La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
#TitleArtistRatingLength
1La forza del destino: Sinfonia (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Sinfonia (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
recording of:
La forza del destino: Sinfonia (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
recording of:
La forza del destino: Sinfonia (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:35
2La forza del destino: Act I. “Buona notte, mia figlia” (Marchese, Leonora)
producer:
Walter Legge (British classical producer)
bass vocals [Il marchese di Calatrava]:
Plinio Clabassi (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto I. “Buona notte, mia figlia” (Marchese, Leonora) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Buona notte, mia figlia” (Marchese, Leonora) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Buona notte, mia figlia” (Marchese, Leonora) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
Giuseppe Verdi2:27
3La forza del destino: Act I. “Temea restasse qui fino a domani!” (Curra, Leonora)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Curra]:
Rina Cavallari (mezzo-soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto I. “Temea restasse qui fino a domani!” (Curra, Leonora) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Temea restasse qui fino a domani!” (Curra, Leonora) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Temea restasse qui fino a domani!” (Curra, Leonora) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
Giuseppe Verdi1:41
4La forza del destino: Act I. “Me, pellegrina ed orfana” (Leonora)
producer:
Walter Legge (British classical producer)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto I. Romanza: “Me pellegrina ed orfana” (Leonora) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. Romanza: “Me pellegrina ed orfana” (Leonora) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. Romanza: “Me pellegrina ed orfana” (Leonora) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
Giuseppe Verdi3:43
5La forza del destino: Act I. “M'aiuti, signorina, più presto andrem” (Curra, Leonora)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Curra]:
Rina Cavallari (mezzo-soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto I. “M'aiuti, signorina, più presto andrem” (Curra, Leonora) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “M'aiuti, signorina, più presto andrem” (Curra, Leonora) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “M'aiuti, signorina, più presto andrem” (Curra, Leonora) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
Giuseppe Verdi0:27
6La forza del destino: Act I. “Ah, per sempre, o mio bell'angiol” (Alvaro, Leonora, Curra)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Curra]:
Rina Cavallari (mezzo-soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
tenor vocals [Don Alvaro]:
Richard Tucker (tenor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto I. “Ah, per sempre, o mio bell'angiol?” (Leonora, Alvaro, Curra) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “È tardi” (Leonora, Alvaro, Curra) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Ah, per sempre, o mio bell'angiol?” (Leonora, Alvaro, Curra) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “È tardi” (Leonora, Alvaro, Curra) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Ah, per sempre, o mio bell'angiol?” (Leonora, Alvaro, Curra) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “È tardi” (Leonora, Alvaro, Curra) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “È tardi” (Leonora, Alvaro, Curra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
Giuseppe Verdi7:14
7La forza del destino: Act I. “Vil seduttor! Infame figlia!” (Marchese, Leonora, Alvaro)
producer:
Walter Legge (British classical producer)
bass vocals [Il marchese di Calatrava]:
Plinio Clabassi (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
tenor vocals [Don Alvaro]:
Richard Tucker (tenor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto I. “Vil seduttor! Infame figlia” (Marchese, Leonora, Alvaro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Vil seduttor! Infame figlia” (Marchese, Leonora, Alvaro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto I
recording of:
La forza del destino: Atto I. “Vil seduttor! Infame figlia” (Marchese, Leonora, Alvaro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto I
Giuseppe Verdi2:06
8La forza del destino: Act II, Scene 1. “Holà, holà, holà! Ben giungi, o mulattier” (Coro)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. "Holà, holà, holà!" (coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. "Holà, holà, holà!" (coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. "Holà, holà, holà!" (coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi1:20
9La forza del destino: Act II, Scene 1. “La cena è pronta” (Alcade, Coro, Carlo)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
partial recording of:
La forza del destino: Atto II, scena 1. “La cena è pronta” … “Che vedo? Mio fratello” (Alcade, Don Carlo, Leonora, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 1. “La cena è pronta” … “Che vedo? Mio fratello” (Alcade, Don Carlo, Leonora, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 1. “La cena è pronta” … “Che vedo? Mio fratello” (Alcade, Don Carlo, Leonora, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi0:35
10La forza del destino: Act II, Scene 1. “Che vedo! Mio fratello!” (Leonora, Alcade, Carlo, Coro, Trabuco)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano)
tenor vocals [Trabuco]:
Gino del Signore (operatic tenor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
partial recording of:
La forza del destino: Atto II, scena 1. “La cena è pronta” … “Che vedo? Mio fratello” (Alcade, Don Carlo, Leonora, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 1. “La cena è pronta” … “Che vedo? Mio fratello” (Alcade, Don Carlo, Leonora, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 1. “La cena è pronta” … “Che vedo? Mio fratello” (Alcade, Don Carlo, Leonora, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi0:34
11La forza del destino: Act II, Scene 1. “Viva la guerra!” (Preziosilla, Carlo, Alcade, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
mezzo-soprano vocals [Preziosilla]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. “Viva la guerra!” (Preziosilla, Alcade, Don Carlo, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Viva la guerra!” (Preziosilla, Alcade, Don Carlo, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Viva la guerra!” (Preziosilla, Alcade, Don Carlo, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
Giuseppe Verdi0:55
12La forza del destino: Act II, Scene 1. “Al suan del tamburo” (Preziosilla, Carlo, Alcade, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
mezzo-soprano vocals [Preziosilla]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. “Al suon del tamburo” (Preziosilla, Don Carlo, Alcade, contadine, mulattieri, paesani) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Al suon del tamburo” (Preziosilla, Don Carlo, Alcade, contadine, mulattieri, paesani) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Al suon del tamburo” (Preziosilla, Don Carlo, Alcade, contadine, mulattieri, paesani) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi2:45
13La forza del destino: Act II, Scene 1. “Padre Eterna Signor” (Coro, Carlo, Alcade, Leonora)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. ”Padre eterno signor” (Leonora, Don Carlo, Alcade, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. ”Padre eterno signor” (Leonora, Don Carlo, Alcade, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. ”Padre eterno signor” (Leonora, Don Carlo, Alcade, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi3:48
14La forza del destino: Act II, Scene 1. “Viva la buona compagnia!” (Carlo, Preziosilla, Alcade, Coro, Trabuco)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
mezzo-soprano vocals [Preziosilla]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
tenor vocals [Trabuco]:
Gino del Signore (operatic tenor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. “Viva la buona compagnia!” (Preziosilla, Don Carlo, Trabuco, Alcade, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Viva la buona compagnia!” (Preziosilla, Don Carlo, Trabuco, Alcade, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Viva la buona compagnia!” (Preziosilla, Don Carlo, Trabuco, Alcade, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi1:53
15La forza del destino: Act II, Scene 1. “Poich'è imberbe l'incognito” (Carlo, Coro, Alcade)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. “Poich'imberbe è l'incognito” (Don Carlo, Alcade, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Poich'imberbe è l'incognito” (Don Carlo, Alcade, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Poich'imberbe è l'incognito” (Don Carlo, Alcade, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi0:40
16La forza del destino: Act II, Scene 1. “Son Pereda, son ricco d'onore” (Carlo, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
Giuseppe Verdi2:30
17La forza del destino: Act II, Scene 1. “Sta bene” (Alcade, Preziosilla, Carlo)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Carlo di Vargas]:
Carlo Tagliabue (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Un alcade]:
Dario Caselli (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
mezzo-soprano vocals [Preziosilla]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 1. “Sta bene” (Preziosilla, Don Carlo, Alcade, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Sta bene” (Preziosilla, Don Carlo, Alcade, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 1. “Sta bene” (Preziosilla, Don Carlo, Alcade, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi3:05
18La forza del destino: Act II, Scene 2. “Sono giunta! Grazie, o Dio!” (Leonora)
producer:
Walter Legge (British classical producer)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi1:41
19La forza del destino: Act II, Scene 2. “Madre, pietosa Vergine” (Leonora, Coro)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi5:12
20La forza del destino: Act II, Scene 2. “Chi siete?” (Melitone, Leonora)
producer:
Walter Legge (British classical producer)
baritone vocals [Fra Melitone]:
Renato Capecchi (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 2. “Chi siete?” (Leonora, Melitone) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Chi siete?” (Leonora, Melitone) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Chi siete?” (Leonora, Melitone) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi2:11
21La forza del destino: Act II, Scene 2. “Chi mi cerca?” (Guardiano, Leonora, Melitone)
producer:
Walter Legge (British classical producer)
baritone vocals [Fra Melitone]:
Renato Capecchi (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Padre Guardiano]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
partial recording of:
La forza del destino: Atto II, scena 2. “Chi mi cerca?” … “Or siam soli” … “Infelice, delusa, reietta” (Leonora, Melitone, Guardiano) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 2. “Chi mi cerca?” … “Or siam soli” … “Infelice, delusa, reietta” (Leonora, Melitone, Guardiano) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 2. “Chi mi cerca?” … “Or siam soli” … “Infelice, delusa, reietta” (Leonora, Melitone, Guardiano) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi1:10
22La forza del destino: Act II, Scene 2. “Infelice, delusa, reietta” (Leonora, Guardiano)
producer:
Walter Legge (British classical producer)
bass vocals [Padre Guardiano]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
soprano vocals [Donna Leonora]:
Maria Callas (soprano) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
partial recording of:
La forza del destino: Atto II, scena 2. “Chi mi cerca?” … “Or siam soli” … “Infelice, delusa, reietta” (Leonora, Melitone, Guardiano) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 2. “Chi mi cerca?” … “Or siam soli” … “Infelice, delusa, reietta” (Leonora, Melitone, Guardiano) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino: Atto II, scena 2. “Chi mi cerca?” … “Or siam soli” … “Infelice, delusa, reietta” (Leonora, Melitone, Guardiano) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi11:13
23La forza del destino: Act II, Scene 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Padre Guardiano]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi8:06
24La forza del destino: Act II, Scene 2. “La Vergine degli Angeli” (Melitone, Guardiano, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Fra Melitone]:
Renato Capecchi (baritone) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
bass vocals [Padre Guardiano]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
conductor:
Tullio Serafin (conductor) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-08-19 until 1954-08-21, from 1954-08-23 until 1954-08-25, on 1954-08-27)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro) (from 1954-08-19 until 1954-08-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro) (from 1954-08-23 until 1954-08-25)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro) (on 1954-08-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi3:41
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets