My Foolish Heart

~ Release by Liz Story (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1My Foolish Heart
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:08
2Spring Can Really Hang You up the Most
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
Spring Can Really Hang You Up the Most
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
4:06
3How Insensitive
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
How Insensitive
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
3:34
4My One and Only Love
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
2:49
5My Romance
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
My Romance
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
3:12
6My Ship
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
3:29
7I Got It Bad (and That Ain't Good)
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
3:40
8You Are Too Beautiful
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
You Are Too Beautiful
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
4:16
9In a Sentimental Mood
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:41
10Someday My Prince Will Come
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
Someday My Prince Will Come
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
2:41
11Never Never Land
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
Never Never Land (Peter Pan, 1954 musical)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC and WC Music Corp.
part of:
Peter Pan (1954 musical)
3:14
12Never Will I Know
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
recording of:
Never Will I Know
composer:
Dick Grove
5:48
13All the Things You Are
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:34
14Turn Out the Stars
assistant recording engineer:
Dan Bosworth (engineer) and Mark Guilbeault
recording engineer and engineer:
Rik Pekkonen
producer:
Dawn Atkinson and Dick Grove
editor:
Tom McCluskey
double bass [acoustic bass]:
Joel DiBartolo
piano:
Liz Story
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
Turn Out the Stars
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
2:40