50 Jahre Bravo: 1956-2006

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1We Are the Champions (album version)
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar and guitar:
Brian May (Queen guitarist)
piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25)
recording of:
We Are the Champions
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.953:01
2It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:20
3Candle in the Wind (album version)
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
music videos:
Candle in the Wind by Elton John (English singer, songwriter, pianist, and composer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 7) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 348)
recording of:
Candle in the Wind (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
dedicated to:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Elton John3.653:49
4Back to You (MTV Unplugged version)
live recording of:
Back to You
writer:
Bryan Adams (Canadian singer/songwriter) and Eliot Kennedy (songwriter, producer)
publisher:
Badams Music Limited (in 1997) and Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present) (in 1997)
Bryan Adams4:35
5Flugzeuge im Bauch
recording engineer and mixer:
Harald Lepschies (from 1984-01 until 1984-03)
co-producer:
Gaggy Mrotzek and Norbert Hamm
producer:
Herbert Grönemeyer (German musician and actor)
solo guitar:
Jakob Hansonis
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1984)
recorded at and mixed at:
EMI Tonstudio II in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1984-01 until 1984-03)
recording of:
Flugzeuge im Bauch
lyricist and composer:
Herbert Grönemeyer (German musician and actor)
Herbert Grönemeyer3:54
6The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:09
7I Can’t Dance
assistant recording engineer:
Mike Bowen (from 1991-03 until 1991-09) and Geoff Callingham (from 1991-03 until 1991-09)
drums (drum set) programming:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
assistant engineer:
Mark Robinson (assistant engineer)
engineer:
Nick Davis (producer, engineer)
producer:
Nick Davis (producer, engineer) and Genesis (English rock band)
bass and guitar:
Mike Rutherford (from 1991-03 until 1991-09)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1991-03 until 1991-09)
keyboard:
Tony Banks (Genesis) (from 1991-03 until 1991-09)
background vocals:
Tony Banks (Genesis) (from 1991-03 until 1991-09) and Mike Rutherford (from 1991-03 until 1991-09)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1991-03 until 1991-09)
recording of:
I Can’t Dance (from 1991-03 until 1991-09)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 2007 to present)
Genesis3.24:00
8When Doves Cry (LP version)
producer:
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], electric guitar, synthesizer [Oberheim] and synthesizer [Yamaha DX7]:
Prince (“The Artist Formerly Known as…”) (from 1984-03-01 until 1984-03-02)
lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1984-03-01)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 5), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 37), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When Doves Cry (on 1984-03-01)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions and Controversy Music
Prince4.25:53
9Wild Boys
engineer, audio engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Duran Duran (English rock band) and Nile Rodgers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
part of:
Cachitos Nochevieja 2022 (number: 54)
recording of:
The Wild Boys
writer:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) and Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
live recording of:
The Wild Boys
writer:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) and Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
Duran Duran4.14:17
10Enjoy the Silence
engineer:
Peter Iversen (audio engineer)
producer:
Depeche Mode and Flood (British producer Mark Ellis)
mixer:
Phil Legg and Daniel Miller (British music producer and founder of Mute Records)
lead vocals:
Dave Gahan
phonographic copyright (℗) by:
Depeche Mode (Copyright and phonographic copyright) (in 1990)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 272) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 415)
recording of:
Enjoy the Silence
lyricist and composer:
Martin L. Gore
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Grabbing Hands Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (in 2006), Grabbing Hands (in 2006) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Depeche Mode4.44:16
11The Sun Always Shines on T.V. (album edit)
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and Sony ATV Publishing
a‐ha3.95:07
12Super Trouper
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1980-10-03)
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1980-10-03)
drums (drum set):
Per Lindvall (on 1980-10-03)
guitar:
Janne Schaffer (on 1980-10-03)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-10-03)
percussion:
Åke Sundqvist (on 1980-10-03)
background vocals:
Agnetha Fältskog (in 1980)
lead vocals:
Frida (Swedish singer and member of ABBA) (on 1980-10-03)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-10-03, on 1980-10-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1980-10)
recording of:
Super Trouper (in 1980-10)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1980 to present), Universal/Union Songs Musikförlag AB (from 1980 to present) and Union Songs AB (publisher) (in 1980)
part of:
Mamma Mia! (1999 musical)
ABBA3.554:13
13Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland (drummer, percussionist, pianist and composer) (in 1983)
electric bass guitar and lead vocals:
Sting (singer, songwriter & member of The Police) (in 1983)
electric guitar:
Andy Summers (in 1983)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec (Quebec), Canada (in 1983)
music videos:
Every Breath You Take by The Police (British rock band)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police4.054:14
14Ain’t She Sweet (stereo)
assistant sound engineer:
Günther Sörensen (on 1961-06-24)
engineer:
Karl Hinze (on 1961-06-24)
producer:
Bert Kaempfert (German orchestra leader, producer and songwriter) (on 1961-06-24)
additional drums (drum set):
Bernard “Pretty” Purdie (in 1964-01)
drums (drum set):
Pete Best (original drummer in The Beatles) (on 1961-06-24)
electric bass guitar:
Paul McCartney (The Beatles) (on 1961-06-24)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1961-06-24)
electric guitar [rhythm guitar] and lead vocals:
John Lennon (The Beatles) (on 1961-06-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at and mixed at:
Studio Rahlstedt in Hamburg, Germany (on 1961-06-24)
remix of:
Ain’t She Sweet (original stereo mix) by The Beatles (UK rock band, “The Fab Four”) (in 1964)
cover recording of:
Ain’t She Sweet (from 1961-06-24 until 1964-01)
lyricist:
Jack Yellen
composer:
Milton Ager
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Beatles3.42:14
15You Made Me Believe in Magic
producer:
Harry Maslin
recording of:
You Made Me Believe in Magic
lyricist and composer:
Len Boone
Bay City Rollers2:41
16Surfin U.S.A. (remastered)
engineer:
Chuck Britz
producer:
Nick Venet
lead vocals:
Mike Love (Beach Boys) (on 1963-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1963-01-31)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 9) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Surfin’ U.S.A. (on 1963-01-31)
lyricist:
Brian Wilson (Beach Boys co‐founder)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
ロックンロール ミュージック (Rock ’n’ Roll Music)
is based on:
Sweet Little Sixteen
The Beach Boys4.452:28
17Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (southern gospel group) (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.42:28
18I Was Made for Lovin’ You (album version)
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:31
19Keep the Faith (album version)
additional engineer:
Obie O’Brien
assistant engineer:
Brian Dobbs (US metal producer/engineer) and Darren Grahn
engineer:
Randy Staub
producer:
Bob Rock
assistant mixer:
Greg Goldman, Ed Korengo and Jim Labinski
mixer:
Bob Rock and Randy Staub
bass guitar:
Alec John Such
drums (drum set):
Tico Torres
guitar:
Richie Sambora
keyboard:
David Bryan (keyboardist for Bon Jovi)
lead vocals:
Jon Bon Jovi
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Keep the Faith
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
PolyGram Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (from 1992 to present), Aggressive Music (in 1992), Bon Jovi Publishing (in 1992), EMI April Music Inc. (in 1992) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1992)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi45:45
20Hier kommt Alex
recording of:
Hier kommt Alex
lyricist:
Andreas Frege
composer:
Andreas Meurer (German bassist & songwriter; Die Toten Hosen)
publisher:
Totenkopf Musikverlag
Die Toten Hosen3:55
2CD