Collaboration

~ Release by Helen Merrill & Gil Evans (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Summertime
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:31
2Where Flamingos Fly
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
Where Flamingos Fly
composer:
John Benson Brooks, Harold Courlander and El Thea
publisher:
Campbell Connelly & Co. Ltd.
3:11
3Dream Of You
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
Dream of You
lyricist:
Edward P. Moran
composer:
Jimmie Lunceford (US jazz saxophonist and bandleader) and Sy Oliver
2:55
4I’m A Fool To Want You
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
I’m a Fool to Want You
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
4:35
5Troubled Waters
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
Troubled Waters
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
3:29
6I’m Just Lucky So And So
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
I’m Just a Lucky So and So
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
3:13
7People Will Say We’re In Love
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
People Will Say We’re in Love
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:54
8By Myself
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
By Myself
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Chappell & Co., Inc. (USA) and Round Hill Songs III
part of:
The Band Wagon (1953 film)
3:42
9Any Place I Hang My Hat Is Home
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
Any Place I Hang My Hat Is Home
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Chappell & Co., Inc. (USA) and S.A. Music Co.
4:58
10I’ve Never Seen
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
recording of:
I’ve Never Seen
lyricist:
Dorcas Cochran
composer:
Don Marcotte
4:23
11He Was Too Good To Me
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
cover recording of:
He Was Too Good to Me
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
3:19
12A New Town Is Blue Town
recording engineer and mixer:
Tom Lazarus
assistant engineer:
Rebecca Everett
producer:
Kiyoshi Koyama and Helen Merrill
vocals:
Helen Merrill
orchestra:
Gil Evans Orchestra
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Clinton Recording Studio (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Clinton Recording Studio (since 2010, new location at 80th St, New York, NY) in New York, New York, United States
recording of:
New Town is a Blue Town
composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
3:38

Credits

Release

manufactured in:W.Germany
printed in:W.-Germany
rights society:B.I.E.M. (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:PDO (German / West German branch of Philips DuPont Optical)
copyrighted (©) by and phonographic copyright (℗) by:Nippon Phonogram Co., Ltd. (use as manufacturer and/or distributor only) (in 1988)
Discogs:https://www.discogs.com/release/2457404 [info]

Release group

Discogs:https://www.discogs.com/master/408769 [info]
Wikidata:Q5145795 [info]