The Complete CBS Recordings of Eddie Condon and His All Stars

~ Release by Eddie Condon and His All-Stars (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Beale Street Blues
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24)
recording of:
Beale Street Blues (on 1953-11-24)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
4:14
2Riverboat Shuffle
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24) and Peanuts Hucko (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24)
trumpet:
Dick Cary (piano, trumpet, alto horn) (on 1953-11-24)
recording of:
Riverboat Shuffle (on 1953-11-24)
composer:
Hoagy Carmichael, Irving Mills, Parish and Dick Voynow
4:25
3Medley: Emaline / Don’t Worry ’Bout Me / I Can’t Give You Anything but Love
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24) and George Wettling (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24) and Lou McGarity (on 1953-11-24)
medley including a instrumental recording of:
Don’t Worry ’Bout Me (on 1953-11-22)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
medley including a instrumental recording of:
Emaline (on 1953-11-24)
writer:
Mitchell Parish and Frank Perkins
publisher:
Peter Maurice Music Co. Ltd.
medley including a instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1953-11-24)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:52
4Medley: Jam Session Blues / Ole Miss
recorded in:
New York, New York, United States (on 1953-11-24)
bass:
Walter Page (on 1953-11-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1953-11-24)
cornet:
Wild Bill Davison (on 1953-11-24)
drums (drum set):
Cliff Leeman (on 1953-11-24)
guitar:
Eddie Condon (on 1953-11-24)
piano:
Gene Schroeder (on 1953-11-24)
trombone:
Cutty Cutshall (on 1953-11-24)
10:13
5Blues My Naughty Sweetie Gave to Me
recorded in:
New York, New York, United States (on 1954-06-24)
bass:
Al Hall (on 1954-06-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-06-24) and Peanuts Hucko (on 1954-06-24)
cornet:
Wild Bill Davison (on 1954-06-24)
drums (drum set):
Cliff Leeman (on 1954-06-24)
guitar:
Eddie Condon (on 1954-06-24)
piano:
Gene Schroeder (on 1954-06-24)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1954-06-24)
tenor saxophone:
Bud Freeman (on 1954-06-24)
trombone:
Cutty Cutshall (on 1954-06-24) and Lou McGarity (on 1954-06-24)
trumpet:
Billy Butterfield (on 1954-06-24)
recording of:
Blues My Naughty Sweetie Gives to Me (on 1954-06-24)
writer:
Charles McCarron, Carey Morgan and Arthur Swanstrom
5:44
6How Come You Do Me Like You Do
recorded in:
New York, New York, United States (on 1954-06-24)
bass:
Al Hall (on 1954-06-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-06-24) and Peanuts Hucko (on 1954-06-24)
cornet:
Wild Bill Davison (on 1954-06-24)
drums (drum set):
Cliff Leeman (on 1954-06-24)
guitar:
Eddie Condon (on 1954-06-24)
piano:
Gene Schroeder (on 1954-06-24)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1954-06-24)
tenor saxophone:
Bud Freeman (on 1954-06-24)
trombone:
Cutty Cutshall (on 1954-06-24) and Lou McGarity (on 1954-06-24)
trumpet:
Billy Butterfield (on 1954-06-24)
recording of:
How Come You Do Me Like You Do (Do, Do) (on 1954-06-24)
writer:
Gene Austin (in 1924) and Roy Bergere (in 1924)
publisher:
EMI Harmonies Limited and EMI Mills Music Inc. (ASCAP-affiliated)
12:56
7Medley: When My Sugar Walks Down the Street / I Can’t Believe That You’re in Love With Me
recorded in:
New York, New York, United States (on 1954-06-24)
bass:
Al Hall (on 1954-06-24)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-06-24) and Peanuts Hucko (on 1954-06-24)
cornet:
Wild Bill Davison (on 1954-06-24)
drums (drum set):
Cliff Leeman (on 1954-06-24)
guitar:
Eddie Condon (on 1954-06-24)
piano:
Gene Schroeder (on 1954-06-24)
tenor horn / alto horn [alto horn]:
Dick Cary (piano, trumpet, alto horn) (on 1954-06-24)
tenor saxophone:
Bud Freeman (on 1954-06-24)
trombone:
Cutty Cutshall (on 1954-06-24) and Lou McGarity (on 1954-06-24)
trumpet:
Billy Butterfield (on 1954-06-24)
medley including a instrumental recording of:
I Can’t Believe That You’re in Love With Me (on 1954-06-24)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
medley including a instrumental recording of:
When My Sugar Walks Down the Street (on 1954-06-24)
writer:
Gene Austin, Jimmy McHugh (songwriter) and Irving Mills
5:38
8There’ll Be Some Changes Made
recorded in:
New York, New York, United States (on 1954-07-01)
bass:
Al Hall (on 1954-07-01)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-07-01) and Peanuts Hucko (on 1954-07-01)
cornet:
Wild Bill Davison (on 1954-07-01)
drums (drum set):
Cliff Leeman (on 1954-07-01)
guitar:
Eddie Condon (on 1954-07-01)
piano:
Gene Schroeder (on 1954-07-01)
tenor saxophone:
Bud Freeman (on 1954-07-01)
trombone:
Cutty Cutshall (on 1954-07-01) and Lou McGarity (on 1954-07-01)
trumpet:
Billy Butterfield (on 1954-07-01)
recording of:
There’ll Be Some Changes Made (on 1954-07-01)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
7:18
9Tin Roof Blues
recorded in:
New York, New York, United States (on 1954-07-01)
bass:
Al Hall (on 1954-07-01)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1954-07-01) and Peanuts Hucko (on 1954-07-01)
cornet:
Wild Bill Davison (on 1954-07-01)
drums (drum set):
Cliff Leeman (on 1954-07-01)
guitar:
Eddie Condon (on 1954-07-01)
piano:
Gene Schroeder (on 1954-07-01)
tenor saxophone:
Bud Freeman (on 1954-07-01)
trombone:
Cutty Cutshall (on 1954-07-01) and Lou McGarity (on 1954-07-01)
trumpet:
Billy Butterfield (on 1954-07-01)
recording of:
Tin Roof Blues (original instrumental version) (on 1954-07-01)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
7:38
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