Slow Time

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Great Pretender
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer) und David Richards (Swiss-based producer and engineer)
Produzent(in):
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) und David Richards (Swiss-based producer and engineer)
Bass:
Alan Jones (bass player)
Keyboard und Klavier:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
Schlagzeug:
Harold Fisher
Hintergrundgesang:
Peter Straker (Jamaican born singer) und Roger Taylor (Queen drummer)
Hintergrundgesang und Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (in 1987, von 1999 bis 2000)
aufgenommen bei:
Ripe Studios in London (Greater London), England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
cover recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
Freddie Mercury3.53:26
2Angel in the Snow
Produzent(in):
a‐ha (Norwegian synth‐pop band) und David Z. (producer/engineer David Rivkin)
Mix:
Rod Hui und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
mixed at:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten
recording of:
Angel in the Snow
Verfasser(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
a‐ha4.54:13
3Seras-tu là ?
Véronique Sanson3:42
4Everybody Hurts
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
phonographisches Urheberrecht (℗) von:
R.E.M. (American rock band) (in 1993)
phonographisches Urheberrecht (℗) von:
Athens Ltd. (in 1993)
recording of:
Everybody Hurts
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
R.E.M.44:57
5Under the Bridge
Techniker(in):
Brendan O’Brien (engineer)
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Bass:
Flea (US bassist)
Gitarre:
John Frusciante
Schlagzeug:
Chad Smith (drummer from Red Hot Chili Peppers)
Gast Chorgesang:
Gail Frusciante
Sologesang:
Anthony Kiedis
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) und Warner Bros., Inc. (not for release label use!) (in 1991)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 33), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 328)
recording of:
Under the Bridge
Texter:
Anthony Kiedis
Komponist(in):
John Frusciante, Anthony Kiedis, Michael Peter Balzary (US bassist) und Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
EMI Blackwood Music Inc., Moebetoblame Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Artemis Music
Red Hot Chili Peppers4.254:25
6La solitudine
Laura Pausini3:57
7The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
8Le monde est stone
recording of:
Le monde est stone
Texter:
Luc Plamondon
Komponist(in):
Michel Berger
Fabienne Thibeault3:55
9Shine
Charles & Eddie5:08
10Wild World
assistierende(r) Techniker(in):
Stephen Hart (engineer), Dick Kaneshiro, Michael Semanick und Andy Udoff
Techniker(in) und Mix:
Kevin Elson und Tom Size (US audio engineer)
Produzent(in):
Kevin Elson
Bassgitarre:
Billy Sheehan
Gitarre:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
Schlagzeug:
Pat Torpey
Hintergrundgesang:
Roger (backing vocalist for Mr. Big)
Sologesang:
Eric Martin (vocalist for Mr. Big)
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Mr. Big43:27
11Wicked Game
recording engineer und Mix:
Mark Needham
Produzent(in):
Erik Jacobsen
assistierende(r) Mix:
Lee Herschberg
Bassgitarre:
Rowland Salley
Gitarre:
Chris Isaak und James Calvin Wilsey
Schlagzeug:
Kenney Dale Johnson
Hintergrundgesang:
Cynthia Lloyd und Christine Wall
Sologesang:
Chris Isaak
phonographisches Urheberrecht (℗) von:
Reprise Records und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
mixed at:
Amigo Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wicked Game (in 1989)
Texter und Komponist(in):
Chris Isaak
publisher:
Arc Music Corp. (U.S. rock & blues publisher), C. Isaak Music Publishing Co. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4.354:47
12Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:38
13Parisienne Walkways
recording of:
Parisienne Walkways
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Gary Moore4:53
14Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:16
15Against All Odds
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Phil Collins3.83:23
16Sister Jane
recording of:
Sister Jane
Texter und Komponist(in):
Khanh Maï
publisher:
You You Music Editions
Taï Phong3:58
17Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
18Call Me Now
Claude Lauzzana4:01

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Veröffentlichung

ASIN:FR: B00004UQ3K [Info]