Ghost Ship (Original Motion Picture Soundtrack)

~ Release by John Frizzell (see all versions of this release, 3 available)

Annotation

Copyright: © 2002 Warner Bros.
℗ 2002 Warner Bros., under exclusive license to Varese Sarabande Records LLC, under exclusive license to Varese Sarabande Records LLC

Excluded Regions (as of 2026-05-29)

🇵🇷 Puerto Rico, 🇮🇴 British Indian Ocean Territory

Annotation last modified on 2026-05-29 10:21 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1The Discovery
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Discovery
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:56
2Falling Apart
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Falling Apart
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:55
3The Arctic Warrior
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Arctic Warrior
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:39
4The Deal
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Deal
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
3:16
5The Antonia Graza
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Antonia Graza
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
3:20
6Welcome Aboard
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Welcome Aboard
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:55
7How's It Going Up There?
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
How's It Going Up There?
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
0:58
8Falling Through
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Falling Through
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
0:57
9Touring the Ship
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Touring the Ship
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
2:16
10The Marie Celeste
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Marie Celeste
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:37
11I Saw a Little Girl
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
I Saw a Little Girl
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:46
12No Unexpected Guests
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
No Unexpected Guests
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
2:13
13Bullet Holes
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Bullet Holes
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:11
14Cabina Di Capitano
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Cabina Di Capitano
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
0:59
15Katie Appears
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Katie Appears
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:48
16Meeting the Captain
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Meeting the Captain
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
2:45
17The Bodies
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Bodies
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:25
18Francesca Appears
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Francesca Appears
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:30
19The Freezer
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Freezer
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:11
20Finding Gold
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Finding Gold
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:32
21Work to Do
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Work to Do
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:55
22Santos Dies
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Santos Dies
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:24
23My Little Box
producer:
John Frizzell (American score composer)
mixer:
Steve Durkee
performer:
Gabriel Mann
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recording of:
My Little Box
lyricist:
Gabriel Mann
composer:
John Frizzell (American score composer), Micha Liberman and Gabriel Mann
4:08
24Go to Hell
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Go to Hell
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:56
25Bon Appetite
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Bon Appetite
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:59
26Katie's Dolls
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Katie's Dolls
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:23
27The Ballroom Reverts
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Ballroom Reverts
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:38
28Francesca's Theme
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Francesca's Theme
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:02
29Epps Meets Katie
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Epps Meets Katie
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:46
30Survivor
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Survivor
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:14
31Katie Disappears
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Katie Disappears
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:15
32The Fight
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Fight
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
2:35
33Repairs
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Repairs
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:30
34Underwater
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Underwater
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
2:01
35Greer's Body
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Greer's Body
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:00
36Murphy's Body
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
Murphy's Body
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
1:20
37I Guess It's Over
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
I Guess It's Over
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
5:34
38The Graza Explodes
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Graza Explodes
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
0:41
39The Souls Ascend
recording engineer and mixer:
Rick Winquest
assistant engineer:
Erik Jordan (engineer) and Mark Tucker (engineer)
engineer:
Tom Trafalski
co-producer:
Tom Trafalski
producer:
John Frizzell (American score composer)
assistant editor:
Doug Taylor (editor)
editor:
Tommy Lockett (US bassist & Heat Records label manager)
conductor:
Nick Ingman
orchestrator:
Frank Bennett (percussionist and arranger)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2002)
recorded at:
Phoenix Sound (Wembley) in London (Greater London), England, United Kingdom
recording of:
The Souls Ascend
orchestrator:
Frank Bennett (percussionist and arranger) and Andrew Kinney
composer:
John Frizzell (American score composer)
3:24

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Warner Bros. (holding: file NO releases) (in 2002)
licensed to:Varese Sarabande Records LLC (not for release label use!)
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stream for free:https://open.spotify.com/album/2TwkWFJisCXjNeFFvUqhpK [info]
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streaming page:https://music.apple.com/gb/album/1444055517 [info]
https://tidal.com/album/35125028 [info]