Purcell Ode / Songs from Amphion Anglicus (harpsichord & conductor: Gustav Leonhardt)

~ Release by John Blow (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Ode on the Death of Mr. Henry Purcell: "Mark how the Lark and Linnet Sing"
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) and Marion Verbruggen (recorder player)
countertenor vocals:
James Bowman (UK countertenor) and René Jacobs (conductor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
An Ode on the Death of Mr Henry Purcell: Duet. Mark How the Lark and Linnet Sing
composer:
John Blow (English composer)
part of:
An Ode on the Death of Mr. Henry Purcell
9:05
2Ode on the Death of Mr. Henry Purcell: "So ceas'd the rival Crew when Purcell came"
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) and Marion Verbruggen (recorder player)
countertenor vocals:
James Bowman (UK countertenor) and René Jacobs (conductor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
An Ode on the Death of Mr Henry Purcell: Solo. So Ceas’d the Rival Crew When Purcell Came
composer:
John Blow (English composer)
part of:
An Ode on the Death of Mr. Henry Purcell
3:06
3Ode on the Death of Mr. Henry Purcell: "We beg not Hell, our Orpheus to restore"
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) and Marion Verbruggen (recorder player)
countertenor vocals:
James Bowman (UK countertenor) and René Jacobs (conductor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
An Ode on the Death of Mr Henry Purcell: Solo. We Beg Not Hell Our Orpheus to Restore
composer:
John Blow (English composer)
part of:
An Ode on the Death of Mr. Henry Purcell
5:14
4Ode on the Death of Mr. Henry Purcell: "The Heav'nly Quire, who hear his Notes from High"
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) and Marion Verbruggen (recorder player)
countertenor vocals:
James Bowman (UK countertenor) and René Jacobs (conductor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
An Ode on the Death of Mr Henry Purcell: Duet. The Heavenly Choir, Who Heard His Notes From High
composer:
John Blow (English composer)
part of:
An Ode on the Death of Mr. Henry Purcell
7:22
5Amphion Anglicus: Cloe found Amintas lying all in Tears
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
bass vocals:
Max van Egmond (bass-baritone)
soprano vocals:
Nobuko Gamo-Yamamoto (soprano) and Nelly van der Spek (soprano)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Amphion Anglicus: Chloe found Amyntas
lyricist:
John Dryden (English poet)
composer:
John Blow (English composer)
part of:
Amphion Anglicus
5:52
6Amphion Anglicus: Why weeps Asteria?
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
soprano vocals:
Nelly van der Spek (soprano)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Amphion Anglicus: Why weeps Asteria?
composer:
John Blow (English composer)
part of:
Amphion Anglicus
4:22
7Amphion Anglicus: Loving above Himself (Poor Celadon)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
violin:
Antoinette van den Hombergh (violinist) and Marie Leonhardt
countertenor vocals:
René Jacobs (conductor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Amphion Anglicus: Loving above Himself (Poor Celadon)
composer:
John Blow (English composer)
part of:
Amphion Anglicus
4:09
8Amphion Anglicus: Shepherds, Deck your Crooks
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
bass vocals:
Max van Egmond (bass-baritone)
countertenor vocals:
René Jacobs (conductor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Amphion Anglicus: Shepherds, Deck your Crooks
composer:
John Blow (English composer)
part of:
Amphion Anglicus
2:29
9Amphion Anglicus: Ah Heav'n! What is't I Hear?
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
countertenor vocals:
René Jacobs (conductor)
tenor vocals:
Marius van Altena (tenor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Ah, heav'n! What is't I hear?
composer:
John Blow (English composer)
3:07
10Amphion Anglicus: Epilogue. Sing, Sing ye Muses
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
violin:
Antoinette van den Hombergh (violinist) and Marie Leonhardt
bass vocals:
Max van Egmond (bass-baritone)
countertenor vocals:
René Jacobs (conductor)
soprano vocals:
Nobuko Gamo-Yamamoto (soprano) and Nelly van der Spek (soprano)
tenor vocals:
Marius van Altena (tenor)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Amphion Anglicus: Epilogue "Sing, sing, Ye Muses"
composer:
John Blow (English composer)
part of:
Amphion Anglicus
3:48