La Légende du classique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Passion
2▼CD: Émotion
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1Suite pour orchestre no. 3 : Aria
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:49
2La Lettre à Élise
piano:
Anatol Ugorski (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:04
3Adagio (extrait)
organ:
David Bell (organist)
violin:
Leon Spierer (violinist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni4:20
4Sonate no. 14, op. 27 no. 2 « Clair de lune »
piano:
Wilhelm Kempff (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven3:29
5Prolegendum
choir vocals:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos)
conductor:
Ismael Fernández de la Cuesta
Chœur des moines bénédictins de l’Abbaye Santo Domingo de Silos2:04
6Thaïs : Méditation
piano:
Jean‐Claude Ambrosini (pianist)
violin:
Christian Ferras (violinist)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet5:09
7Quintette à cordes, op. 11 no. 5 : Menuet (extrait)
orchestra:
Orpheus Chamber Orchestra (US orchestra)
partial recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
Luigi Boccherini1:37
8Valse, op. 64 no. 1 « Valse minute »
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Frédéric Chopin1:39
9Grande messe, K. 427 : Et incarnatus est (extrait)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart3:47
10Rêve d’amour no. 3
instruments:
Anatol Ugorski (pianist)
piano:
Anatol Ugorski (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt5:02
11Peer Gynt : Au matin (extrait)
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:58
12Concerto pour piano et orchestre no. 2 : Moderato (extrait)
piano:
Sviatoslav Richter (pianist)
orchestra:
Orkiestra Symfoniczna Filharmonii Narodowej (The Warsaw National Philharmonic Orchestra)
conductor:
Stanisław Wisłocki (conductor)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergueï Rachmaninov2:29
13Canon (extrait)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
partial recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:12
14Turandot : Air de Calaf « Nessun dorma »
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
tenor vocals [Calaf]:
Plácido Domingo (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:26
15Le Carnaval des animaux : Le Cygne
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Dr. Marion Thiem
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 1997-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1997-03)
balance engineer:
Stephan Flock
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (in 1997-03)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (in 1997-03)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns4:08
16Concerto d’Aranjuez : Adagio (extrait)
guitar:
Narciso Yepes (classical guitarist)
orchestra:
Orquesta Sinfónica de Radio Televisión Española (Spanish Radio and Television Symphony Orchestra)
conductor:
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo3:06
17Nabucco : Chœur des esclaves « Va pensiero » (extrait)
recording engineer:
Wolfgang Stengel
executive producer:
Prof. Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Renate Kupfer (artistic director) and Hanno Rinke
editor:
Christopher Alder (editor/engineer/producer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
chorus master:
Walter Hagen-Groll (chorus master) (in 1982-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
edit of:
Nabucco: “Va pensiero sull’ali dorate“ by Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Giuseppe Sinopoli (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi3:59
18Gymnopédie no. 1
assistant sound engineer:
Hans‐Rudolf Müller (engineer)
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Arend Prohmann (producer / editor)
piano:
Jean‐Marc Luisada (pianist) (in 1994-07)
vocals:
Jeanne Moreau (in 1994-07)
performer:
Jean‐Marc Luisada (pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1994-07)
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (in 1994-07)
composer:
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) and Londek Edition
arrangement of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie53:54
19Ave Maria (extrait)
piano:
Irwin Gage (pianist)
soprano vocals:
Gundula Janowitz (soprano)
partial recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert2:44
20La Moldau (extrait)
orchestra:
Boston Symphony Orchestra
conductor:
Rafael Kubelík (conductor)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana3:56
21Le Beau Danube bleu (extrait)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II3:18
22Concerto pour piano et orchestre no. 1 : Allegro non troppo (extrait)
piano:
Sviatoslav Richter (pianist)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Piotr Ilitch Tchaïkovski3:41
23Cantate, BWV 147 : Choral « Jésus, que ma joie demeure »
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31