All Right Now

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 89)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:07
2Wuthering Heights
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
piano, background vocals and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding – file NO releases here!) (in 1982) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 18)
recording of:
Wuthering Heights (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush3.854:27
3This Town Ain’t Big Enough for Both of Us
recording of:
This Town Ain’t Big Enough for Both of Us
lyricist and composer:
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3:05
4Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
ELO44:35
5Best of Both Worlds
producer:
Tom Moulton
recording of:
Best of Both Worlds
lyricist and composer:
Robert Palmer (English singer‐songwriter)
Robert Palmer3:55
6Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:07
7The Price of Love
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
The Price of Love (from 1973 until 1976)
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
recording of:
The Price of Love
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
Bryan Ferry3:28
8Make Me Smile
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:59
9American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:13
10No More Fear of Flying
Gary Brooker4:39
11Time to Kill
recording of:
Time to Kill
lyricist and composer:
Robbie Robertson
The Band3:27
12All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:54
13Locomotive Breath
engineer:
John Burns (engineer/producer for Genesis)
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute and lead vocals:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (on 1971-02-12)
drums (drum set) and percussion:
Clive Bunker (on 1971-02-12)
electric guitar and soprano recorder:
Martin Barre (on 1971-02-12)
Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
John Evan (on 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (on 1971-02-12)
remixer:
Robin Black (engineer)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Locomotive Breath (on 1971-02-12)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:31
14Rocky Mountain Way
producer:
Bill Szymczyk and Joe Walsh (Eagles/James Gang)
bass guitar and guitar:
Kenny Passarelli (Bass, piano) (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
drums (drum set), electric piano, percussion and piano:
Joe Vitale (from 1972 until 1973)
keyboard:
Rocke Grace (from 1972 until 1973), Joe Vitale (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
synthesizer and lead vocals:
Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
background vocals:
Rocke Grace (from 1972 until 1973) and Kenny Passarelli (Bass, piano) (from 1972 until 1973)
phonographic copyright (℗) by:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (from 1972 until 1973)
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:17
15Saturday Night
recording of:
Saturday Night
lyricist:
Herman Brood
composer:
Dany Lademacher (Belgian guitarist)
Herman Brood & His Wild Romance3:41
16I’m Going Home
recording of:
I’m Going Home (Ten Years After)
lyricist and composer:
Alvin Lee
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
Ten Years After9:32
17Follow You Follow Me
recording of:
Follow You Follow Me
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (in 1978) and Hit and Run Music (in 1978)
Genesis3:54