Giacomo Puccini – A Portrait in Historic Recordings

~ Release by Giacomo Puccini (see all versions of this release, 1 available)

Tracklist

1▶CD: Manon Lescaut
2▶CD: Manon Lescaut
3▶CD: La Bohème
4▶CD: La Bohème
5▶CD: Tosca
6▼CD: Tosca
#TitleRatingLength
1Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
2:59
2Tosca: Atto II. “Ha più forte sapore la conquista violenta” (Scarpia, Sciarrone, Spoletta)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
2:14
3Tosca: Atto II. “Meno male!” (Scarpia, Spoletta, Cavaradossi)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
tenor vocals [Spoletta]:
Nino Mazziotti (Italian tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
2:57
4Tosca: Atto II. “Dov’è dunque Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
tenor vocals [Spoletta]:
Nino Mazziotti (Italian tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
1:57
5Tosca: Atto II. “Ed or fra noi parliam da buoni amici” … “Sciarrone, che dice il cavalier?” (Scarpia, Tosca, Sciarrone, Cavaradossi)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:35
6Tosca: Atto II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
tenor vocals [Spoletta]:
Nino Mazziotti (Italian tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
partial recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
2:53
7Tosca: Atto II. “Basta, Roberti” (Scarpia, Sciarrone, Tosca, Cavaradossi)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
tenor vocals [Spoletta]:
Nino Mazziotti (Italian tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
partial recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
1:25
8Tosca: Atto II. “Nel pozzo… del giardino” (Scarpia, Cavaradossi, Tosca, Sciarrone)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (in 1938)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
3:38
9Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:19
10Tosca: Atto II. “Vissi d’arte” (Tosca)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:04
11Tosca: Atto II. “Vedi, ecco, vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:04
12Tosca: Atto II. “E qual via scegliete?” (Scarpia, Tosca)
baritone vocals [Scarpia]:
Armando Borgioli (operatic baritone) (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
5:19
13Tosca: Atto III. “Io de’ sospiri” (Hirte / Shepherd)
soprano vocals [Un pastore]:
Anna Marcangeli (soprano / mezzo-soprano) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
5:18
14Tosca: Atto III. “Mario Cavaradossi? … A voi” (Cavaradossi)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
3:24
15Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1938)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
3:57
16Tosca: Atto III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:16
17Tosca: Atto III. “O dolci mani mansuete e pure” (Cavaradossi, Tosca)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
4:59
18Tosca: Atto III. “E non giungono” (Tosca, Cavaradossi)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Cavaradossi]:
Beniamino Gigli (tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:30
19Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:50
20Tosca: Atto III. “Mario, su presto!” (Tosca, Sciarrone, Spoletta)
bass vocals [Sciarrone]:
Gino Conti (operatic bass) (in 1938)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1938)
soprano vocals [Tosca]:
Maria Caniglia (soprano) (in 1938)
tenor vocals [Spoletta]:
Nino Mazziotti (Italian tenor) (in 1938)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1938)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1938)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1938)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:22
7▶CD: Madame Butterfly
8▶CD: Madame Butterfly
9▶CD: La fanciulla del West
10▶CD: La fanciulla del West

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