The Piano Concertos / Choral Fantasy

~ Release by Beethoven; Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Robert Levin (see all versions of this release, 2 available)

Annotation

All cadenzas and lead-ins by Robert Levin

Annotation last modified on 2014-11-11 15:43 UTC.

Tracklist

1▶CD
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#TitleArtistRatingLength
1Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
recording engineer and editor:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven19:30
2Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto
recording engineer and editor:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven6:44
3Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo
recording engineer and editor:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:46
4Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven3:25
5Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
alto vocals:
Susanna Spicer (in 1995-01)
baritone vocals:
Julian Clarkson (baritone) (in 1995-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-01)
soprano vocals:
Constanze Backes (German Soprano vocalist) (in 1995-01) and Angela Kazimierczuk (Classical soprano) (in 1995-01)
tenor vocals:
Robert Johnston (English tenor) (in 1995-01) and Julian Podger (English tenor vocalist & choral conductor) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven15:35
6Choral Fantasy, op. 80 (alternative improvised introduction no. 1)
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Choral Fantasy, op. 80 (alternative improvised introduction no. 1) (improvisation by Robert Levin) (in 1995-01)
composer:
Robert Levin (American classical pianist) (in 1995)
is based on:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
Ludwig van Beethoven2:32
7Choral Fantasy, op. 80 (alternative improvised introduction no. 2)
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Choral Fantasy, op. 80 (alternative improvised introduction no. 2) (improvisation by Robert Levin) (in 1995-01)
composer:
Robert Levin (American classical pianist) (in 1995)
is based on:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
Ludwig van Beethoven2:09
4▶CD