Scene VIII. "Tamino mein! O welch ein Glück!" (Zwei Geharnischten, Tamino, Pamina, Gefolge, Priester)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:00
16Die Zauberflöte, K. 620: Act II, Scene IX. "Papagena!" (Papageno, Knaben)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:36
17Die Zauberflöte, K. 620: Act II, Scene IX. "Pa-pa-ge-na! ... Pa-pa-ge-no!" (Papageno, Papagena)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Ruth-Margret Pütz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:49
18Die Zauberflöte, K. 620: Act II, Scene X. "Nur stille!" (Chor, Monostatos, Königin, Damen)
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:11
19Die Zauberflöte, K. 620: Act II, Scene X. "Die Strahlen der Sonne" (Sarastro, Chor)
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01

Credits

Release group

excerpts:The Magic Flute: Highlights (1964 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Janowitz (soprano), Gedda (tenor), Berry (bass‐baritone), Popp (soprano), Frick (operatic bass), Schwarzkopf (German-born Austrian/British soprano), Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Otto Klemperer (German-born conductor and composer)
Discogs:https://www.discogs.com/master/637718 [info]
other databases:http://www.operadis-opera-discography.org.uk/CLMOZAUB.HTM#41 [info]
https://www.operadis-opera-discography.org.uk/ALMOZAUB.HTM#64 [info]
Allmusic:https://www.allmusic.com/album/mw0001805286 [info]