Selection of Nat King Cole

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Too Marvelous for Words
cover recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:34
2Three Little Words
cover recording of:
Three Little Words
Texter:
Bert Kalmar (in 1930)
Komponist(in):
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell und MPL Music Publishing Inc.
adaptations:
As três palavrinhas
2:40
3Dream a Little Dream of Me
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:51
4I've Got a Way With Women
2:45
5Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
3:10
6Sweet Georgia Brown
Gitarre:
Oscar Moore (am 1945-05-23)
Klavier:
Nat King Cole (am 1945-05-23)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-23)
instrumental cover recording of:
Sweet Georgia Brown (am 1945-05-23)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
2:19
7You're Nobody Till Somebody Loves You
Gitarre:
Oscar Moore (am 1945-05-19)
Klavier:
Nat King Cole (am 1945-05-19)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-19)
vocals:
Nat King Cole (am 1945-05-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (am 1945-05-19)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:51
8If You Can't Smile and Say Yes
recording of:
If You Can’t Smile and Say Yes
Verfasser(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Timmie Rogers
3:06
9I'm in the Mood for Love
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
I’m in the Mood for Love (am 1946-03-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:13
10I've Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:16
11(Get Your Kicks on) Route 66
Gitarre:
Oscar Moore (am 1946-03-15)
Instrumente:
The Nat King Cole Trio (in 1946)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole
vocals:
Nat King Cole (in 1946, am 1946-03-15)
Interpret(in):
The Nat King Cole Trio (am 1946-03-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (am 1946-03-15)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
3:02
12Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes (in 1946)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
2:55
13I Got Rhythm
2:21
14After You Get What You Want You Don't Want It
recording of:
After You Get What You Want (You Don’t Want It)
Texter und Komponist(in):
Irving Berlin
2:48
15Let's Pretend
3:14
16I'm Lost
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-03-01)
Gitarre:
Oscar Moore (am 1943-03-01)
Klavier:
Nat King Cole (am 1943-03-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-03-01)
vocals:
Nat King Cole (am 1943-03-01)
recording of:
I’m Lost (am 1943-03-01)
Verfasser(in):
Otis René
3:08
17This Side Up
2:43

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:A&A Records (Romanian)
Discogs:https://www.discogs.com/release/3360897 [Info]