Het beste uit de top 100 allertijden: Editie ’94

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:47
2You Give Love a Bad Name
assistierende(r) Techniker(in):
Tim Crich
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
Akustikgitarre, E-Gitarre, Gitarrensynthesizer [IVL Guitar Synths] und Talkbox:
Richie Sambora
E-Bass [Bass] und Hintergrundgesang:
Alec John Such
Keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora und Alec John Such
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 20) und BILLIONS CLUB
recording of:
You Give Love a Bad Name
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing, Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.33:44
3Crazy
Produzent(in):
Trevor Horn
Gitarre:
Chrissie Schefts
Gitarre [wah-wah pedal guitar]:
Kenji Suzuki (Simply Red)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1990, in 1991), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Crazy (Seal song)
Verfasser(in):
Seal (English‐born singer and songwriter) und Guy Sigsworth
publisher:
Beethoven Street Music Ltd und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal4.15:56
4Like the Way I Do
recording of:
Like the Way I Do
Texter und Komponist(in):
Melissa Etheridge
Melissa Etheridge4.155:26
5Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Phil Collins3.83:26
6While You See a Chance
assistierende(r) Techniker(in):
John Clarke (engineer, associated with Steve Winwood)
Techniker(in), Produzent(in) und Mix:
Steve Winwood
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1980)
engineered at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Vereinigtes Königreich
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood35:12
7Blue Monday
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
Samples:
Uran von Kraftwerk
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (Nummer: 61) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 235)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order3.77:30
8I.G.Y.
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
Bassgitarre:
Anthony Jackson (US bassist)
Gitarre:
Hugh McCracken
Hybrid-Piano:
Greg Phillinganes
Perkussion:
Roger Nichols (US mastering, recording engineer and producer) und Starz Vanderlocket
Posaune:
Dave Bargeron (US trombonist & tubist)
Schlagzeug:
James Gadson (American drummer)
Synthesizer:
Donald Fagen und Rob Mounsey
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Randy Brecker
zusätzlich Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders und Valerie Simpson
Sologesang:
Donald Fagen
arranger:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:04
9Stop Loving You
recording of:
Stop Loving You
Verfasser(in):
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
publisher:
BMG Songs, Hudmar Publishing Co. Inc., Inactive und Rehtakul Veets Music
Toto4:30
10Blockbuster!
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. und Universal Music Publishing MGB Ltd.
The Sweet3:13
11Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:03
12Going to the Run
recording of:
Going to the Run
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Bouncin’ Balls Music
Golden Earring3:59
13Pride
assistierende(r) Techniker(in):
Randy Ezratty (engineer)
Techniker(in) und Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
zusätzliche(r) Techniker(in):
Kevin Killen
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1984)
Musikvideos:
Pride (In the Name of Love) von U2 (Irish rock band), Pride (In the Name of Love) - sepia version von U2 (Irish rock band) und Pride (In the Name of Love) (Slane Castle version) von U2 (Irish rock band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 378)
recording of:
Pride (In the Name of Love)
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
U24.053:49
14The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby and the Range4.054:58
15O Superman
Techniker(in):
Leanne Ungar
assistierende(r) Produzent(in):
Perry Hoberman
Produzent(in):
Laurie Anderson (experimental/art rock musician) und Roma Baran
elektronische Instrumente [electronics] und Vocoder:
Laurie Anderson (experimental/art rock musician)
Farfisa-Orgel und Synthesizer [Casio]:
Roma Baran
flute und Saxophon [sax]:
Perry Hoberman
vocals:
Laurie Anderson (experimental/art rock musician)
aufgenommen bei:
The Lobby (Laurie Anderson's home studio) in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
O Superman (in 1981)
Texter und Komponist(in):
Laurie Anderson (experimental/art rock musician)
publisher:
Difficult Music
basiert auf:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
Laurie Anderson4.158:23

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