Love Is in the Air (Reader’s Digest 4 CD compilation)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Don’t Leave Me This Way
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston3:35
2You Are Everything
registrazione di:
You Are Everything
autore:
Linda Creed e Thom Bell (keyboards, songwriter, producer)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics2:53
3Like Sister and Brother
voce:
Bill Fredericks e Butch Mann
voce di baritono:
Grant Kitchings
voce di tenore:
Butch Leake
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters)
arrangiatore:
Bert De Coteau
registrazione di:
Like Sister and Brother
compositore:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway e Geoff Stephens
The Drifters3:21
4Young Hearts, Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Jay Graydon e Ray Parker
chitarra basso :
Scotty Edwards (bassist)
congas :
Eddie Bongo
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
sintetizzatore :
Monty Stark
tastiera :
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) e Sonny Burke (soul/jazz/funk keyboardist)
vibrafono :
Vic Feldman
voce di accompagnamento:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells e June D. Williams
voce principale:
Candi Staton
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 424)
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton4.154:08
5Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
The Commodores3.653:36
6Working My Way Back to You
registrazione cover di:
Working My Way Back to You
autore:
Sandy Linzer e Denny Randell
editore:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. e Seasons 4 Music
The Spinners3:58
7Jump (for My Love)
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Reek Havoc (nel 1983) e Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
basso :
Louis Johnson (bass, member of Brothers Johnson) (nel 1983)
drum machine e sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
minimoog e batteria elettronica e sintetizzatore aggiunto:
Howie Rice (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
voce principale:
June Pointer (nel 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) e James C. Tract
diritti fonografici (℗) detenuti da:
Planet Records Inc. (nel 1983)
registrazione di:
Jump (for My Love) (nel 1983)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters3.354:22
8The Other Woman
registrazione di:
The Other Woman
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Raydiola Music, Sony/ATV Music Publishing Australia Pty Ltd. e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Ray Parker Jr.3:42
9What’s Love Got to Do With It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.153:47
10I Swear
produttore:
David Foster (Canadian music producer, arranger and composer)
registrazione cover di:
I Swear
autore:
Gary Baker (songwriter) e Frank J. Meyers (country music singer, songwriter, record producer)
editore:
MorganActive Songs, Inc. e Rick Hall Music, Inc.
All‐4‐One43:42
11Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Righteous Brothers33:35
12The More I See You
registrazione cover di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
Peter Allen3:34
13I Just Don’t Know What to Do With Myself
registrazione cover di:
I Just Don’t Know What to Do With Myself
paroliere:
Hal David
compositore e arrangiatore:
Burt Bacharach
editore:
Belinda Canada Music, Quartet Music, US Songs e Warner/Chappell (Warner/Chappell Music, Inc.)
adattamenti:
Ne vem kaj naj storim (I Just Don’t Know What to Do)
Marcia Hines3:04
14Chanson d’amour
registrazione di:
Chanson d’amour (1958 song)
paroliere e compositore:
Wayne Shanklin
editore:
Carlin Music e Intersong (publisher) (nel 1982)
Manhattan Transfer2:53
15Don’t Let Go
registrazione cover di:
Don’t Let Go
paroliere e compositore:
Jesse Stone
editore:
Campbell Connelly & Co. Ltd., Scion Three Music LLC e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Isaac Hayes3:55
16Crying
registrazione cover di:
Crying
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd e Acuff-Rose Publications, Inc. (BMI) (il 1961-08-16)
parte di:
50/50
Don McLean4.653:48
17You’ve Lost That Lovin’ Feelin’
registrazione cover di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Long John Baldry & Kathi McDonald5:15
18A Groovy Kind of Love
tecnico:
Steve Chase
produttore:
Phil Collins (of Genesis) e Anne Dudley (English score composer)
batteria , tastiera e voce principale:
Phil Collins (of Genesis)
direttore d'orchestra:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione cover di:
A Groovy Kind of Love
autore:
Carole Bayer Sager e Toni Wine
editore:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. e Screen Gems-EMI Music (nel 1966)
si basa su:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Phil Collins43:28
19That Ole Devil Called Love
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
video musicali:
That Ole Devil Called Love di Alison Moyet
registrazione cover di:
That Ole Devil Called Love
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:04
20When You Were Sweet Sixteen
registrazione di:
When You Were Sweet Sixteen (1898 song)
paroliere e compositore:
James Thornton (American songwriter)
editore:
Herman Darewski Music Publishers
The Fureys4:25

Accreditamenti

Pubblicazione

copyright (©) detenuto da:Reader’s Digest (Australia) Pty Limited (nel 2006)
Discogs:https://www.discogs.com/release/11443032 [info]