Take Off Your Pants And Jacket (explicit)

~ Release by blink‐182 (see all versions of this release, 28 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2023-05-18).

  • Caribbean: 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇫🇰 Falkland Islands (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇪🇷 Eritrea (er) 🇮🇴 British Indian Ocean Territory (io) 🇸🇴 Somalia (so)
  • Middle Africa: 🇨🇫 Central African Republic (cf)
  • Western Asia: 🇾🇪 Yemen (ye)
  • Central Asia: 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇦🇫 Afghanistan (af)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)

Countries where available (Spotify + Deezer)

(As of 2023-05-18).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇧🇿 Belize (bz) 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇨🇼 Curaçao (cw) 🇩🇲 Dominica (dm) 🇩🇴 Dominican Republic (do) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇹🇹 Trinidad and Tobago (tt) 🇻🇨 Saint Vincent and Grenadines (vc)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇬🇾 Guyana (gy) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇸🇷 Suriname (sr) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 North Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇱🇾 Libya (ly) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇮 Cote D’Ivoire (ci) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇹 Ethiopia (et) 🇰🇪 Kenya (ke) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Democratic Republic of Congo (cd) 🇨🇬 Congo (cg) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz) 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇧🇭 Bahrain (bh) 🇬🇪 Georgia (ge) 🇮🇱 Israel (il) 🇮🇶 Iraq (iq) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestine (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 South Korea (kr) 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Laos (la) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇹🇱 Timor-Leste (tl) 🇻🇳 Vietnam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotation last modified on 2023-05-18 05:38 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Anthem Part Two
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Anthem, Part Two
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.753:47
2Online Songs
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Online Song
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.72:26
3First Date
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
First Date
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
4.052:52
4Happy Holidays, You Bastard
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Happy Holidays, You Bastard
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.150:42
5Story of a Lonely Guy
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Story of a Lonely Guy
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.853:40
6The Rock Show
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
The Rock Show
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.72:52
7Stay Together for the Kids
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
drums (drum set):
Travis Barker (American producer and drummer of blink-182)
electric bass guitar:
Mark Hoppus
electric guitar:
Tom DeLonge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
lead vocals:
Tom DeLonge and Mark Hoppus
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Stay Together for the Kids
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
4.053:59
8Roller Coaster
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Roller Coaster
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.652:48
9Reckless Abandon
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Reckless Abandon
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.553:06
10Every Time I Look for You
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Everytime I Look for You
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.853:05
11Give Me One Good Reason
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Give Me One Good Reason
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Fun With Guns and HMNIM Music
3.453:19
12Shut Up
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano (drummer, drum tech)
phonographic copyright (℗) by:
Geffen Records (in 2001), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Shut Up
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.553:20
13Please Take Me Home
drums (drum set) programming:
Mike Fasano (drummer, drum tech)
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read (engineer) and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records (in 2001) and Geffen Records (in 2016)
recording of:
Please Take Me Home
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.53:06