Cold Feet

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
2Get It On
registrazione di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4:21
3The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:23
4Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:55
5Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:27
6Money for Nothing
produttore:
Neil Dorfsman e Mark Knopfler
voce ospite aggiuntiva:
Sting (singer, songwriter & member of The Police)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1988) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1988, nel 2022)
registrazione di:
Money for Nothing (Dire Straits song)
paroliere e compositore:
Mark Knopfler
compositore aggiunto:
Sting (singer, songwriter & member of The Police)
editore:
Chariscourt Ltd., Rondor Music (London) Ltd. e Virgin Music (Publishers) Ltd.
cita la musica di:
Don’t Stand So Close to Me
Dire Straits3.74:03
7Out of the Sinking
produttore:
Brendan Lynch (London producer) e Paul Weller (English singer‐songwriter and musician)
tecnico di missaggio:
Brendan Lynch (London producer)
batteria :
Steve White (Style Council drummer) (nel 1994-08)
chitarra , piano elettrico Wurlitzer e voce principale:
Paul Weller (English singer‐songwriter and musician) (nel 1994-08)
chitarra basso :
Yolanda Charles (nel 1994-08)
mellotron [novatron] e organo :
Helen Turner (nel 1994-08)
voce:
Carleen Anderson (nel 1994-08)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1994-08)
registrazione di:
Out of the Sinking (nel 1994-08)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
Paul Weller3.753:50
8May You Never
tecnico:
John Wood (UK producer)
produttore:
John Wood (UK producer) e John Martyn (British singer‐songwriter and guitarist) (dal 1972-11 al 1972-12)
basso :
Dave Pegg (dal 1972-11 al 1972-12)
batteria :
Dave Mattacks (dal 1972-11 al 1972-12)
chitarra acustica e chitarra elettrica :
John Martyn (British singer‐songwriter and guitarist) (dal 1972-11 al 1972-12)
clavinet, organo e pianoforte :
John “Rabbit” Bundrick (dal 1972-11 al 1972-12)
congas :
Neemoi Acquaye (dal 1972-11 al 1972-12)
contrabbasso :
Danny Thompson (English double bass player) (dal 1972-11 al 1972-12)
voce:
John Martyn (British singer‐songwriter and guitarist) (dal 1972-11 al 1972-12)
registrazione di:
May You Never
paroliere e compositore:
Iain David McGeachy (British singer‐songwriter and guitarist)
editore:
Intersong Music Ltd. e Intersong U.S.A. (publisher)
John Martyn4.253:40
9Nothing's Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:26
10Pop Muzik
tecnico di missaggio:
Nik Launay
remixer:
Nick Launay
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M44:55
11Help Yourself
registrazione di:
Help Yourself
paroliere:
Mogul (Italian lyricist)
autore:
Jack Fishman
compositore:
Carlo Donida
si basa su:
Gli Occhi Miei
Tom Jones2:51
12Can't Get Enough of Your Love
diritti fonografici (℗) detenuti da:
PolyGram Records (nel 1974)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:02
13The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
14Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.653:57
15Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:52
16A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.254:10
17Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.653:40

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