Annotation

Version de 1858 (Opéra-bouffe en deux actes, 4 tableaux) augmentée d'éléments de la version de 1874 (Opéra-féerie en 4 actes). Version établie par Marc Minkowski et Laurent Pelly.

Conductor Marc Minkowski - 1997
Orchestra - Orchestre de l'Opéra national de Lyon - Orchestre de chambre de Grenoble
Chorus - Choeur de l'Opéra national de Lyon
Pluton-Aristée - Jean-Paul Fouchécourt
Jupiter - Laurent Naouri
John Styx - Steven Cole
Mercure - Etienne Lescroart
Orphée - Yann Beuron
Euridice - Natalie Dessay
Cupidon - Patricia Petibon
Diane - Jennifer Smith
L'Opinion Publique - Ewa Podles
Junon - Lydie Pruvot
Vénus - Véronique Gens
Minerve - Virginie Pochon

Annotation last modified on 2020-01-08 13:24 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Orphée aux Enfers: Acte II, Tableau 3. Entr’acte
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Entr'acte (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach0:50
2Orphée aux Enfers: Acte II, Tableau 3. « Ah ! Quelle triste destinée »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Couplets des regrets “Ah ! quelle triste destinée” (Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach2:10
3Orphée aux Enfers: Acte II, Tableau 3. « Voilà deux jours que je suis seule »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “Voilà deux jours que je suis seule” (Eurydice, John Styx) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach1:54
4Orphée aux Enfers: Acte II, Tableau 3. « Quand j’étais roi de Béotie »
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Couplets “Quand j'étais roi de Béotie” (John Styx) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach1:43
5Orphée aux Enfers: Acte II, Tableau 3. « Va‐t’en, je te dis, tu sens le vin »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “Va-t'en, je te dis, tu sens le vin” (Eurydice, John Styx, Pluton, Jupiter, Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach4:24
6Orphée aux Enfers: Acte II, Tableau 3. « Pour attirer du fond de sa retraite »
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Couplets des baisers “Pour attirer du fond de sa retraite” (Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach2:45
7Orphée aux Enfers: Acte II, Tableau 3. « À la une… à la deux… à la trois »
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “À la une... à la deux... à la trois” (Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach0:10
8Orphée aux Enfers: Acte II, Tableau 3. « Il m’a semblé sur mon épaule »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Duo de la mouche: “Il m'a semblé sur mon épaule” (Eurydice, Jupiter) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach5:00
9Orphée aux Enfers: Acte II, Tableau 3. « Ah, je le savais bien »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “Ah, je le savais bien” (Eurydice, Jupiter, Pluton, John Styx, Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach3:11
10Orphée aux Enfers: Acte II, Tableau 3. Ballet des mouches: Galop
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Ballet des mouches: Galop (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach1:52
11Orphée aux Enfers: Acte II, Tableau 3. Entr’acte
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Entr'acte (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach0:59
12Orphée aux Enfers: Acte II, Tableau 4. « Vive le vin ! Vive Pluton »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Chœur infernal “Vive le vin ! Vive Pluton” (chœur) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:04
13Orphée aux Enfers: Acte II, Tableau 4. « Allons, ma belle bacchante »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. “Allons, ma belle bacchante” (Cupidon, Vénus, chœur) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:01
14Orphée aux Enfers: Acte II, Tableau 4. « J’ai vu le dieu Bacchus »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Hymne à Bacchus “J'ai vu le dieu Bacchus” (Eurydice, Diane, Cupidon, Vénus, Les déesses) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:15
15Orphée aux Enfers: Acte II, Tableau 4. « Maintenant, je veux »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. “Maintenant, je veux” (Jupiter, Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:17
16Orphée aux Enfers: Acte II, Tableau 4. « La la la. Le menuet n’est vraiment si charmant »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (French tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Menuet “La la la. Le menuet n'est vraiment si charmant” (Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:24
17Orphée aux Enfers: Acte II, Tableau 4. « Ce bal est original »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (French tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre de Chambre de Grenoble, Orchestre de l'Opera National de Lyon and Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Galop infernal “Ce bal est original” (Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:48
18Orphée aux Enfers: Acte II, Tableau 4. « Et maintenant, fuyons »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Dialogue “Et maintenant, fuyons” (Eurydice, Jupiter, Junon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach0:56
19Orphée aux Enfers: Acte II, Tableau 4. « La position se tend »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Dialogue “La position se tend” (Pluton, Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:22
20Orphée aux Enfers: Acte II, Tableau 4.. « Oui, je suis convaincu »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
tenor vocals [Ariston] and tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (French tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Dialogue “Oui, je suis convaincu” (Orphée, Jupiter, Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:00
21Orphée aux Enfers: Acte II, Tableau 4. « Ne regarde pas en arrière ! »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (French tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Final “Ne regarde pas en arrière !” (L’Opinion publique, Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:36

Credits

Release

ASIN:US: B00000I3U8 [info]

Release group

included in:Offenbach – Marc Minkowski : Orphée aux enfers / La Belle Hélène / La Grande‐Duchesse de Gérolstein by Jacques Offenbach (German-French composer, cellist and impresario); Marc Minkowski (bassoonist and conductor)
part of:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
other databases:https://www.operadis-opera-discography.org.uk/ALOFORPH.HTM#16 [info]