| # | Title | Rating | Length |
|---|
| 1 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 36 Chorus: "Fallt mit Danken, fallt mit Loben"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:31 |
| 2 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 37 Recitative: "Und da acht Tage um waren" | | 0:32 |
| 3 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 38 Recitative & Chorale: "Immanuel, o süßes Wort"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- soprano vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- performer:
- Nancy Argenta (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 2:16 |
| 4 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 39 Aria: "Flößt, mein Heiland, flößt dein Namen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- oboe:
- Anthony Robson (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- soprano vocals [Echo]:
- Katie Pringle (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:40 |
| 5 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 40 Recitative & Chorale: "Wohlan, dein Name soll allein"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- soprano vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- performer:
- Nancy Argenta (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:22 |
| 6 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 41 Aria: "Ich will nur dir zu Ehren leben" | | 4:23 |
| 7 | Christmas Oratorio, BWV 248: Part IV - For New Year's Day: no. 42 Choral: "Jesus richte mein Beginnen" | | 2:10 |
| 8 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 43 Chorus: "Ehre sei dir, Gott, gesungen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:56 |
| 9 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 44 Recitative: "Da Jesu geboren war zu Bethlehem" | | 0:23 |
| 10 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 45 Chorus: "Wo is der neugeborene König der Jüden" | | 1:40 |
| 11 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 46 Choral: "Dein Glanz all Finsternis verzehrt" | | 0:45 |
| 12 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 47 Aria: "Erleucht auch meine finstre Sinnen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- oboe d'amore:
- Anthony Robson (in 1987-01)
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
- part of:
- Weihnachts-Oratorium, BWV 248
| | 3:59 |
| 13 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 48 Recitative: "Da das der König Herodes hörte" | | 0:12 |
| 14 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 49 Recitative: "Warum wollt ihr erschrecken" | | 0:30 |
| 15 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 50 Recitative: "Und ließ versammlen alle Hohepriester" | | 1:24 |
| 16 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 51 Trio: "Ach, wenn wird die Zeit erscheinen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:34 |
| 17 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 52 Recitative: "Mein Liebster herrschet schon" | | 0:25 |
| 18 | Christmas Oratorio, BWV 248: Part V - For the First Sunday in the New Year: no. 53 Chorale: "Zwar ist solche Herzensstube" | | 0:55 |
| 19 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 54 Chorus: "Herr, wenn die stolzen Feinde schnauben"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 4:59 |
| 20 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 55 Recitative: "Da berief Herodes die Weisen heimlish" | | 0:42 |
| 21 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 56 Recitative: "Du Falscher, suche nur den Herrn zu fällen"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- soprano vocals:
- Nancy Argenta (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:56 |
| 22 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 57 Aria: "Nur ein Wink von seinen Händen" | | 4:25 |
| 23 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 58 Recitative: "Als sie nun den König gehöret hatten" | | 1:02 |
| 24 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 59 Chorale: "Ich steh an deiner Krippen hier"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- lyricist:
- Paul Gerhardt
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 263)
- is based on:
- Nun freut euch, lieben Christen g’mein
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:02 |
| 25 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 60 Recitative: "Und Gott befahl ihnen im Traum" | | 0:23 |
| 26 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 61 Recitative: "So geht! Genug, mein Schatz geht nicht von hie"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:52 |
| 27 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 62 Aria: "Nun mögt ihr stolzen Feinde schrecken" | | 3:59 |
| 28 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 63 Recitative: "Was will der Höllen Schrecken nun"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1987-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:37 |
| 29 | Christmas Oratorio, BWV 248: Part VI - For the Feast of Epiphany: no. 64 Choral: "Nun seid ihr wohl gerochen" | | 3:26 |
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