Martin Scorsese Presents the Blues: A Musical Journey

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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#TitleArtistRatingLength
1Mother Earth
Memphis Slim32:42
2Please Send Me Someone to Love
producer:
Art Rupe
baritone saxophone:
Charles H. Waller (on 1950-08-16)
double bass:
Red Callender (on 1950-08-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1950-08-16)
guitar:
Gene Phillips (US jump blues guitarist & singer) (on 1950-08-16)
piano:
Edward Truman Beal (on 1950-08-16)
tenor saxophone [tenor sax]:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1950-08-16) and Richard Wells (sax) (on 1950-08-16)
vocals:
Percy Mayfield (on 1950-08-16)
recorded at:
Universal Recorders in Hollywood, Los Angeles, California, United States (on 1950-08-16)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1987)
recording of:
Please Send Me Someone to Love (on 1950-08-16)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
Percy Mayfield32:55
3Rocket 88
baritone saxophone:
Jackie Brenston (on 1951-03-03)
bass guitar:
Jesse Knight (on 1951-03-03)
drums (drum set):
Willie Sims (on 1951-03-03)
guitar:
Willie Kizart (on 1951-03-03)
piano:
Ike Turner (on 1951-03-03)
tenor saxophone:
Raymond Hill (on 1951-03-03)
vocals:
Jackie Brenston (on 1951-03-03)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1991)
recording of:
Rocket “88” (on 1951-03-05)
lyricist and composer:
Jackie Brenston (until 1951-03-03)
writer:
Ike Turner
Jackie Brenston and His Delta Cats42:50
4Dust My Broom
recorded in:
Jackson, Mississippi, United States (on 1951-08-05)
producer:
Lillian McMurry
double bass:
Leonard Ware (US blues bassist) (on 1951-08-05)
drums (drum set):
Frock O'Dell (on 1951-08-05)
guitar and slide guitar:
Elmore James (on 1951-08-05)
harmonica:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (on 1951-08-05)
lead vocals:
Elmore James
vocals:
Elmore James (on 1951-08-05)
recording of:
Dust My Broom (on 1951-08-05)
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
ARC Music (world and ethnic music label), Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James2:45
5No More Doggin’
recording of:
No More Doggin’
lyricist and composer:
Rosco Gordon
Rosco Gordon3:09
6Juke
recorded in:
Chicago, Illinois, United States (on 1952-05-12)
drums (drum set):
Elgin Evans
guitar:
Muddy Waters (blues musician) (on 1952-05-12) and Jimmy Rogers (blues artist) (on 1952-05-12)
harmonica:
Little Walter (blues performer and songwriter) (on 1952-05-12)
membranophone:
Elgin Evans (on 1952-05-12)
recording of:
Juke (on 1952-05-12)
composer:
Marion Walter Jacobs (blues performer and songwriter)
Little Walter2:46
7Hound Dog
recorded in:
Los Angeles, California, United States (on 1952-08-13)
recording engineer and mixer:
Joel Moss
assistant engineer:
Tom Hardisty (film score engineer), Brandon Harris (US engineer) and Sue McLean
producer:
Hummie Mann, Johnny Otis and Marc Shaiman (American score composer and lyricist)
editor:
Curtis Roush
double bass [bass]:
Albert Winston (R&B bassist) (on 1952-08-13)
drums (drum set):
Leard Bell (R&B drummer) (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (US R&B pianist/singer) (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis & His Orchestra (on 1952-08-13)
conductor:
Artie Kane
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
recording of:
Hound Dog (on 1952-08-13)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Big Mama Thornton4.652:51
8Reconsider Baby
guitar:
Lowell Fulson (on 1954-09-27)
membranophone:
Harold “Chick” Booth (on 1954-09-27)
piano:
Paul Drake (blues pianist) (on 1954-09-27)
saxophone:
Julian Beasley (on 1954-09-27), Choker Campbell (on 1954-09-27), Leroy Cooper (saxophonist) (on 1954-09-27) and David “Fathead” Newman (American jazz saxophonist) (on 1954-09-27)
trombone:
Fats Morris (trombonist) (on 1954-09-27)
trumpet:
Phil Gibeau (on 1954-09-27)
vocals:
Lowell Fulson (on 1954-09-27)
recording of:
Reconsider Baby (on 1954-09-27)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Lowell Fulson3:11
9The Things That I Used to Do
alto saxophone:
Gus Fontenette (on 1953-10-26)
bass guitar [bass]:
Lloyd Lambert (on 1953-10-26)
drums (drum set) [drums]:
Oscar Moore (on 1953-10-26)
guitar:
Eddie "Guitar Slim" Jones (Eddie Jones) (on 1953-10-26)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1953-10-26)
tenor saxophone:
Charles Burbank (on 1953-10-26) and Joseph Tillman (on 1953-10-26)
trumpet:
Frank S. Mitchell (trumpet) (on 1953-10-26)
vocals:
Eddie "Guitar Slim" Jones (Eddie Jones) (on 1953-10-26)
arranger:
Ray Charles (soul musician, singer and songwriter) (on 1953-10-26)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1953-10-26)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984)
recording of:
The Things That I Used to Do (on 1953-10-26)
lyricist and composer:
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC and Venice Music
Guitar Slim23:02
10In the Night
engineered in:
New Orleans, Louisiana, United States (in 1953-11)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
bass:
Edgar Blanchard (in 1953-11)
drums (drum set):
Earl Palmer (in 1953-11)
piano:
Professor Longhair (in 1953-11)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
In the Night ("...in the wee wee hours between midnight and day...") (in 1953-11)
lyricist and composer:
Henry Roeland Byrd
publisher:
Progressive Music Co. Ltd.
Professor Longhair2:33
11(I’m Your) Hoochie Coochie Man
recorded in:
Chicago, Illinois, United States (on 1954-01-07)
double bass:
Willie Dixon (on 1954-01-07)
drums (drum set):
Fred Below (on 1954-01-07)
guitar:
Muddy Waters (blues musician) (on 1954-01-07) and Jimmy Rogers (blues artist) (on 1954-01-07)
harmonica:
Little Walter (blues performer and songwriter) (on 1954-01-07)
piano:
Otis Spann (on 1954-01-07)
vocals:
Muddy Waters (blues musician) (on 1954-01-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 225)
recording of:
I’m Your Hoochie Coochie Man (on 1954-01-07)
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
Muddy Waters3.752:51
12Eisenhower Blues
J.B. Lenoir2:54
13Blue Monday
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Frank Music (in 1956), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 12)
cover recording of:
Blue Monday (on 1955-03-30)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Fats Domino52:17
14Hard Times
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Hard Times (Nobody Knows Better Than I)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Unichappell Music, Inc.
Ray Charles42:55
15I Hear You Knockin’
Smiley Lewis22:44
16Mystery Train
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 77)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
Elvis Presley3.152:27
17Don’t Start Me to Talkin’
recorded in:
Chicago, Illinois, United States (on 1955-08-12)
double bass [bass]:
Willie Dixon (on 1955-08-12)
drums (drum set) [drums]:
Fred Below (on 1955-08-12)
guitar:
Muddy Waters (blues musician) (on 1955-08-12) and Jimmy Rogers (blues artist) (on 1955-08-12)
harmonica:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (on 1955-08-12)
piano:
Otis Spann (on 1955-08-12)
vocals:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (on 1955-08-12)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1996)
recording of:
Don’t Start Me Talkin’ (on 1955-08-12)
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
publisher:
Arc Music (U.S. rock & blues publisher)
Sonny Boy Williamson52:35
18Smokestack Lightnin’
recorded in:
Chicago, Illinois, United States (in 1956-01)
double bass:
Willie Dixon (in 1956-01)
drums (drum set):
Earl Phillips (in 1956-01)
guitar:
Willie Johnson (American electric blues guitarist) (in 1956-01) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1956-01)
harmonica and lead vocals:
Howlin’ Wolf (in 1956-01)
piano:
Hosea Lee Kennard (in 1956-01)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 285)
recording of:
Smokestack Lightning (in 1956-01)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf33:08
19Who Do You Love
drums (drum set):
Clifton James (on 1956-05-24)
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1956-05-24) and Jody Williams (blues guitarist/singer) (on 1956-05-24)
maracas:
Jerome Green (on 1956-05-24)
background vocals:
The Moonglows (1950s Cleveland R&B group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1956-05-24)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (from 1956 to present)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 132)
recording of:
Who Do You Love? (on 1956-05-24)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Bo Diddley3.52:31
20I’m a King Bee
bass guitar:
Clinton "Fats" Perrodin
drums (drum set):
Clarence "Jockey" Etienne (drummer)
guitar:
Guitar Gable
harmonica:
Slim Harpo
vocals:
Slim Harpo
Slim Harpo33:05
21Johnny B. Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Chuck Berry4.252:42
22Farther Up the Road
drums (drum set):
Sonny Freeman
guitar:
Pat Hare
tenor saxophone:
Bill Harvey (saxophone)
vocal:
Bobby “Blue” Bland
recording of:
Farther Up the Road
writer:
Deadric Malone and Joe Veasey
publisher:
Duchess Music Corp. and Universal Duchess Music Corp.
Bobby “Blue” Bland32:59
23So Many Roads, So Many Trains
bass:
Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer)
guitar:
Matt Murphy (US blues guitarist) and Otis Rush
piano:
Lafayette Leake
tenor saxophone:
Bob Neely
vocal:
Otis Rush
recording of:
So Many Roads
writer:
Otis Rush
Otis Rush33:13
24First Time I Met the Blues
baritone saxophone [baritone sax]:
Donald Hankins (Saxophonist) (on 1960-03-02)
bass:
Jack Meyers (US blues bassist) (on 1960-03-02)
drums (drum set) [drums]:
Fred Below (on 1960-03-02)
guitar:
Buddy Guy (on 1960-03-02)
piano:
Little Brother Montgomery (on 1960-03-02)
tenor saxophone [tenor sax]:
Jarett Gibson (on 1960-03-02), Jarrett Gibson (Blues tenor saxophonist) (on 1960-03-02) and Bob Neely (on 1960-03-02)
vocals:
Buddy Guy (on 1960-03-02)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Chess Studios in Chicago, Illinois, United States (on 1960-03-02)
recording of:
First Time I Met the Blues (on 1960-03-02)
composer:
Eurreal Montgomery
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Flomont Music, Flomont Music Publishing Co. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
cover recording of:
First Time I Met the Blues
composer:
Eurreal Montgomery
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Flomont Music, Flomont Music Publishing Co. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Buddy Guy32:18
25Big Boss Man
double bass [acoustic bass]:
Willie Dixon (on 1960-03-29)
drums (drum set) [drums]:
Earl Phillips (on 1960-03-29)
guitar:
Lefty Bates (on 1960-03-29), Lee Baker (US blues singer and guitarist, aka Lonnie Brooks) (on 1960-03-29) and Jimmy Reed (blues musician) (on 1960-03-29)
harmonica:
Jimmy Reed (blues musician) (on 1960-03-29)
vocals:
Mama Reed (on 1960-03-29) and Jimmy Reed (blues musician) (on 1960-03-29)
cover recording of:
Big Boss Man (on 1960-03-29)
writer:
Luther Dixon and Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Jimmy Reed2:50
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