| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Credo in unum Deum | Johann Sebastian Bach | | 2:25 |
| 2 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Patrem omnipotentem- alto vocals:
- Janet Baker
- baritone vocals:
- Hermann Prey
- bass vocals:
- Franz Crass
- choir vocals:
- BBC Chorus and BBC Singers (from 1967-10-18 until 1967-10-20)
- soprano vocals:
- Agnes Giebel and Janet Baker
- tenor vocals:
- Nicolai Gedda
- orchestra:
- New Philharmonia Orchestra (from 1967-10-18 until 1967-10-20)
- conductor:
- Otto Klemperer (from 1967-10-18 until 1967-10-20)
- recorded at:
- Kingsway Hall in London , England, United Kingdom (from 1967-10-18 until 1967-10-20)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1967-10-18 until 1967-10-20)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:09 |
| 3 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Duet: Et in unum Dominum | Johann Sebastian Bach | | 5:37 |
| 4 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Et incarnatus est | Johann Sebastian Bach | | 3:24 |
| 5 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Crucifixus- alto vocals:
- Janet Baker
- baritone vocals:
- Hermann Prey
- bass vocals:
- Franz Crass
- choir vocals:
- BBC Chorus and BBC Singers (from 1967-10-18 until 1967-10-20)
- soprano vocals:
- Agnes Giebel and Janet Baker
- tenor vocals:
- Nicolai Gedda
- orchestra:
- New Philharmonia Orchestra (from 1967-10-18 until 1967-10-20)
- conductor:
- Otto Klemperer (from 1967-10-18 until 1967-10-20)
- recorded at:
- Kingsway Hall in London , England, United Kingdom (from 1967-10-18 until 1967-10-20)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1967-10-18 until 1967-10-20)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:52 |
| 6 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Et resurrexit | Johann Sebastian Bach | | 5:00 |
| 7 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Aria: Et in Spiritum Sanctum Dominum | Johann Sebastian Bach | | 7:01 |
| 8 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Confiteor unum baptisma | Johann Sebastian Bach | | 4:14 |
| 9 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): ...Et expecto | Johann Sebastian Bach | | 4:52 |
| 10 | Mass in B minor, BWV 232: IV. Sanctus: Chorus: Sanctus: Sanctus | Johann Sebastian Bach | | 6:12 |
| 11 | Mass in B minor, BWV 232: IV. Sanctus: Double Chorus: Osanna in excelsis- alto vocals:
- Janet Baker
- baritone vocals:
- Hermann Prey
- bass vocals:
- Franz Crass
- choir vocals:
- BBC Chorus and BBC Singers (from 1967-10-18 until 1967-10-20)
- soprano vocals:
- Agnes Giebel and Janet Baker
- tenor vocals:
- Nicolai Gedda
- orchestra:
- New Philharmonia Orchestra (from 1967-10-18 until 1967-10-20)
- conductor:
- Otto Klemperer (from 1967-10-18 until 1967-10-20)
- recorded at:
- Kingsway Hall in London , England, United Kingdom (from 1967-10-18 until 1967-10-20)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1967-10-18 until 1967-10-20)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:20 |
| 12 | Mass in B minor, BWV 232: IV. Sanctus: Aria: Benedictus | Johann Sebastian Bach | | 5:39 |
| 13 | Mass in B minor, BWV 232: IV. Sanctus: Osanna in excelsis (da capo)- alto vocals:
- Janet Baker
- baritone vocals:
- Hermann Prey
- bass vocals:
- Franz Crass
- choir vocals:
- BBC Chorus and BBC Singers (from 1967-10-18 until 1967-10-20)
- soprano vocals:
- Agnes Giebel and Janet Baker
- tenor vocals:
- Nicolai Gedda
- orchestra:
- New Philharmonia Orchestra (from 1967-10-18 until 1967-10-20)
- conductor:
- Otto Klemperer (from 1967-10-18 until 1967-10-20)
- recorded at:
- Kingsway Hall in London , England, United Kingdom (from 1967-10-18 until 1967-10-20)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1967-10-18 until 1967-10-20)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:25 |
| 14 | Mass in B minor, BWV 232: IV. Sanctus: Aria: Agnus Dei | Johann Sebastian Bach | | 6:30 |
| 15 | Mass in B minor, BWV 232: IV. Sanctus: Chorus: Dona nobis pacem | Johann Sebastian Bach | | 3:30 |