The Complete Soul City/Bell Singles 1966-1975

~ Veröffentlichung von The 5th Dimension (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1Light Sings
3:01
2Viva Tirado
4:20
3Never My Love
4:17
4Together Let's Find Love
assistierende(r) Techniker(in):
Ed Barton (engineer), John Golden (mastering engineer) und Ray Thompson (engineer)
Techniker(in):
Bones Howe
Bass:
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) und Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Montego Joe
Gitarre:
Rudy Stevenson
Hybrid-Piano und Orgel:
Larry Knechtel
Klavier:
Isaiah Jones
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Billy und Marilyn
Orchester:
The Nat Brandwynne Orchestra
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Dave Blumberg
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
live recording of:
Together Let’s Find Love
Verfasser(in):
J. W. Alexander und Willie Hutchison
publisher:
Fifth Star Music
3:38
5I Just Wanna Be Your Friend
3:36
6(Last Night) I Didn't Get to Sleep at All
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(Last Night) I Didn’t Get to Sleep at All
Texter und Komponist(in):
Tony Macaulay
publisher:
PolyGram Music Publishing
33:14
7The River Witch
3:39
8If I Could Reach You
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
If I Could Reach You
Texter und Komponist(in):
Randy McNeill
3:10
9Tomorrow Belongs to the Children
3:37
10Living Together, Growing Together
assistierende(r) Techniker(in):
Ed Barton (engineer) und Ken Caillat
Techniker(in) und Produzent(in):
Bones Howe
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Larry Bunker
E-Gitarre:
Louie Shelton
Gitarre [rhythm]:
Dennis Budimir
Hybrid-Piano:
Mike Melvoin
Klavier:
Artie Butler
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Artie Butler und Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Artie Butler
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Living Together, Growing Together
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., J. C. Music Co. und New Hidden Valley Music, Inc.
3:52
11What Do I Need to Be Me
3:29
12Everything's Been Changed
cover recording of:
Everything’s Been Changed
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
3:48
13There Never Was a Day
3:50
14Ashes to Ashes
assistierende(r) Techniker(in):
Ed Barton (engineer) und Ken Caillat
Techniker(in) und Produzent(in):
Bones Howe
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Larry Bunker
E-Gitarre:
Louie Shelton
Gitarre [rhythm]:
Dennis Budimir
Hybrid-Piano:
Mike Melvoin
Klavier:
Artie Butler
Schlagzeug und Tamburin:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und René DeKnight
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Ashes to Ashes
Verfasser(in):
Brian Potter (US songwriter & producer) und Dennis Lambert
publisher:
Soldier Music, Inc. und Trousdale Music Publishers, Inc.
3:32
15Flashback
3:40
16Diggin' for a Livin'
3:04
17Harlem
3:30
18My Song
3:40
19No Love in the Room
3:07
20I Don't Know How to Look for Love
3:24

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