80s Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2023 Warner Music Group - X5 Music Group
℗ 2023 Warner Music Group - X5 Music Group

Anmerkung zuletzt geändert am 2024-11-22 23:44 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Ain't Nobody
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan4:05
2I Keep Forgettin (Every Time You're Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:42
3The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:30
4Little Lies - 2018 Remaster
recording of:
Little Lies
Texter und Komponist(in):
Christine McVie und Eddy Quintela
publisher:
BMG Songs, Inc. und Careers–BMG Music Publishing, Inc.
Fleetwood Mac33:40
5I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.954:54
6Save a Prayer
Duran Duran5:33
7True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
8What Have I Done to Deserve This?
Pet Shop Boys & Dusty Springfield4:20
9St. Elmo's Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
10We Built This City
assistierende(r) Techniker(in):
Paul Ericksen (recording engineer)
Techniker(in):
Jeremy Smith (producer/engineer)
Produzent(in):
Jeremy Smith (producer/engineer) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Bill Bottrell
sonstiger Gesang [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Built This City (in 1985)
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
11Gimme Gimme Gimme
Techniker(in):
David Frazer (engineer)
Produzent(in):
Narada Michael Walden
Bass:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Corrado Rustici
Keyboard:
Frank Martin (keyboards)
Keyboard und Synthesizer:
Walter Afanasieff
membranophone und Synthesizer:
Narada Michael Walden
Solo-Saxophon:
Marc Russo
Synthesizer:
Preston Glass
Hintergrundgesang:
Jim Gilstrap, John Lehman, Vicki Randle und Jeanie Tracy
arranger:
Narada Michael Walden
Narada Michael Walden & Patti Austin4:41
12Kiss
Produzent(in):
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
Sologesang:
Tom Jones (Welsh pop singer) (in 1988)
Interpret(in):
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
phonographisches Urheberrecht (℗) von:
China Records (UK label founded by Derek Green) (in 1988)
Samples:
Close (to the Edit) von Art of Noise, Dragnet von Art of Noise, Moments in Love von Art of Noise, Paranoimia (7″ mix) von The Art of Noise with Max Headroom (titular character from "Max Headroom") und Peter Gunn von The Art of Noise featuring Duane Eddy
Musikvideos:
Kiss von Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
The Art Of Noise & Tom Jones33:32
13Self Control
Laura Branigan4:07
14Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:42
15Girls on Film - 2010 Remaster
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:33
16Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
17Blue Monday - 2016 Remaster
New Order7:31
18Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:30
19It's My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
20Holding Back the Years
assistierende(r) Techniker(in):
Chris Dickie
Techniker(in) und Mix:
Femi Jiya
Produzent(in):
Stewart Levine (record producer and saxophonist)
Bass:
Tony Bowers (in 1985)
Gitarre:
Sylvan (in 1985)
Keyboard und Hintergrundgesang:
Fritz McIntyre (in 1985)
Perkussion und Schlagzeug:
Chris Joyce (drummer for Simply Red) (in 1985)
Trompete:
Tim Kellett (in 1985)
Sologesang:
Mick Hucknall (lead singer of Simply Red) (in 1985)
Interpret(in):
Simply Red (English soul and pop band) (in 1985)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1985)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1985) und Soundpush Studio in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1985)
Musikvideos:
Holding Back the Years von Simply Red (English soul and pop band)
recording of:
Holding Back the Years (in 1985)
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Mick Hucknall (lead singer of Simply Red) und Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. und So What Ltd
Simply Red44:30
21We Don't Need Another Hero (From "Thunderdome")
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:13
22Nothing's Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:30
23Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:18
24Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
25Everywhere - 2018 Remaster
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:43
26Kayleigh - 2017 Remaster
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion3.74:04
27I Can't Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
28Believe It or Not (From "Greatest American Hero")
vocals:
Joey Scarbury
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981) und Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2004)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
Texter:
Stephen Geyer
Komponist(in):
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing und Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
29Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:36
30Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
31Rise to the Occasion
Climie Fisher4:46
32Almaz
Produzent(in):
Reggie Lucas
arranger:
Reggie Lucas
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
produced for:
Kalisa, Inc.
recording of:
Almaz
Orchestrator(in):
Wil Malone
Verfasser(in):
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford44:07
33Is This Love
Produzent(in):
Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
Bassgitarre:
Neil Murray (British bass guitar player)
Gast-Keyboard:
Don Airey und Bill Cuomo
Gitarre und Hintergrundgesang:
John Sykes
Keyboard:
Don Airey
Perkussion und Schlagzeug:
Aynsley Dunbar
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Whitesnake Productions (Overseas) Ltd. (in 1987, in 2008) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2008)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Is This Love (Whitesnake song)
Verfasser(in):
David Coverdale und John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:44
34Always on My Mind
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 42)
cover recording of:
Always on My Mind
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
recording of:
Always on My Mind
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:55
35Inside to Outside (7" Version)
Limahl, Eric van Tijn & Jochem Fluitsma3:43
36Josephine (Single Version)
Chris Rea3:37
37Love Shack (Edit)
Produzent(in):
Don Was
Bearbeitung von:
Love Shack von The B‐52s
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B-52's3.654:18
38Sharp Dressed Man
ZZ Top2:59
39I Wanna Rock
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer) und Greg Laney
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist) (von 1984-02 bis 1984-03)
E-Gitarre:
Jay Jay French (von 1984-02 bis 1984-03) und Eddie Ojeda (von 1984-02 bis 1984-03)
Schlagzeug:
A.J. Pero (von 1984-02 bis 1984-03)
Hintergrundgesang:
Jay Jay French (von 1984-02 bis 1984-03), Mark Mendoza (Twisted Sister bassist) (von 1984-02 bis 1984-03), Eddie Ojeda (von 1984-02 bis 1984-03), A.J. Pero (von 1984-02 bis 1984-03) und Dee Snider (von 1984-02 bis 1984-03)
Sologesang:
Dee Snider (von 1984-02 bis 1984-03)
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 17)
recording of:
I Wanna Rock (von 1984-02 bis 1984-03)
Texter und Komponist(in):
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.13:00
40Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:28
41Simply Irresistible
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:14
42Don't Get Me Wrong
Pretenders3:49
43Psycho Killer - 2005 Remaster
Techniker(in):
Ed Stasium (US record producer & audio engineer)
zusätzliche(r) Techniker(in):
Matt Cohen (US producer and engineer)
leitende(r) Produzent(in):
Karen Ahmed und Robin Hurley
Produzent(in):
Tony Bongiovi, Lance Quinn und Talking Heads
Bassgitarre:
Tina Weymouth (von 1976 bis 1977)
Gitarre:
David Byrne (Talking Heads) (von 1976 bis 1977) und Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Schlagzeug:
Chris Frantz (von 1976 bis 1977)
Sologesang:
David Byrne (Talking Heads) (von 1976 bis 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
phonographisches Urheberrecht (℗) von:
Sire Records Inc. (in 1977)
aufgenommen bei:
Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten (von 1976 bis 1977)
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 2005)
Samples von:
Lexicon Valley #190, "Beyond the Five Ws" von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 108)
recording of:
Psycho Killer (von 1976 bis 1977)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
44If You Don't Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce (drummer for Simply Red)
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
45Look Away
Chicago4:01