Eighties Blockbusters

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Righteous Brothers3:39
2(I’ve Had) The Time of My Life
assistant engineer:
Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley and Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal and Carmine Rubino
additional arranger:
John D’Andrea and Michael Lloyd (US guitarist/singer producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) and Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (ended), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
Bill Medley & Jennifer Warnes3.754:43
3Fame
recording of:
Fame
lyricist:
Dean Pitchford
composer:
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
part of:
The 53rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1980 winner)
Irene Cara53:44
49 to 5
recording of:
9 to 5
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton3.652:57
5Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:16
6In the Name of Love
recording of:
In the Name of Love
writer:
Tom Bailey (Thompson Twins), Chris Bell (drummer (Thompson Twins)), Alannah Currie, Joe Leeway, Peter Dodd, John Roog and Matthew Seligman
publisher:
ATV Music Ltd. and Point Music Ltd.
Thompson Twins3:48
7Boogie Wonderland
producer:
Al McKay and Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
lyricist:
Allee Willis
composer:
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) and Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:46
8Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin3.652:14
9I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown2:45
10You Got It (The Right Stuff)
producer:
Maurice Starr
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 92) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 499)
recording of:
You Got It (The Right Stuff)
lyricist and composer:
Maurice Starr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs and Maurice Starr Music
New Kids on the Block34:05
11She’s So Good to Me
recording engineer and mixer:
Ray Bardani
producer:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
She’s So Good to Me
writer:
Luther Vandross
publisher:
CBS Songs Ltd., SBK Songs (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Luther Vandross5:36
12Up Where We Belong (From “An Officer and a Gentleman” Soundtrack)
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:50
13She’s Like the Wind
assistant engineer:
Dan Nebenzal
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
lead vocals:
Patrick Swayze
vocals:
Wendy Fraser
additional orchestrator:
John D’Andrea
phonographic copyright (℗) by:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
recorded at:
Michael Lloyd Studio in Beverly Hills, California, United States
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
She’s Like the Wind (music video) by Patrick Swayze
recording of:
She’s Like the Wind
writer:
Patrick Swayze (in 1984) and Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (in 1987) and Troph Productions, Inc. (in 1987)
Wendy Fraser & Patrick Swayze4.353:51
14I Can Dream About You
additional recording engineer:
Shelly Yakus
recording engineer:
Dan Hartman
additional engineer:
Gabe Veltri
assistant mixer:
Steve Krause (Steven A Krause)
mixer:
Humberto Gatica
additional drums (drum set):
Art Wood (US session drummer/percussionist)
additional guitar:
Richie Zito
electric bass guitar:
Eddie N. Watkins Jr.
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Winston Ford, Dan Hartman and Joe Pizzullo
lead vocals:
Dan Hartman
phonographic copyright (℗) by:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:06
15Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:49
16People Are Strange
producer:
Ray Manzarek
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
People Are Strange (in 1987)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
Echo & the Bunnymen4.653:35
17Sea of Love
producer:
Trevor Jones (South African score composer)
mixer:
John Richards (engineer)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 39)
recording of:
Sea of Love
publisher:
Fort Knox Music Co and Tek Publishing
Phil Phillips & the Twilights4.52:21
18Minnie the Moocher
Cab Calloway & His Orchestra3:13
19Escape From New York (main title)
recording engineer:
Alan Howarth
synthesizer programming:
Alan Howarth
producer:
Scot W. Holton
editor:
Alan Howarth and James Nelson (film score editor/mastering engineer/producer)
phonographic copyright (℗) by:
Avco Embassy Pictures Corp.
recorded at:
Pi West Studio in Glendale, California, United States
recording of:
Main Title
composer:
John Carpenter (filmmaker & composer)
John Carpenter & Alan Howarth3:34
20Love on a Real Train
recording of:
Love on a Real Train (Risky Business)
composer:
Christopher Franke (German musician, formerly with Tangerine Dream), Edgar Froese and Johannes Schmoelling
part of:
Risky Business (film soundtrack)
Tangerine Dream3:54
21Asteroid (Pearl & Dean Theme)
recording of:
Asteroid (Pearl & Dean theme)
composer:
Pete Moore (UK composer and arranger) (in 1968)
Pete Moore0:08