Rocks

~ Veröffentlichung von Ella Mae Morse (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Money Honey
baritone saxophone:
Joseph J. Koch (am 1953-12-14)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-14)
Klavier:
Gerald Foster Wiggins (am 1953-12-14)
Kontrabass [bass]:
George Sylvester "Red" Callender (am 1953-12-14)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-14)
Tenorsaxophon:
Charles O. Butler (am 1953-12-14) und Ernest T. "Ted" Romersa (am 1953-12-14)
vocals:
Ella Mae Morse (am 1953-12-14)
conductor:
Dave Cavanaugh (am 1953-12-14)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-14)
recording of:
Money Honey (am 1953-12-14)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
2:37
2Have Mercy Baby
baritone saxophone:
Joseph J. Koch (am 1953-12-14)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-14)
Klavier:
Gerald Foster Wiggins (am 1953-12-14)
Kontrabass [bass]:
George Sylvester "Red" Callender (am 1953-12-14)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-14)
Tenorsaxophon:
Charles O. Butler (am 1953-12-14) und Ernest T. "Ted" Romersa (am 1953-12-14)
vocals:
Ella Mae Morse (am 1953-12-14)
conductor:
Dave Cavanaugh (am 1953-12-14)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-14)
2:16
3Rock Me All Night Long
baritone saxophone:
Joseph J. Koch (am 1953-12-14)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-14)
Klavier:
Gerald Foster Wiggins (am 1953-12-14)
Kontrabass [bass]:
George Sylvester "Red" Callender (am 1953-12-14)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-14)
Tenorsaxophon:
Charles O. Butler (am 1953-12-14) und Ernest T. "Ted" Romersa (am 1953-12-14)
vocals:
Ella Mae Morse (am 1953-12-14)
conductor:
Dave Cavanaugh (am 1953-12-14)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-14)
2:26
4Daddy Daddy
baritone saxophone:
Joseph J. Koch (am 1953-12-14)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-14)
Klavier:
Gerald Foster Wiggins (am 1953-12-14)
Kontrabass [bass]:
George Sylvester "Red" Callender (am 1953-12-14)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-14)
Tenorsaxophon:
Charles O. Butler (am 1953-12-14) und Ernest T. "Ted" Romersa (am 1953-12-14)
vocals:
Ella Mae Morse (am 1953-12-14)
conductor:
Dave Cavanaugh (am 1953-12-14)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-14)
recording of:
Daddy Daddy (song introduced by Ruth Brown in 1952) (am 1953-12-14)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Unichappell Music, Inc.
2:39
5The House of Blue Lights
Gitarre:
George van Eps (am 1946-02-12)
Klavier:
Freddie Slack (am 1946-02-12)
Kontrabass [bass]:
John H. Ryan (double bassist) (am 1946-02-12)
Schlagzeug [drums]:
Nick Fatool (am 1946-02-12)
vocals:
Ella Mae Morse (am 1946-02-12)
aufgenommen bei:
Radio Recorders (932 N Western Ave location till 1949) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-02-12)
recording of:
The House of Blue Lights (am 1946-02-12)
Verfasser(in):
Don Raye und Freddie Slack
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corp.
2:52
65-10-15 Hours
alto saxophone:
Bennett "Benny" Carter (am 1953-12-16)
baritone saxophone:
Joseph J. Koch (am 1953-12-16)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-16)
Klavier:
Gerald Foster Wiggins (am 1953-12-16)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1953-12-16)
Posaune:
Walter R. Benson (am 1953-12-16)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-16)
Tenorsaxophon:
Charles O. Butler (am 1953-12-16) und Ernest T. "Ted" Romersa (am 1953-12-16)
Trompete:
Emanuel "Mannie" Klein (am 1953-12-16), Conrad Gozzo (am 1953-12-16) und Joseph Graves (60s pop/soul) (am 1953-12-16)
vocals:
Ella Mae Morse (am 1953-12-16)
conductor:
Dave Cavanaugh (am 1953-12-16)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-16)
recording of:
5-10-15 Hours (am 1953-12-16)
Texter und Komponist(in):
Rudolph Toombs
2:31
7Teardrops From My Eyes
alto saxophone:
Bennett "Benny" Carter (am 1953-12-16)
baritone saxophone:
Joseph J. Koch (am 1953-12-16)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-16)
Klavier:
Gerald Foster Wiggins (am 1953-12-16)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1953-12-16)
Posaune:
Walter R. Benson (am 1953-12-16)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-16)
Tenorsaxophon:
Charles O. Butler (am 1953-12-16) und Ernest T. "Ted" Romersa (am 1953-12-16)
Trompete:
Emanuel "Mannie" Klein (am 1953-12-16), Conrad Gozzo (am 1953-12-16) und Joseph Graves (60s pop/soul) (am 1953-12-16)
vocals:
Ella Mae Morse (am 1953-12-16)
conductor:
Dave Cavanaugh (am 1953-12-16)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-16)
2:55
8How Can You Leave a Man Like This
alto saxophone:
Bennett "Benny" Carter (am 1953-12-16)
baritone saxophone:
Joseph J. Koch (am 1953-12-16)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-12-16)
Klavier:
Gerald Foster Wiggins (am 1953-12-16)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1953-12-16)
Posaune:
Walter R. Benson (am 1953-12-16)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1953-12-16)
Tenorsaxophon:
Charles O. Butler (am 1953-12-16) und Ernest T. "Ted" Romersa (am 1953-12-16)
Trompete:
Emanuel "Mannie" Klein (am 1953-12-16), Conrad Gozzo (am 1953-12-16) und Joseph Graves (60s pop/soul) (am 1953-12-16)
vocals:
Ella Mae Morse (am 1953-12-16)
conductor:
Dave Cavanaugh (am 1953-12-16)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-16)
2:45
9Lovey Dovey
alto saxophone:
Arthur "Skeets" Herfurt (am 1954-04-13)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (am 1954-04-13)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-04-13)
Klavier:
Gerald Foster Wiggins (am 1954-04-13)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1954-04-13)
Posaune:
Walter R. Benson und Simon H. "Si" Zentner (am 1954-04-13)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1954-04-13)
Tenorsaxophon:
Charles O. Butler (am 1954-04-13) und Ernest T. "Ted" Romersa (am 1954-04-13)
Trompete:
Emanuel "Mannie" Klein (am 1954-04-13), Conrad Gozzo (am 1954-04-13), Joseph Graves (60s pop/soul) (am 1954-04-13) und Vito N. "Micky" Mangano (am 1954-04-13)
vocals:
Ella Mae Morse (am 1954-04-13)
conductor:
Dave Cavanaugh (am 1954-04-13)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-13)
recording of:
Lovey Dovey (am 1954-04-13)
Verfasser(in):
Memphis Curtis und Nuggy (US songwriter/producer)
publisher:
Progressive Music Co. (beendet) und Unichappell Music, Inc.
2:43
10Get Off It and Go
Gitarre:
Alton R. "Al" Hendrickson (am 1947-05-07)
Klarinette:
Mahlon Clark (am 1947-05-07)
Klavier:
Edwin LeMar "Buddy" Cole (am 1947-05-07)
Kontrabass [bass]:
Harry Babasin (am 1947-05-07)
Schlagzeug [drums]:
Leonidas Raymond "Lee" Young (40s-60s US jazz drummer, then producer/A&R) (am 1947-05-07)
Tenorsaxophon:
Dave Cavanaugh (am 1947-05-07)
Trompete:
Vernon "Geechie" Smith (trumpeter / photographer) (am 1947-05-07)
vocals:
Ella Mae Morse (am 1947-05-07)
aufgenommen bei:
Radio Recorders, Studio B (932 N Western Ave location till 1949) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-05-07)
2:21
11Okie Boogie
baritone saxophone:
Robert Lawson (saxophone player) (am 1951-12-12)
Gitarre:
Robert F. "Bob" Bain (guitarist) (am 1951-12-12)
Klavier:
Milton W. Raskin (Milton Raskin) (am 1951-12-12)
Kontrabass [bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1951-12-12)
Posaune:
Harold Diner (am 1951-12-12), Francis L. Howard (american trombone player) (am 1951-12-12), Paul O.W. Tanner (am 1951-12-12) und Raymond "Ray" Sims (am 1951-12-12)
Schlagzeug [drums]:
Frank "Frankie" Carlson (am 1951-12-12)
Steel-Gitarre:
Wesley Webb "Speedy" West (am 1951-12-12)
Tenorsaxophon:
Babe Russin (am 1951-12-12)
Trompete:
Vito N. "Micky" Mangano (am 1951-12-12) und Walter P. "Pete" Candoli (am 1951-12-12)
vocals:
Ella Mae Morse (am 1951-12-12)
conductor:
Nelson Riddle (am 1951-12-12)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-12-12)
2:15
12False Hearted Girl
Gitarre:
Ivy J. "Jimmy" Bryant (country music guitarist & composer) (am 1952-07-09) und William Everett "Billy" Strange (am 1952-07-09)
Klavier:
William Edward "Billy" Liebert (am 1952-07-09)
Kontrabass [bass]:
Clifford H. "Cliffie" Stone (am 1952-07-09)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1952-07-09)
Steel-Gitarre:
Wesley Webb "Speedy" West (am 1952-07-09)
vocals:
Tennessee Ernie Ford (am 1952-07-09) und Ella Mae Morse (am 1952-07-09)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-09)
cover recording of:
False Hearted Girl (am 1952-07-09)
Verfasser(in):
Alton Delmore und Rabon Delmore
2:16
13Greyhound
baritone saxophone:
Danny Bank (reeds) (am 1952-10-12)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-10-12)
vocals:
Ella Mae Morse (am 1952-10-12)
conductor:
Joe Lippman (Joseph P. Lippman) (am 1952-10-12)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1952-10-12)
2:20
14Jump Back Honey
baritone saxophone:
Danny Bank (reeds) (am 1952-10-12)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-10-12)
vocals:
Ella Mae Morse (am 1952-10-12)
conductor:
Joe Lippman (Joseph P. Lippman) (am 1952-10-12)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1952-10-12)
recording of:
Jump Back, Honey, Jump Back (am 1952-10-12)
Verfasser(in):
Hadda Brooks
2:05
15A Little Further Down the Road a Piece
Gitarre:
Alton R. "Al" Hendrickson (am 1947-05-07)
Klarinette:
Mahlon Clark (am 1947-05-07)
Klavier:
Edwin LeMar "Buddy" Cole (am 1947-05-07)
Kontrabass [bass]:
Harry Babasin (am 1947-05-07)
Schlagzeug [drums]:
Leonidas Raymond "Lee" Young (40s-60s US jazz drummer, then producer/A&R) (am 1947-05-07)
Tenorsaxophon:
Dave Cavanaugh (am 1947-05-07)
Trompete:
Vernon "Geechie" Smith (trumpeter / photographer) (am 1947-05-07)
vocals:
Ella Mae Morse (am 1947-05-07)
aufgenommen bei:
Radio Recorders, Studio B (932 N Western Ave location till 1949) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-05-07)
recording of:
Down the Road Apiece (am 1947-05-07)
Texter und Komponist(in):
Don Raye
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal Music Corp. (USA, affiliated with ASCAP)
2:29
16Bouncin' Ball
baritone saxophone:
Danny Bank (reeds) (am 1952-10-12)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-10-12)
vocals:
Ella Mae Morse (am 1952-10-12)
conductor:
Joe Lippman (Joseph P. Lippman) (am 1952-10-12)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1952-10-12)
2:30
17Big Mamou
alto saxophone und flute:
Harry G. Klee (am 1953-03-23)
baritone saxophone:
Joseph J. Koch (am 1953-03-23)
bass saxophone:
Joseph Rushton (am 1953-03-23)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1953-03-23) und Paul Robyn (am 1953-03-23)
Cello:
Eleanor Aller Slatkin (US cellist, b. Aller) (am 1953-03-23)
Geige / Violine:
Victor Bay (am 1953-03-23), Mischa Russell (violinist) (am 1953-03-23), Felix Slatkin (am 1953-03-23) und Marshall Sosson (am 1953-03-23)
Gitarre:
Robert F. "Bob" Bain (guitarist) (am 1953-03-23)
Klavier:
James Rowles (am 1953-03-23)
Kontrabass [bass]:
Morty Corb (bass, USA) (am 1953-03-23)
Posaune:
Murray McEachern (am 1953-03-23)
Schlagzeug [drums]:
Frank "Frankie" Carlson (am 1953-03-23)
Tenorsaxophon:
Thedore M. "Ted" Nash (40s-80s US swing reedman, uncle of the other) (am 1953-03-23)
Trompete:
Conrad Gozzo (am 1953-03-23)
xylophone:
Louis "Lou" Singer (percussionist) (am 1953-03-23)
vocals:
Ella Mae Morse (am 1953-03-23)
conductor:
Nelson Riddle (am 1953-03-23)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-03-23)
recording of:
Big Mamou (am 1953-03-23)
Verfasser(in):
Link Davis (rockabilly / country artist)
2:23
18Forty Cups of Coffee
alto saxophone:
Bennett "Benny" Carter (am 1953-06-19) und Gus Bivona (am 1953-06-19)
Bongos:
Joe Guerrero (am 1953-06-19)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1953-06-19)
Klavier:
Gerald Foster Wiggins (am 1953-06-19)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1953-06-19)
Posaune:
Simon H. "Si" Zentner (am 1953-06-19)
Schlagzeug [drums]:
Alvin A. Stoller (am 1953-06-19)
Tenorsaxophon:
Babe Russin (am 1953-06-19) und Jules Jacob (US jazz woodwind player) (am 1953-06-19)
Trompete:
Conrad Gozzo, Emanuel "Mannie" Klein (am 1953-06-19) und Vito N. "Micky" Mangano (am 1953-06-19)
vocals:
Ella Mae Morse (am 1953-06-19)
conductor:
Dave Cavanaugh (am 1953-06-19)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-06-19)
2:52
19Give a Little Time to Your Lover
alto saxophone:
Bennett "Benny" Carter (am 1954-09-24)
baritone saxophone:
Joseph "Joe" Koch (am 1954-09-24)
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-09-24)
Klavier:
Gerald Foster Wiggins (am 1954-09-24)
Kontrabass [bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1954-09-24)
Orgel:
Donald Robertson (am 1954-09-24)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1954-09-24)
Tenorsaxophon:
Ernest T. "Ted" Romersa (am 1954-09-24) und Don Lodice (am 1954-09-24)
vocals:
Ella Mae Morse (am 1954-09-24)
conductor:
Dave Cavanaugh (am 1954-09-24)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-24)
2:06
20The Blacksmith Blues
baritone saxophone:
Robert Lawson (saxophone player) (am 1951-12-12)
Gitarre:
Robert F. "Bob" Bain (guitarist) (am 1951-12-12)
Klavier:
Milton W. Raskin (Milton Raskin) (am 1951-12-12)
Kontrabass [bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1951-12-12)
Posaune:
Harold Diner (am 1951-12-12), Francis L. Howard (american trombone player) (am 1951-12-12), Paul O.W. Tanner (am 1951-12-12) und Raymond "Ray" Sims (am 1951-12-12)
Schlagzeug [drums]:
Frank "Frankie" Carlson (am 1951-12-12)
Steel-Gitarre:
Wesley Webb "Speedy" West (am 1951-12-12)
Tenorsaxophon:
Babe Russin (am 1951-12-12)
Trompete:
Vito N. "Micky" Mangano (am 1951-12-12) und Walter P. "Pete" Candoli (am 1951-12-12)
vocals:
Ella Mae Morse (am 1951-12-12)
conductor:
Nelson Riddle (am 1951-12-12)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-12-12)
recording of:
The Blacksmith Blues (1951 song) (am 1951-12-12)
Texter und Komponist(in):
Jack Holmes (composer, arranger)
basiert auf:
Happy Pay-Off Day
3:01
21Won't You Listen to Me Baby
alto saxophone:
Henry Gruen (am 1955-03-23)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (am 1955-03-23)
Gitarre:
Robert F. "Bob" Bain (guitarist) (am 1955-03-23)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1955-03-23)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1955-03-23)
Orgel:
Donald Robertson (am 1955-03-23)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-03-23)
Tenorsaxophon:
Babe Russin (am 1955-03-23) und John "Plas" Johnson, Jr. (am 1955-03-23)
vocals:
Ella Mae Morse (am 1955-03-23)
conductor:
Dave Cavanaugh (am 1955-03-23)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
2:06
22Okie Boogie
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-02-06)
2:28
23Smack Dab in the Middle
alto saxophone:
Henry Gruen (am 1955-03-23)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (am 1955-03-23)
Gitarre:
Robert F. "Bob" Bain (guitarist) (am 1955-03-23)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1955-03-23)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1955-03-23)
Orgel:
Donald Robertson (am 1955-03-23)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-03-23)
Tenorsaxophon:
Babe Russin (am 1955-03-23) und John "Plas" Johnson, Jr. (am 1955-03-23)
vocals:
Ella Mae Morse (am 1955-03-23)
conductor:
Dave Cavanaugh (am 1955-03-23)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
recording of:
Smack Dab in the Middle (am 1955-03-23)
Texter und Komponist(in):
Charles Calhoun
publisher:
Roosevelt Music
2:33
24Yes, Yes I Do
alto saxophone:
Henry Gruen (am 1955-03-23)
baritone saxophone:
Henry "Butch" Stone (saxophone, vocals, jazz) (am 1955-03-23)
Gitarre:
Robert F. "Bob" Bain (guitarist) (am 1955-03-23)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1955-03-23)
Kontrabass [bass]:
George Sylvester 'Red' Callender (am 1955-03-23)
Orgel:
Donald Robertson (am 1955-03-23)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-03-23)
Tenorsaxophon:
Babe Russin (am 1955-03-23) und John "Plas" Johnson, Jr. (am 1955-03-23)
vocals:
Ella Mae Morse (am 1955-03-23)
conductor:
Dave Cavanaugh (am 1955-03-23)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
2:18
25Razzle Dazzle
alto saxophone:
Henry Gruen (am 1955-07-07)
Gitarre:
Bernard "Barney" Kessel (am 1955-07-07) und Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1955-07-07)
Klavier:
Milton W.Raskin (Milton Raskin) (am 1955-07-07)
Kontrabass [bass]:
Abe Siegel (am 1955-07-07)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-07-07) und William V. Douglas (American jazz drummer) (am 1955-07-07)
Tenorsaxophon:
Babe Russin (am 1955-07-07), Charles O. Butler (am 1955-07-07) und Ernest T. "Ted" Romersa (am 1955-07-07)
vocals:
Ella Mae Morse (am 1955-07-07)
conductor:
Dave Cavanaugh (am 1955-07-07)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-07)
cover recording of:
Razzle Dazzle (am 1955-07-07)
Texter und Komponist(in):
Charles Calhoun
2:46
26Ain't That a Shame
alto saxophone:
Henry Gruen (am 1955-07-07)
Gitarre:
Bernard "Barney" Kessel (am 1955-07-07) und Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1955-07-07)
Klavier:
Milton W.Raskin (Milton Raskin) (am 1955-07-07)
Kontrabass [bass]:
Abe Siegel (am 1955-07-07)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-07-07) und William V. Douglas (American jazz drummer) (am 1955-07-07)
Tenorsaxophon:
Babe Russin (am 1955-07-07), Charles O. Butler (am 1955-07-07) und Ernest T. "Ted" Romersa (am 1955-07-07)
vocals:
Ella Mae Morse (am 1955-07-07)
conductor:
Dave Cavanaugh (am 1955-07-07)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-07)
cover recording of:
Ain’t That a Shame (am 1955-07-07)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
2:24
27Piddily Patter Patter
alto saxophone:
Henry Gruen (am 1955-07-07)
Gitarre:
Bernard "Barney" Kessel (am 1955-07-07) und Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1955-07-07)
Klavier:
Milton W.Raskin (Milton Raskin) (am 1955-07-07)
Kontrabass [bass]:
Abe Siegel (am 1955-07-07)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-07-07) und William V. Douglas (American jazz drummer) (am 1955-07-07)
Tenorsaxophon:
Babe Russin (am 1955-07-07), Charles O. Butler (am 1955-07-07) und Ernest T. "Ted" Romersa (am 1955-07-07)
vocals:
Ella Mae Morse (am 1955-07-07)
conductor:
Dave Cavanaugh (am 1955-07-07)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-07)
recording of:
My Heart Goes Piddily Patter (am 1955-07-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:09
28Seventeen
alto saxophone:
Henry Gruen (am 1955-07-07)
Gitarre:
Bernard "Barney" Kessel (am 1955-07-07) und Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1955-07-07)
Klavier:
Milton W.Raskin (Milton Raskin) (am 1955-07-07)
Kontrabass [bass]:
Abe Siegel (am 1955-07-07)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-07-07) und William V. Douglas (American jazz drummer) (am 1955-07-07)
Tenorsaxophon:
Babe Russin (am 1955-07-07), Charles O. Butler (am 1955-07-07) und Ernest T. "Ted" Romersa (am 1955-07-07)
vocals:
Ella Mae Morse (am 1955-07-07)
conductor:
Dave Cavanaugh (am 1955-07-07)
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-07)
cover recording of:
Seventeen (am 1955-07-07)
Komponist(in):
Boyd Bennett, Carl Gorman und John F. Young (US pianist, member of Boyd Bennett and the Rockets)
2:19
29When Boy Kiss Girl
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-27)
1:59
30Give Me Love
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-27)
2:23
31Rockin' and Rollin'
aufgenommen bei:
Capitol Recording Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-29)
2:23
32Rock and Roll Wedding
Gitarre:
Bernard "Barney" Kessel (am 1957-06-17) und J.W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-06-17)
Klavier:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-06-17) und Ray I. Sherman (pianist) (am 1957-06-17)
Kontrabass [bass]:
Phil Stevens (country bass player) (am 1957-06-17)
Perkussion:
Frank "Chico" Guerrero (am 1957-06-17)
Schlagzeug [drums]:
Louis "Lou" Singer (percussionist) (am 1957-06-17)
xylophone:
David Grupp (am 1957-06-17)
vocals:
Ella Mae Morse (am 1957-06-17)
conductor:
Les Baxter (am 1957-06-17)
aufgenommen bei:
Capitol Recording Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-06-17)
2:32
33Cow-Cow Boogie
Gitarre:
Jack W. Marshall (US jazz guitarist, composer, arranger & record producer) (am 1942-05-21)
Klavier:
Freddie Slack (am 1942-05-21)
Kontrabass [bass]:
Jim Lynch (40's jazz bassist) (am 1942-05-21)
Posaune:
William Anthens (am 1942-05-21) und Bruce Squires (am 1942-05-21)
Saxophon:
Walter "Buddy" Clark (am 1942-05-21), John Hamilton (big band sax) (am 1942-05-21), Al Harding (clarinetist) (am 1942-05-21) und Willie Martinez (big band woodwinds) (am 1942-05-21)
Schlagzeug [drums]:
John Cyr (drums) (am 1942-05-21)
Trompete:
Bob Goodrich (am 1942-05-21), John Kee (trumpet) (am 1942-05-21) und George Wendt (Swing trumpeter) (am 1942-05-21)
Sologesang:
Ella Mae Morse (am 1942-05-21)
aufgenommen bei:
C.P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-05-21)
recording of:
Cow Cow Boogie (am 1942-05-21)
Komponist(in):
Benny Carter, Gene de Paul und Don Raye
publisher:
MCA Inc. (US record company and parent company for MCA publishing companies, affiliated to ASCAP)
3:14
34Mr. Anthony's Blues
alto saxophone:
Al Harding (clarinetist) (am 1942-07-31) und Joe Knechtel (am 1942-07-31)
Gitarre:
Louis Gonzalez (am 1942-07-31)
Klavier:
Freddie Slack (am 1942-07-31)
Kontrabass [bass]:
Fred Whiting (US double bassist) (am 1942-07-31)
Posaune:
William Anthens (am 1942-07-31) und Edward "Eddie Kusby" Kuczborski (am 1942-07-31)
Schlagzeug [drums]:
John Cyr (drums) (am 1942-07-31)
Tenorsaxophon:
Henry Evans (big band sax) (am 1942-07-31), Hubert Myers (am 1942-07-31) und Morton B. "Morty" Friedman (am 1942-07-31)
Trompete:
Don Anderson (trumpet player) (am 1942-07-31), Clyde L. Hurley, Jr. (am 1942-07-31), Emanuel "Mannie" Klein (am 1942-07-31), Bert Harry (am 1942-07-31) und George Wendt (Swing trumpeter) (am 1942-07-31)
vocals:
Johnny Mercer (am 1942-07-31) und Ella Mae Morse (am 1942-07-31)
aufgenommen bei:
C.P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-31)
2:33

Nennungen

Veröffentlichung

liner notes:Kevin Coffey
Lawrence Zwisohn (author on music)
Richard Weize
sonstige Unterstützung:Lawrence Zwisohn (author on music) (Aufgabe: tape/acetate research)
Produzent(in):Bill Millar (Aufgabe: re-issue)
mastering:Jürgen Crasser
transferrer:Jay Ranellucci
Discogs:https://www.discogs.com/release/7573956 [Info]
bestellen:https://www.bear-family.de/morse-ella-mae-ella-mae-morse-rocks-cd.html [Info]

Veröffentlichungsgruppe

Teil von:Rocks (Bear Family Records' digipaks) (Nummer: Ella Mae Morse) (Reihenfolge: 22)