101 Baroque

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Solomon, HWV 67: Act III: The Arrival of the Queen of Sheba
produttore:
Michael Bremner (producer/engineer) (nel 1965-04)
orchestra:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1965-04)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1965-04)
tecnico di bilanciamento:
Kenneth Wilkinson (engineer) (nel 1965-04)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1965-04)
registrazione di:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (nel 1965-04)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1748)
editore:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft e Public Domain (refers to works that are in the public domain)
parte di:
Solomon, HWV 67: Act III
George Frideric Handel3:12
2Canon in D major, P. 37/1
produttore:
James Mallinson (producer) (nel 1977-10)
orchestra:
Stuttgart Chamber Orchestra (nel 1977-10)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1977-10)
arrangiatore:
Karl Münchinger (German conductor) (nel 1977-10)
tecnico di bilanciamento:
John Dunkerley (engineer) (nel 1977-10)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1977)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1977-10)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (nel 1977-10)
compositore:
Johann Pachelbel (composer)
arrangiamento di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:34
3Was mir behagt, ist nur die muntre Jagd, BWV 208: Sheep May Safely Graze
produttore:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (nel 1977-10)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1977-10)
arrangiatore:
Karl Münchinger (German conductor)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1977-10)
registrazione di:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (nel 1977-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:31
4Italian Concerto, BWV 971: I. [Allegro]
produttore:
Peter Wadland (producer)
clavicembalo :
Christophe Rousset (French harpsichordist & conductor) (nel 1990-09)
tecnico di bilanciamento:
Jonathan Stokes (engineer)
registrata presso:
Saint-Hippolyte in Castres, Tarn, Occitanie (Occitania), Francia (nel 1990-09)
registrazione di:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (nel 1990-09)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1735)
parte di:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:16
5Abdelazer: Rondeau
orchestra:
Academy of St Martin in the Fields (dal 1971-08-09 al 1971-08-11)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1971-08-09 al 1971-08-11)
registrata presso:
Brent Town Hall (Wembley Town Hall) in Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (dal 1971-08-09 al 1971-08-11)
registrazione di:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (dal 1971-08-09 al 1971-08-11)
compositore:
Henry Purcell (Baroque composer)
parte di:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:38
6Toccata and Fugue in D minor, BWV 565: Toccata
organo :
Daniel Chorzempa (organist) (nel 1982-04)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1982)
registrata presso:
Bovenkerk in Kampen, Overijssel, Paesi Bassi, Kingdom of the Netherlands (nel 1982-04)
edit di:
Toccata and Fugue in D minor, BWV 565 di Daniel Chorzempa (organist)
registrazione di:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Classic 100: Piano (2025) (numero: 30)
parte di:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:19
7Gloria, RV 589: I. Gloria in excelsis Deo
tecnico:
John Dunkerley (engineer)
produttore:
Peter Wadland (producer)
cori:
Christ Church Cathedral Choir, Oxford (nel 1978-07)
orchestra:
Academy of Ancient Music (nel 1978-07)
direttore d'orchestra:
Simon Preston (organist, conductor, composer) (nel 1978-07)
registrata presso:
St Jude‐on‐the‐Hill in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1978-07)
registrazione di:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (nel 1978-07)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Gloria in D major, RV 589
Antonio Vivaldi32:23
8Oboe Concerto in D minor, BWV 1059R: II. Siciliano
oboe :
Heinz Holliger (Swiss oboist, composer, and conductor) (nel 1982-05)
orchestra:
Academy of St Martin in the Fields (nel 1982-05)
direttore d'orchestra:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (nel 1982-05)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1983)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1982-05)
registrazione di:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio (nel 1982-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
Johann Sebastian Bach3:10
9Stabat Mater, RV 621: I. Stabat Mater – II. Cuius animam – III. O quam tristis
tecnico:
John Dunkerley (engineer)
produttore:
Peter Wadland (producer)
voce di controtenore:
James Bowman (UK countertenor) (nel 1975-11)
orchestra:
Academy of Ancient Music (nel 1975-11)
direttore d'orchestra:
Christopher Hogwood (conductor, harpsichordist) (nel 1975-11)
registrata presso:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1975-11)
registrazione di:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (nel 1975-11)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Stabat Mater, RV 621
registrazione di:
Stabat Mater, RV 621: II. Adagissimo "Cuius animam" (nel 1975-11)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Stabat Mater, RV 621
registrazione di:
Stabat Mater, RV 621: III. Andante "O quam tristis" (nel 1975-11)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Stabat Mater, RV 621
Antonio Vivaldi6:33
10Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
tecnico audio:
Stanley Goodall (engineer)
produttore:
Michael Bremner (producer/engineer)
clavicembalo [harpsichord continuo] :
Colin Tilney (harpsichordist) (nel 1971-05)
orchestra:
Academy of St Martin in the Fields (nel 1971-05)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1971-05)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1972)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (nel 1971-05)
registrazione di:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (nel 1971-05)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1749)
parte di:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:59
11Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy Of Man's Desiring, BWV 147
produttore:
Christopher Hazell
oboe :
Nicholas Daniel (oboist and conductor) (dal 1996-07-01 al 1996-07-05)
organo :
Robert Quinney (organist and choir director) (dal 1996-07-01 al 1996-07-05) e James Vivian (organist) (dal 1996-07-01 al 1996-07-05)
cori:
Choir of King’s College, Cambridge (dal 1996-07-01 al 1996-07-05)
direttore d'orchestra:
Stephen Cleobury (organist, conductor) (dal 1996-07-01 al 1996-07-05)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (dal 1996-07-01 al 1996-07-05)
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (dal 1996-07-01 al 1996-07-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Jesu, Joy of Man’s Desiring (nel 1996-07)
orchestratore:
Leopold Stokowski (conductor)
paroliere:
Robert Bridges (poet)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione tradotta di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach6:00
12Concerto grosso in G minor, op. 6 no. 8 "Fatto per la notte di Natale": III. Adagio - Allegro - Adagio
strumenti:
I Musici (nel 1984-08)
violino :
Pina Carmirelli (violinist) (nel 1984-08) e Walter Gallozzi (violinist) (nel 1984-08)
violoncello :
Francesco Strano (cellist) (nel 1984-08)
direttore d'orchestra:
Maria Teresa Garatti (keyboardist) (nel 1984-08)
registrata presso:
Théâtre L'heure Bleu in La Chaux-de-Fonds, Neuchâtel (Canton Neuchâtel), Svizzera (nel 1984-08)
registrazione di:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (nel 1984-08)
compositore:
Arcangelo Corelli (Italian baroque composer and violinist)
parte di:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:59
13Violin Concerto no. 4 in E major, TWV 51:E3: I. Affettuoso
registrata a:
London (Greater London), England, Regno Unito (dal 1983-06-03 al 1983-06-05)
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Alan Cuckston (dal 1983-06-03 al 1983-06-05)
violino :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (dal 1983-06-03 al 1983-06-05)
violoncello :
Denis Vigay (cellist) (dal 1983-06-03 al 1983-06-05)
orchestra:
Academy of St Martin in the Fields (dal 1983-06-03 al 1983-06-05)
direttore d'orchestra:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (dal 1983-06-03 al 1983-06-05)
tecnico di bilanciamento:
Hans Lauterslager
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (dal 1983-06-03 al 1983-06-05)
registrazione di:
Concerto for Violin in E major, TWV 51:E2: I. Affettuoso (dal 1983-06-03 al 1983-06-05)
compositore:
Georg Philipp Telemann (composer) (nel 1720)
parte di:
Concerto for Violin in E major, TWV 51:E2
Georg Philipp Telemann3:44
14Prelude and Fugue in C (WTK, Book I, no. 1), BWV 846: Prelude
arpa :
Marisa Robles (Spanish harpist) (nel 1978-06)
arrangiatore:
Marisa Robles (Spanish harpist)
registrata presso:
St. George the Martyr (Queen Square, Holborn) in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1978-06)
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (catch-all for arrangements) (nel 1978-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach3:15
15Violin Concerto no. 1 in A minor, BWV 1041: 1. (Allegro moderato)
clavicembalo :
Christopher Middleton (harpsichord) (nel 1985-07)
violino :
Salvatore Accardo (violinist and conductor) (nel 1985-07)
orchestra:
Chamber Orchestra of Europe (nel 1985-07)
direttore d'orchestra:
Salvatore Accardo (violinist and conductor) (nel 1985-07)
registrazione di:
Violin Concerto in A minor, BWV 1041: I. Allegro (nel 1985-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:55
16Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo
tecnico:
John Dunkerley (engineer)
produttore:
Paul Myers (classical record producer)
chitarra classica :
Eduardo Fernández (guitarist) (nel 1986-12)
orchestra:
English Chamber Orchestra (nel 1986-12)
direttore d'orchestra:
George Malcolm (English harpsichordist, conductor) (nel 1986-12)
tecnico di bilanciamento:
John Dunkerley (engineer) (nel 1986-12)
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1986-12)
registrazione di:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (nel 1986-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangiatore:
Gian Francesco Malipiero (Italian composer)
arrangiamento di:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi5:09
17Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
produttore:
Vittorio Negri (conductor)
violino :
Maurice Hasson (violinist) (nel 1976-06) e Henryk Szeryng (violinist) (nel 1976-06)
orchestra:
Academy of St Martin in the Fields (nel 1976-06)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1976-06)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1976-06)
registrazione di:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (nel 1976-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:28
18Violin Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
registrata a:
Vienna, Austria (dal 1959-04-29 al 1959-05-05) e Wien (Vienna), Austria (dal 1959-04-29 al 1959-05-06)
tecnico:
Tony Buczynski e Hans Lauterslager
produttore:
Vittorio Negri (conductor)
violino :
Felix Ayo (violinist) (dal 1959-04-29 al 1959-05-06)
violino solista :
Felix Ayo (violinist) (dal 1959-04-29 al 1959-05-05)
orchestra:
I Musici (dal 1959-04-29 al 1959-05-05, dal 1959-04-29 al 1959-05-06)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro) (dal 1959-04-29 al 1959-05-05)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro) (dal 1959-04-29 al 1959-05-06)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:47
19Violin Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto. Tempo impetuoso d'estate
registrata a:
Vienna, Austria (dal 1959-04-29 al 1959-05-05) e Wien (Vienna), Austria (dal 1959-04-29 al 1959-05-06)
tecnico:
Tony Buczynski e Hans Lauterslager
produttore:
Vittorio Negri (conductor)
violino :
Felix Ayo (violinist) (dal 1959-04-29 al 1959-05-06)
violino solista :
Felix Ayo (violinist) (dal 1959-04-29 al 1959-05-05)
orchestra:
I Musici (dal 1959-04-29 al 1959-05-05, dal 1959-04-29 al 1959-05-06)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (dal 1959-04-29 al 1959-05-05)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (dal 1959-04-29 al 1959-05-06)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi13:00
2Supporto digitale
3Supporto digitale
4Supporto digitale
5Supporto digitale
6Supporto digitale