| # | Title | Artist | Rating | Length |
|---|
| 1 | Dark Horse- programming and producer:
- Cirkut, Dr. Luke and Max Martin
- assistant engineer:
- Cory Bice, Eric Eylands, Rachael Findlen , Justin Fox and Elliott Lanam
- engineer:
- Peter Carlsson , Clint Gibbs, John Hanes , Sam Holland , Michael Ilbert and Mike Foster
- additional assistant producer:
- Irene Richter
- mixer:
- Serban Ghenea
- alto saxophone:
- Alex Foster
- instruments:
- Cirkut, Dr. Luke and Max Martin
- additional vocals:
- Ava James
- background vocals:
- Max Martin and Katy Perry
- vocals:
- Juicy J and Katy Perry
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2013)
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Luke’s in the Boo in Malibu, California, United States, MXM Studios in Stockholm, Stockholms län , Sweden, Playback Recording Studio in Santa Barbara, California, United States and Secret Garden Studios in Montecito, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Dark Horse by Katy Perry feat. Juicy J
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 2), Billboard Decade End Chart: Streaming Songs (number: 9), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2015) and BILLIONS CLUB
- recording of:
- Dark Horse
- writer:
- Łukasz Gottwald, Henry Walter, Sarah Hudson, Jordan Houston , Madison Love, Max Martin and Katy Perry
- publisher:
- DeeEtta Music (in 2013), Italians Do It Better (in 2013), Kasz Money Publishing (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013) and When I’m Rich You’ll Be My Bitch (in 2013)
| Katy Perry Feat. Juicy J | 3.95 | 3:33 |
| 2 | Timber- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Al Burna , Rachael Findlen , Alana Da Fonseca, Clint Gibbs and Ryan Gladieux
- mixer:
- John Hanes
- harmonica:
- Paul Harrington
- instruments:
- Cirkut and Dr. Luke
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 11) and Billboard Decade End Chart: Streaming Songs (number: 42)
- recording of:
- Timber
- writer:
- Armando C. Perez , Steve Arrington, Breyan Stanley Isaac, Charles Carter , Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert , Keri Oskar, Lee Oskar, Roger Parker , Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson and Pebe Sebert
- publisher:
- Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC , Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing , Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada , Sony/ATV Songs LLC, Warner/Chappell , WB Music Corp. and Where da Kasz At
| Pitbull feat. Ke$ha | 3.7 | 3:23 |
| 3 | Waka Waka (This Time for Africa) | Shakira feat. Freshlyground | 2.4 | 3:20 |
| 4 | Anaconda- recording engineer:
- Big Juice
- co-producer:
- Da Internz
- producer:
- Anonymous and Polow da Don
- contains samples by:
- “Sweet” Charles Sherrell and Sir Mix‐A‐Lot
- samples:
- Baby Got Back by Sir Mix‐A‐Lot
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 36)
- recording of:
- Anaconda
- writer:
- Anthony Ray, Ernest Clark, Jamal Jones, Nicki Minaj, Marcos Palacios and Jonathan Solone‐Myvett
- publisher:
- Harajuku Barbie Music, I Love Belize Pub, Mix-A-Lot Publishing, Money Mack Music , My Diet Starts Tomorrow, Inc., Songs of Universal, Inc. , Sony/ATV Tunes LLC , Two Works, U Can’t Teach Bein’ the Shhh, Inc. and Viva Panama
- is based on:
- Baby Got Back
| Nicki Minaj | 2.5 | 4:19 |
| 5 | Drank & Drugs | Lil’ Kleine & Ronnie Flex | | 2:25 |
| 6 | Back to Black- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- guitar:
- Thomas Brenneck and Binky Griptite
- percussion:
- Frank Ricotti
- piano:
- Victor Axelrod
- tambourine:
- Mark Ronson
- tenor saxophone:
- Jamie Talbot
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- part of:
- BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (number: 62) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 79)
- recording of:
- Back to Black
- writer:
- Mark Ronson and Amy Winehouse
- publisher:
- BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. and EMI Music Publishing Ltd.
| Amy Winehouse | 4.3 | 4:00 |
| 7 | I Want It That Way- producer:
- Kristian Lundin (in 1999) and Max Martin (in 1999)
- mixer:
- Kristian Lundin and Max Martin
- electric bass guitar [bass]:
- Tomas Lindberg
- guitar:
- Esbjörn Öhrwall
- vocals:
- Alexander James “A.J.” McLean , Brian “B-Rok” Littrell , Nick Carter , Howard “Howie D.” Dorough and Kevin Richardson
- phonographic copyright (℗) by:
- RCA Records (in 1998, in 2025) and Zomba Recording Corporation (in 1999)
- produced for:
- Cheiron Productions (in 1999)
- recorded at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden
- mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden (in 1999)
- part of:
- Billboard: The 500 Best Pop Songs (number: 4), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 240)
- recording of:
- I Want It That Way
- lyricist, writer and composer:
- Andreas Carlsson and Max Martin
- publisher:
- Grantsville Publishing Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Backstreet Boys | 3.75 | 3:32 |
| 8 | Hold Back the River | James Bay | | 3:56 |
| 9 | Love Generation | Bob Sinclar | 4 | 3:25 |
| 10 | Sun Is Shining | Axwell Λ Ingrosso | | 3:02 |
| 11 | Synrise | GOOSE | | 5:31 |
| 12 | Watskeburt?! | De Jeugd van Tegenwoordig | | 3:30 |
| 13 | Barbie Girl | Aqua | 3.75 | 3:15 |
| 14 | Watch Me (Whip / Nae Nae) | Silentó | 2 | 3:01 |
| 15 | I Can’t Say No! (Broiler remix) | Lea Rue | | 3:24 |
| 16 | Sun Goes Down | Robin Schulz Feat. Jasmine Thompson | 3.7 | 2:56 |
| 17 | Ms Jackson | OutKast | 4.15 | 4:31 |
| 18 | Cannonball- miscellaneous support:
- Andrew "McMuffin" Luftman and Scott "Yarmov" Yarmovsky
- programming and producer:
- benny blanco and StarGate
- assistant engineer:
- Chris "Anger Management" Sclafani
- engineer:
- Mikkel Storleer Eriksen
- executive producer:
- Tim Blacksmith and Danny D
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- instruments:
- benny blanco and StarGate
- background vocals:
- Sia
- vocals:
- Lea Michele
- phonographic copyright (℗) by:
- Columbia Records (in 2013)
- recorded at:
- Matza Ball Studio in New York, New York, United States, Roc the Mic Studios in New York, New York, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Ninja Beat Club in Atlanta, Georgia, United States
- recording of:
- Cannonball
- writer:
- Benjamin Levin , Mikkel Storleer Eriksen, Tor Erik Hermansen and Sia Furler
- publisher:
- EMI April Music Inc., EMI Music Publishing Ltd. , Lotzah Matzah Songs LLC, Matza Ballzack Music, Prescription Songs, Songs of Kobalt Music Publishing and Where da Kasz At
| Lea Michele | | 3:34 |
| 19 | Zombie- assistant engineer and assistant producer:
- Julie Gardiner
- engineer and producer:
- Stephen Street
- acoustic guitar and electric guitar:
- Noel Hogan and Dolores O’Riordan
- bass guitar:
- Mike Hogan
- drums (drum set) and percussion:
- Fergal Lawler
- keyboard and lead vocals:
- Dolores O’Riordan
- background vocals:
- Noel Hogan
- phonographic copyright (℗) by:
- The Island Def Jam Music Group , Island Records, Inc. (in 1994), UMG Recordings, Inc. (in 1994) and Island Records (in 2002)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1993-11 until 1994-08)
- mixed at:
- The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
- recording of:
- Zombie
- lyricist and composer:
- Dolores O’Riordan
- publisher:
- Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG and Universal–Songs of PolyGram International, Inc.
| The Cranberries | 4.2 | 5:06 |
| 20 | Rhythm Inside | Loïc Nottet | | 2:52 |
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