Die Fledermaus (The Originals)

~ Release by Johann Strauss II; The Vienna Philharmonic Orchestra, Vienna State Opera Chorus, Herbert von Karajan (see all versions of this release, 4 available)

Annotation

Recorded June, 1960
Rereleased in Decca's series The Originals

Annotation last modified on 2012-04-22 06:47 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Fledermaus, Akt I: Overtüre
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II8:01
2Die Fledermaus, Akt I: Taubchen, das entflattert ist (Alfred)
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II1:05
3Die Fledermaus, Akt I: Da schreibt meine Schwester Ida (Adele)
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Dialog „Ha-ha-ha-ha! Da schreibt meine Ida“ (Adele) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Ich muß mir für heute Abend Ausgang erschwindeln!“ …„Meine arme Tante“ (Adele, Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Wie glücklich die alte Tante ist…“ (Rosalinde, Alfred) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 1b Duett „Ach, ich darf nicht hin zu dir!…Du darfst heut' nicht zu ihr“ (Adele, Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II5:40
4Die Fledermaus, Akt I: Nein, mit solchen Advokaten (Eisenstein)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Blind]:
Peter Klein (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. „Beruh’ge endlich diese Wut“ (Rosalinde, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Also, noch verschärft die Strafe?“ (Rosalinde, Eisenstein, Adele, Falke) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 2 Terzett „Nein, mit solchen Advokaten“ (Eisenstein, Rosalinde, Blind) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 2b „Rekurrieren - Appellieren“ (Eisenstein, Rosalinde, Blind) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:59
5Die Fledermaus, Akt I: Komm mit mir zum Souper (Falke)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Dialog „Ja, was ist denn los? Ihr tanzt und singt“ / „Seid ihr verrückt geworden?“ (Rosalinde, Eisenstein, Falke) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:49
6Die Fledermaus, Akt I: So muß allein ich bleiben (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Dialog „Ach… Diese Männer“ / „Er weint und tanzt zugleich“ (Rosalinde, Alfred) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:08
7Die Fledermaus, Akt I: Trinke, Liebchen, trinke schnell (Alfred)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
partial recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II3:00
8Die Fledermaus, Akt I: Ich höre Stimmen; man spricht unten! (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
partial recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II2:03
9Die Fledermaus, Akt I: Mein Herr, was dächten Sie von mir (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II2:32
10Die Fledermaus, Akt I: Nein, nein, ich zweifle gar nicht mehr (Frank)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Nr. 5c Terzett „Nein, nein, ich zweifle gar nicht mehr“ … „Mein schönes, grosses Vogelhaus” (Frank, Rosalinde, Alfred) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II3:13
11Die Fledermaus, Akt II: Ein Souper heut' uns winkt (Gäste)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
spoken vocals [Ivan]:
B. Fasolt (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Amüsement! Amüsement!“ … „Adele, wer hat dich denn hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:07
12Die Fledermaus, Akt II: Ich lade gern mir Gäste ein (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Das sind allerdings … Aber heute möchte ich herzlich lachen“ … „Durchlaucht, hier ist ihre Brieftasche wieder” … „Das ist ja Adele” (Eisenstein, Orlofsky, Ida, Adele, Falke) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:14
13Die Fledermaus, Akt II: Ach, meine Herr'n und Damen (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II1:10
14Die Fledermaus, Akt II: Mein Herr Marquis (Adele)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
spoken vocals [Ivan]:
B. Fasolt (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Es ist also wirklich wahr…“ (Falke, Rosalinde, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Dialog „Hoheit, ein Chevalier Chagrin ist da” … „Na, Herr Marquis“ (Ivan, Ida, Falke, Orlofsky, Frank, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II7:30
15Die Fledermaus, Akt II: Dieser Anstand so manierlich (Eisenstein)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Orlofsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Haha, lieber Marquis“ … „Ah, da ist ja die schöne Unbekannte” (Frank, Adele, Orlofsky, Rosalinde, alle) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II5:21
16Die Fledermaus, Akt II: Klänge der Heimat (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog: „Ausgezeichnet, bravo!“ (Ida, Rosalinde, Orlofsky, Falke, Eisenstein, alle) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II5:49
17Die Fledermaus, Akt II: Im Feuerstrom der Reben (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II2:18
2▶CD