Q: Here Comes the Sun: The Best Music of the 1999 Summer Festival Season

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

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Annotation last modified on 2005-03-12 16:27 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Saint
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac (singer and guitar player from Little Rock, Arkansas), Kenny McDonald (engineer) and Sharleen Spiteri
producer:
Johnny Mac (singer and guitar player from Little Rock, Arkansas)
mixer:
Mark “Spike” Stent (producer, engineer)
phonographic copyright (℗) by:
Grand Central Records Ltd. and Mercury Records Ltd. (London) (for copyrights use only)
recorded at:
Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Mix Suite in London (Greater London), England, United Kingdom
recording of:
Saint
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
Texas3.854:45
2Roll Up & Shine
producer:
Marshall Bird and Steve Bush (engineer/mixer)
mixer:
Al Clay
recording of:
Roll Up and Shine
lyricist:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
composer:
Stuart Cable, Kelly Jones (Welsh guitarist vocalist for the Stereophonics) and Richard Jones (Welsh bassist for Stereophonics)
publisher:
PolyGram Island Music
Stereophonics33:59
3Push Upstairs
engineer and mixer:
Mike Nielsen (NZ/London/Turkey engineer), Rick Smith (electronic producer, member of Underworld) and Tom Morrison (London mixer/recording engineer/musician/songwriter/composer/music-producer)
producer:
Rick Smith (electronic producer, member of Underworld)
phonographic copyright (℗) by:
Underworld (legal entity for the band) (in 1998)
recorded at and mixed at:
Lemonworld (Underworld's studio) in United Kingdom
recording of:
Push Upstairs
lyricist and composer:
Darren Emerson, Karl Hyde and Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself) and Sherlock Holmes Music Ltd.
Underworld4.454:35
4Liars’ Bar
engineer:
John Brough
additional producer:
John Brough
producer:
Jon Kelly (engineer at Air London Studios)
recording of:
Liars' Bar
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
The Beautiful South35:50
5Tonite It Shows
phonographic copyright (℗) by:
V2 Records, Inc. (US branch of V2 Music Ltd.)
recording of:
Tonite It Shows
lyricist:
Jonathan Donahue (US rock musician)
composer:
Jonathan Donahue (US rock musician) and Grasshopper Mackowiak
Mercury Rev43:40
6Lazyitis
engineer:
Laurence Diana
recorded at:
The Slaughterhouse in Driffield, East Riding of Yorkshire, England, United Kingdom (in 1988-08)
mixed at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1988-09)
recording of:
Lazyitis
writer:
Happy Mondays, John Lennon (The Beatles) and Paul McCartney (The Beatles)
Happy Mondays3.652:47
7Numbskull
recording engineer:
David Nicholas (Australian recording engineer and producer)
additional engineer:
Nick Brine, Damon Innings and Sorrel Marchant
producer:
Ash (Northern Ireland alternative rock band), Chris Kimsey and Owen Morris
mixer:
Ash (Northern Ireland alternative rock band) and Owen Morris
drums (drum set):
Rick McMurray (Drummer, Ash) (in 1998)
electric bass guitar [bass]:
Mark Hamilton (UK bassist, member of Ash) (in 1998)
guitar:
Charlotte Hatherley (in 1998) and Tim Wheeler (Ash) (in 1998)
vocals:
Charlotte Hatherley (in 1998) and Tim Wheeler (Ash) (in 1998)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 1998)
recorded at:
Astoria (David Gilmour’s houseboat studio) in Hampton, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1998) and Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (in 1998)
recording of:
Numbskull (in 1998)
lyricist:
Tim Wheeler (Ash)
composer:
Mark Hamilton (UK bassist, member of Ash)
publisher:
Island Music Publishing
Ash3.753:11
8Late in the Day
producer:
John Cornfield and Supergrass
music videos:
Late in the Day by Supergrass
recording of:
Late in the Day
writer:
Gaz Coombes, Rob Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Supergrass44:44
9Fee fi Fo
recording of:
Fee Fi Fo
lyricist and composer:
Dolores O’Riordan
The Cranberries4:49
10Jayou (clean)
producer:
Cut Chemist and DJ Nu‐Mark
recording of:
Jayou
writer:
Akil (US rapper, a.k.a. Akil the MC, member of Jurassic 5), Courtenay Henderson (L.A. rapper), Lucas MacFadden, Marc 7, Mark Potsic and Charles Stewart (US rapper Chali 2na of Jurassic 5)
Jurassic 52:57
11Back in My Place
Reef44:13
12Special
assistant engineer:
Mike Zirkel
engineer:
Billy Bush (mixing engineer)
producer:
Garbage (US rock band)
additional bass and bass guitar:
Daniel Shulman (bass guitarist)
guitar:
Duke Erikson (member of Garbage) and Steve Marker
membranophone:
Butch Vig
vocals:
Shirley Manson
recorded at:
Smart Studios in Madison, Wisconsin, United States
recording of:
Special
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
Garbage3.653:44
13Rapture
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie3.64:58
14Same Old Show
programming:
Felix Buxton and Simon Ratcliffe
phonographic copyright (℗) by:
XL Recordings (in 1999)
samples:
Hip Hop vs. Rap by KRS‐One, On My Radio by The Selecter and Oohhh Baby (club mix) by Veda Simpson
recording of:
Same Old Show
composer:
Felix Buxton and Simon Ratcliffe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Basement Jaxx2.655:56