Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1If
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
If
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:36
2I’m Not in Love
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1975)
recording of:
I’m Not in Love
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc5:52
3The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:10
4Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4:28
5Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:01
6True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:25
7Is This Love
recording of:
Is This Love (Whitesnake song)
Verfasser(in):
David Coverdale und John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4:44
8Nobody Does It Better
Techniker(in):
Howard Steel (US producer, sound engineer)
Produzent(in):
Richard Perry (producer)
vocals:
Carly Simon
conductor:
Richard Hewson (Horn, Saiteninstrumente)
Horn arranger und Saiteninstrumente arranger:
Richard Hewson
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 16)
recording of:
Nobody Does It Better (from “The Spy Who Loved Me”)
Texter:
Carole Bayer Sager
Komponist(in):
Marvin Hamlisch
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. und United Artists Music Ltd.
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 2) und James Bond themes
Teil von:
The Spy Who Loved Me
Carly Simon43:28
9(I Can’t Help) Falling in Love With You
cover recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
UB4053:19
10Everyday
Techniker(in):
Frank Hubach
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
Bass:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Don McLean
Klavier:
Neil Larsen
Resonatorgitarre [dobro]:
Dave Bromerg (American multi-instrumentalist, singer, and songwriter)
Schlagzeug:
Ronnie Zito
vocals:
Don McLean
remixer:
Frank Hubach
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
remixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1973-06 bis 1973-09)
recording of:
Everyday (in 1973)
Verfasser(in):
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Don McLean2:25
11It Started With a Kiss
recording of:
It Started With a Kiss
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate3:48
12We Have All the Time in the World
Produzent(in):
John Barry (English score composer) und Phil Ramone
Sologesang:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:13
13That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:07
14Have You Met Miss Jones?
recording engineer und Mix:
Al Schmitt
Techniker(in):
Jim Brumby (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer) und Tom Jenkins (English sound engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
Bassposaune:
Dave Stewart (trombonist)
E-Gitarre:
Mitch Dalton
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Kontrabass:
Sam Burgess
Posaune [trombones]:
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) und Neil Sidwell
Schlagzeug [drums]:
Ralph Salmins
Tenorsaxophon [tenor saxophones]:
Dave Bishop (saxophonist) und Chris White (UK jazz saxophonist)
Trompete [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) und Paul Spong (trumpetist)
Vibraphon:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Robbie Williams3.42:34
15Love at First Sight
Blue3:56
16Call Off the Search
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
Call Off the Search
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico und Sony/ATV Music Publishing (UK) Ltd.
Katie Melua33:23
17High and Dry
cover recording of:
High and Dry
Verfasser(in):
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) und Thom Yorke
publisher:
Warner Chappell Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
50/50
Jamie Cullum4:53
18Windmillls of Your Mind
cover recording of:
The Windmills of Your Mind
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., SBK United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 41st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1968 winner)
Teil von:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Alison Moyet3:51
19It Doesn’t Matter Anymore
Eva Cassidy3:11
20My Love
Assistent recording engineer:
Mark Vigars (engineer) (von 1973-01-25 bis 1973-01-27)
recording engineer:
Richard Lush (von 1973-01-25 bis 1973-01-27)
Produzent(in):
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Mix:
Richard Lush (am 1973-01-27)
Bassgitarre:
Denny Laine (von 1973-01-25 bis 1973-01-27)
E-Gitarre:
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (von 1973-01-25 bis 1973-01-27)
Hybrid-Piano und Sologesang:
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Schlagzeug:
Denny Seiwell (US drummer) (von 1973-01-25 bis 1973-01-27)
Hintergrundgesang:
Denny Laine (von 1973-01-25 bis 1973-01-27) und Linda McCartney (von 1973-01-25 bis 1973-01-27)
Orchestrator(in):
Richard Hewson
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1993, in 2001) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1993, in 2001)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-01-25 bis 1973-01-26)
zusätzlich aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1973-01-27)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1973-01-27)
recording of:
My Love (von 1973-01-25 bis 1973-01-27)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Paul McCartney & Wings3.94:08

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Veröffentlichung

ASIN:UK: B00077374M [Info]