Fabulous Original Singles 1959-62

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Chilly Winds Don't Blow (Remastered)
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
recording of:
Chilly Winds Don’t Blow (in 1959)
Verfasser(in):
Hecky Krasnow und Bill Lovelock (songwriter)
basiert auf:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
42:46
2Solitaire (Remastered)
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Solitaire (in 1959)
Verfasser(in):
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) und Carl Nutter
53:24
3Children Go Where I Send You (Remastered)
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
42:49
4Willow Weep for Me (Remastered)
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.253:10
5The Other Woman (Remastered)
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.652:57
6It Might as Well Be Spring (Remastered)
Produzent(in):
Hecky Krasnow
conductor:
Bob Mersey
arranger:
Bob Mersey
Bearbeitung von:
It Might as Well Be Spring von Nina Simone
cover recording of:
It Might as Well Be Spring (State Fair)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:16
7Summertime (Remastered)
Klavier:
Nina Simone
vocals:
Nina Simone
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
Bearbeitung von:
Summertime (live, 1959‐09‐12: The Town Hall, New York City, NY, USA) von Nina Simone
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1959-09-12)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:51
8Fine and Mellow (Remastered)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier und Sologesang:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Fine and Mellow (am 1959-09-12)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:25
9Since My Love Has Gone (Remastered)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
recording of:
Since My Love Has Gone
Verfasser(in):
Jack Aaron (co-writer of "Since My Love Has Gone") (in 1951) und Herbert Wasserman (jazz drummer) (in 1951)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
publisher:
Dartmouth Music (ASCAP)
basiert auf:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
2:48
10Tomorrow (We Will Meet Once More) (Remastered)
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
recording of:
Tomorrow (We Will Meet Once More) (in 1959-04)
Verfasser(in):
Stephen Gale und Jerry Silverman
43:03
11Under the Lowest (short version (Remastered)
recording of:
Under the Lowest
Komponist(in):
Nina Simone
3:10
12If Only for Tonight (Remastered)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
3:03
13Nobody Knows You When You're Down and Out (Remastered)
Produzent(in):
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
32:40
14Black Is the Color of My True Love's Hair (Remastered)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall")
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
vocals:
Nina Simone (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (am 1959-09-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
Arrangement von:
Black Is the Colour (of My True Love’s Hair)
43:31
15Trouble in Mind (Remastered)
Bearbeitung von:
Trouble in Mind (live, 1960‐06‐30: Newport, Rhode Island, USA) von Nina Simone
cover recording of:
Trouble in Mind
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
2:11
16Cotton Eyed Joe (Remastered)
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
22:51
17Work Song (Remastered)
Produzent(in):
Cal Lampley
Gitarre:
Al Schackman
Kontrabass [bass]:
Chris White (jazz bassist)
Schlagzeug [drums]:
Bob Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
Bearbeitung von:
Work Song (1961 version) von Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
2:07
18Memphis in June (Remastered)
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Memphis in June (in 1961)
Texter:
Paul Francis Webster (in 1945)
Komponist(in):
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) und Webster Music Co. (in 1945)
52:39
19You Can Have Him (Remastered)
cover recording of:
You Can Have Him
Texter und Komponist(in):
Irving Berlin (in 1949)
3:37
20Gin House Blues (Remastered)
cover recording of:
Gin House Blues
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
2:26
21Come on Back Jack (Remastered)
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
Come on Back, Jack
Texter:
Earl S. Shuman (composer / lyricist)
Komponist(in):
Leon Carr
2:16
22You've Been Gone Too Long (Remastered)
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
You’ve Been Gone Too Long (in 1959)
Texter und Komponist(in):
Brother John Sellers
52:11
23In the Evening by the Moonlight (Remastered)
Produzent(in):
Stu Phillips (US TV/film composer, conductor & producer)
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
In the Evening by the Moonlight (1879 song)
Texter und Komponist(in):
James A. Bland (in 1879)
2:13
24I Want a Little Sugar in My Bowl (Remastered)
Produzent(in):
Stu Phillips (US TV/film composer, conductor & producer)
conductor:
Ralph Burns
arranger:
Ralph Burns
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
2:44
25I Got It Bad (And That Ain't Good) (Remastered)
Produzent(in):
Stu Phillips (US TV/film composer, conductor & producer)
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:38