Atlantic Rhythm and Blues 1947–1974, Volume 5: 1962–1966 (BMG Direct club edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

BMG Direct club edition; label "D 214142" in place of barcode

Anmerkung zuletzt geändert am 2018-03-31 20:22 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Up on the Roof
recorded in:
New York, New York, Vereinigte Staaten (am 1962-06-28)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Don Arnone (am 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1962-06-28), Bob Bushnell (am 1962-06-28) und Al Casamenti (am 1962-06-28)
Keyboard:
Ernie Hayes (American pianist, organist and arranger) und Carole King (am 1962-06-28)
Kontrabass [bass]:
George Duvivier (am 1962-06-28)
Perkussion:
George Devens (am 1962-06-28) und Bobby Rosengarden (am 1962-06-28)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-06-28) und Frank Saracco (am 1962-06-28)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-06-28)
Trompete:
Jimmy Nottingham (am 1962-06-28) und Jimmy Sedlar (am 1962-06-28)
Baritongesang:
Dock Green (am 1962-06-28)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1962-06-28)
Sologesang:
Rudy Lewis (am 1962-06-28)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Bert Keyes (piano, soul/funk producer/writer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 113) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 375)
recording of:
Up on the Roof (am 1962-06-28)
Texter:
Gerry Goffin und Carole King
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Drifters52:36
2See See Rider
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Bass:
Russ Saunders (jazz bass player) (am 1962-09-26)
Gitarre:
Everett Barksdale (am 1962-09-26), Joe "Groundhog" Richardson (US soul/rhythm & blues artist, producer and songwriter) (am 1962-09-26) und Carl Lynch (am 1962-09-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1962-09-26)
membranophone:
Sticks Evans (am 1962-09-26)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1962-09-26)
Tenorsaxophon:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (am 1962-09-26)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1962-09-26)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1962-09-26)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
See See Rider Blues (am 1962-09-26)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 10056)
LaVern Baker42:33
3I (Who Have Nothing)
Ben E. King2:31
4If You Need Me
cover recording of:
If You Need Me
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
Solomon Burke2:35
5These Arms of Mine
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.52:34
6Hello Stranger
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1963-01-16)
Produzent(in):
Ollie McLaughlin
Bass, Gitarre, Klavier, Orgel und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1963-01-16)
vocals:
The Dells (am 1963-01-16) und Barbara Lewis (am 1963-01-16)
conductor:
Riley Hampton (am 1963-01-16)
arranger:
Riley Hampton
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 27)
recording of:
Hello Stranger (am 1963-01-16)
Texter und Komponist(in):
Barbara Lewis
Barbara Lewis2:43
7On Broadway
recorded in:
New York, New York, Vereinigte Staaten (am 1963-01-22)
Produzent(in):
Leiber and Stoller (songwriting team)
Bass:
Russ Saunders (jazz bass player) (am 1963-01-22)
Gitarre:
Everett Barksdale (am 1963-01-22), Bill Suyker (am 1963-01-22), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1963-01-22) und Billy Butler (jazz guitarist) (am 1963-01-22)
Perkussion:
Martin Grupp (am 1963-01-22), Phil Kraus (am 1963-01-22) und Nick Rodriquez (percussionist) (am 1963-01-22)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1963-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1963-01-22) und Ernie Royal (am 1963-01-22)
Baritongesang:
Eugene Pearson (am 1963-01-22)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1963-01-22)
Hintergrundgesang:
Doris Troy (am 1963-01-22), Dee Dee Warwick (am 1963-01-22) und Dionne Warwick (am 1963-01-22)
Sologesang:
Rudy Lewis (am 1963-01-22)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1963-01-22)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1963-01-22)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 6)
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (am 1963-01-22)
Verfasser(in):
Barry Mann und Cynthia Weil
zusätzliche(r) Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Version von:
On Broadway (original Mann/Weil version)
The Drifters53:03
8Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:31
9Land of 1000 Dances
Produzent(in):
Allen Toussaint
vocals:
Chris Kenner (am 1963-05-17)
arranger:
Allen Toussaint
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Chris Kenner42:30
10Walkin’ the Dog
recording of:
Walking the Dog
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas2:31
11Release Me
cover recording of:
Release Me
Verfasser(in):
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) und Young (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Esther Phillips3:17
12Mercy, Mercy
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-18)
Produzent(in):
Horace Ott
Gitarre:
Jimi Hendrix (am 1964-05-18)
vocals:
Don Covay (am 1964-05-18)
arranger:
Horace Ott
recording of:
Mercy, Mercy (am 1964-05-18)
Verfasser(in):
Don Covay und R.A. Miller (US songwriter Ronald Alonzo Miller)
publisher:
Cotillion Music Inc. (BMI) und Vonglo Music (BMI-affiliated)
Don Covay12:25
13Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:43
14And I Love Him
recorded in:
New York, New York, Vereinigte Staaten (am 1964-10-01)
Techniker(in):
Tom Dowd
Produzent(in):
Bert Berns und Ahmet Ertegun (US songwriter/producer)
flute:
Hubert Laws (am 1964-10-01)
Gitarre:
Mundell Lowe (am 1964-10-01)
Klavier:
Dave McKenna (am 1964-10-01)
Kontrabass [bass]:
Milt Hinton (am 1964-10-01)
Posaune:
Billy Byers (am 1964-10-01), Buddy Morrow (am 1964-10-01), Santo Russo (Sonny Russo, trombone) (am 1964-10-01) und Bart Varsalona (am 1964-10-01)
Saiteninstrumente [ten strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-10-01)
Schlagzeug [drums]:
Mel Lewis (American jazz drummer) (am 1964-10-01)
vocals:
Esther Phillips (Little Esther) (am 1964-10-01)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1964-10-01)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
And I Love Her (am 1964-10-01)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Esther Phillips32:43
15Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1964-11-06)
recording engineer:
Tom Dowd
Produzent(in):
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (am 1964-11-06)
Bass:
Warren Jones (bass, Soul) (am 1964-11-06)
E-Bass [electric bass]:
Clarence Hadley (am 1964-11-06)
Gitarre:
Lee Royal Hadley (guitar, Soul) (am 1964-11-06)
Schlagzeug:
Clyde Williams (US drummer) (am 1964-11-06)
Tenorsaxophon:
Eddie Williams (saxophone) (am 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (am 1964-11-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 26)
recording of:
Hold What You’ve Got (von 1964 bis 1964-11-06)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing und Trio Music Company
Joe Tex3:08
16Mr. Pitiful
recording of:
Mr. Pitiful
Texter und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:38
17Baby I’m Yours
Produzent(in):
Bert Berns und Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1965-01-08)
Gitarre:
Bill Suyker (am 1965-01-08)
Klavier:
Paul Griffin (American pianist, session musician) (am 1965-01-08)
Kontrabass [bass]:
Jimmy Lewis (jazz bassist) (am 1965-01-08)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-08) und Tony Studd (am 1965-01-08)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1965-01-08)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-08)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1965-01-08) und Clark Terry (American swing trumpeter) (am 1965-01-08)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
vocals:
Barbara Lewis (am 1965-01-08)
conductor:
Teacho Wiltshire (am 1965-01-08)
arranger:
Teacho Wiltshire
Remaster von:
Baby, I’m Yours von Barbara Lewis
Samples von:
Hello Stranger: The Best of Barbara Lewis von Barbara Lewis
recording of:
Baby, I’m Yours (am 1965-01-08)
Texter und Komponist(in):
Van McCoy
publisher:
EMI Blackwood Music Inc. und Van McCoy Music
Barbara Lewis2:33
18Teasin’ You
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (in 1964)
Produzent(in):
Wardell Quezergue
vocals:
Willie Tee (US keyboardist, vocalist, songwriter and producer) (in 1964)
conductor:
Wardell Quezergue (in 1964)
arranger:
Wardell Quezergue
Willie Tee2:48
19I’ve Been Loving You Too Long
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding3:14
20In the Midnight Hour
recording of:
In the Midnight Hour
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett2:28
21See‐Saw
recording of:
See Saw
Verfasser(in):
Don Covay und Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay3:03
22Respect
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
recording engineer:
Tom Dowd
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Booker T. Jones (in 1965-07) und Isaac Hayes (am 1965-07-09)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09)
Hintergrundgesang:
Earl Sims (am 1965-07-09)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
recording of:
Respect (in 1965-07)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Otis Redding3.852:08
23You Don’t Know Like I Know
recording of:
You Don’t Know Like I Know
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music und Warner Chappell
Sam & Dave2:39
24When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
25Hold on I’m Comin’
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:37
26Cool Jerk
recorded in:
Detroit, Michigan, Vereinigte Staaten (am 1966-03-11)
vocals:
The Capitols (1960's Soul Vocal Trio) (am 1966-03-11)
arranger:
Riley Hampton
recording of:
Cool Jerk (am 1966-03-11)
Texter und Komponist(in):
Donald Storball
publisher:
Trio Music Company und Aberbach (German publisher) (in 1967)
The Capitols2:37
27Neighbor, Neighbor
Jimmy Hughes2:39